{"id":563,"date":"2023-10-04T22:01:30","date_gmt":"2023-10-04T22:01:30","guid":{"rendered":"http:\/\/cinemaking.org\/?page_id=563"},"modified":"2023-12-16T15:05:32","modified_gmt":"2023-12-16T15:05:32","slug":"4th-edition-selection-list","status":"publish","type":"page","link":"https:\/\/cinemaking.org\/?page_id=563","title":{"rendered":"4’th Edition Selection List"},"content":{"rendered":"

4’th CinemaKing International Film Festival 2023 Selection list.<\/strong><\/span><\/h3>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
SL No<\/span><\/strong><\/td>\nFilm Name<\/span><\/strong><\/td>\nDirector Name<\/span><\/strong><\/td>\nDuration<\/span><\/strong><\/td>\nCountry<\/span><\/strong><\/td>\nLanguage<\/span><\/strong><\/td>\nStatus<\/span><\/strong><\/td>\n<\/tr>\n
1<\/td>\nIvory Tulle<\/td>\nJax Guillen<\/td>\n00:08:39<\/td>\nCanada<\/td>\nEnglish, Tagalog<\/td>\nSelected<\/td>\n<\/tr>\n
2<\/td>\nThe Rehearsal<\/td>\nMoataz Alaa<\/td>\n00:04:00<\/td>\nEgypt<\/td>\nArabic<\/td>\nSelected<\/td>\n<\/tr>\n
3<\/td>\nLabyrinth of the mind<\/td>\nArman Ali<\/td>\n00:07:40<\/td>\nBangladesh<\/td>\nBengali<\/td>\nSelected<\/td>\n<\/tr>\n
4<\/td>\nThalassios Peirasmos (Short Film)<\/td>\nZoe Szymon<\/td>\n00:05:00<\/td>\nGreece<\/td>\nGreek<\/td>\nSelected<\/td>\n<\/tr>\n
5<\/td>\nCole Krsu\u00e1<\/td>\nDavid Castro Gonz\u00e1lez<\/td>\n00:05:25<\/td>\nSpain<\/td>\nSpanish<\/td>\nSelected<\/td>\n<\/tr>\n
6<\/td>\nElements<\/td>\nDavid Castro Gonz\u00e1lez<\/td>\n00:03:52<\/td>\nSpain<\/td>\nNo Dialogue<\/td>\nSelected<\/td>\n<\/tr>\n
7<\/td>\nRejected Minorities<\/td>\nFumbani Innot Phiri<\/td>\n00:05:02<\/td>\nMalawi<\/td>\nEnglish<\/td>\nSelected<\/td>\n<\/tr>\n
8<\/td>\nSevere Fear of Dropping Ear<\/td>\nJ\u0119drzej Kocjan<\/td>\n00:14:43<\/td>\nPoland<\/td>\nPolish<\/td>\nSelected<\/td>\n<\/tr>\n
9<\/td>\nThe Murder of Olof Palme<\/td>\nJoaquim Weibull, Paco Garcia<\/td>\n00:20:17<\/td>\nSweden<\/td>\nEnglish<\/td>\nSelected<\/td>\n<\/tr>\n
10<\/td>\nA TROUT IN THE MILK<\/td>\nAsato Sakamoto<\/td>\n01:06:00<\/td>\nJapan<\/td>\nJapanese<\/td>\nSelected<\/td>\n<\/tr>\n
11<\/td>\nDinamo Mesken<\/td>\nAhmet Karanfil, Yusuf Anavatan<\/td>\n00:30:00<\/td>\nTurkey<\/td>\nTurkish<\/td>\nSelected<\/td>\n<\/tr>\n
12<\/td>\nTraction<\/td>\nNatthasak Jaithita<\/td>\n00:26:06<\/td>\nThailand<\/td>\nEnglish, Thai<\/td>\nSelected<\/td>\n<\/tr>\n
13<\/td>\nMan with a cellphone camera<\/td>\nLuc da Silveira<\/td>\n00:23:48<\/td>\nBrazil<\/td>\nPortuguese<\/td>\nSelected<\/td>\n<\/tr>\n
14<\/td>\nLimbo<\/td>\nGiovanna Heroso, Alana Ismail<\/td>\n00:10:05<\/td>\nBrazil<\/td>\nPortuguese<\/td>\nSelected<\/td>\n<\/tr>\n
15<\/td>\nAPARNA<\/td>\nINDRANIL CHAKRABARTI<\/td>\n01:23:23<\/td>\nIndia<\/td>\nBengali<\/td>\nSelected<\/td>\n<\/tr>\n
16<\/td>\nMannippu<\/td>\nSelvakanthan Selvaraj<\/td>\n00:04:37<\/td>\nIndia<\/td>\nTamil<\/td>\nSelected<\/td>\n<\/tr>\n
17<\/td>\nEchoes of the Red One<\/td>\nBruno Teixeira<\/td>\n02:18:16<\/td>\nPortugal<\/td>\nPortuguese<\/td>\nSelected<\/td>\n<\/tr>\n
18<\/td>\nMedea’s Rage<\/td>\nPriyanka Kuckian<\/td>\n00:02:50<\/td>\nUnited States<\/td>\nEnglish<\/td>\nSelected<\/td>\n<\/tr>\n
19<\/td>\nEveryday Things<\/td>\nAndrea Dragov<\/td>\n00:05:00<\/td>\nBulgaria<\/td>\nBulgarian<\/td>\nSelected<\/td>\n<\/tr>\n
20<\/td>\nAGNIMANTHAN (Bengali)<\/td>\nPrabir Roy<\/td>\n02:14:11<\/td>\nIndia<\/td>\nBengali<\/td>\nSelected<\/td>\n<\/tr>\n
21<\/td>\nTHE WAIT…..<\/td>\nPROSENJIT MALLICK<\/td>\n00:04:52<\/td>\nIndia<\/td>\nBengali<\/td>\nSelected<\/td>\n<\/tr>\n
22<\/td>\nThe Man Who Stopped Genocide<\/td>\nDebanjan Bhattacharya<\/td>\n00:21:29<\/td>\nBangladesh<\/td>\nBengali, English<\/td>\nSelected<\/td>\n<\/tr>\n
23<\/td>\nOpposite Day<\/td>\nAki Aitos<\/td>\n00:06:20<\/td>\nUnited States<\/td>\nEnglish<\/td>\nSelected<\/td>\n<\/tr>\n
24<\/td>\nAgainst The Wall- The short film (2023)<\/td>\nDaniele Tullio, Luigi Vetere, Gabriele Spampinato<\/td>\n00:39:46<\/td>\nItaly<\/td>\nItalian<\/td>\nSelected<\/td>\n<\/tr>\n
25<\/td>\nMIRE<\/td>\nYang JinYu<\/td>\n00:11:27<\/td>\nChina<\/td>\nChinese<\/td>\nSelected<\/td>\n<\/tr>\n
26<\/td>\nKill Willy<\/td>\nGast\u00f3n H. Almada<\/td>\n01:26:53<\/td>\nFrance<\/td>\nSpanish<\/td>\nSelected<\/td>\n<\/tr>\n
27<\/td>\nProthasiddho (The story of a Customary society)<\/td>\nMustak Muzahid<\/td>\n00:22:30<\/td>\nBangladesh<\/td>\nBengali<\/td>\nSelected<\/td>\n<\/tr>\n
28<\/td>\n500th<\/td>\nAritra Banerjee<\/td>\n00:20:00<\/td>\nIndia<\/td>\nBengali<\/td>\nSelected<\/td>\n<\/tr>\n
29<\/td>\nSome Women<\/td>\nQuen Wong<\/td>\n01:11:00<\/td>\nCzech Republic, Singapore<\/td>\nEnglish, Malay, Yue Chinese (Cantonese)<\/td>\nSelected<\/td>\n<\/tr>\n
30<\/td>\nHo\u1e6d\u1e6deb\u0101ka<\/td>\nVishnu Tenkayala<\/td>\n00:19:19<\/td>\nIndia<\/td>\nKannada<\/td>\nSelected<\/td>\n<\/tr>\n
31<\/td>\nAccountability Partners<\/td>\nVosa Tosin<\/td>\n01:24:00<\/td>\nUnited Kingdom, Nigeria<\/td>\nEnglish<\/td>\nSelected<\/td>\n<\/tr>\n
32<\/td>\nRENAME<\/td>\n\u5a01\u9686 \u674e<\/td>\n00:15:00<\/td>\nChina<\/td>\nChinese<\/td>\nSelected<\/td>\n<\/tr>\n
33<\/td>\nAwakening<\/td>\nRedowan Ullah Himel<\/td>\n00:07:25<\/td>\nBangladesh<\/td>\nBengali<\/td>\nSelected<\/td>\n<\/tr>\n
34<\/td>\nLeonardo Thimo’s Alcatraz<\/td>\nLeonardo Thimo<\/td>\n00:08:00<\/td>\nGreece<\/td>\nModern Greek (1453-)<\/td>\nSelected<\/td>\n<\/tr>\n
35<\/td>\nThe Secret – To Mystiko<\/td>\nLeonardo Thimo<\/td>\n00:04:19<\/td>\nGreece<\/td>\nModern Greek (1453-)<\/td>\nSelected<\/td>\n<\/tr>\n
36<\/td>\nHog Ode<\/td>\nEsmail Ramezani<\/td>\n00:15:00<\/td>\nIran, Islamic Republic of<\/td>\nAzerbaijani<\/td>\nSelected<\/td>\n<\/tr>\n
37<\/td>\nMALEEK<\/td>\nElebesunu Abraham Ebimielen<\/td>\n01:10:31<\/td>\nNigeria<\/td>\nEnglish<\/td>\nSelected<\/td>\n<\/tr>\n
38<\/td>\nWhat did I miss?<\/td>\nMariam El-Nowaihi<\/td>\n00:16:45<\/td>\nEgypt<\/td>\nArabic<\/td>\nSelected<\/td>\n<\/tr>\n
39<\/td>\nThe Dawsonians<\/td>\nRoberto Riveros Jimenez<\/td>\n01:03:12<\/td>\nChile<\/td>\nSpanish<\/td>\nSelected<\/td>\n<\/tr>\n
40<\/td>\nNOT EVEN FOR A THOUSAND HANDFULS OF GOLD<\/td>\nDiego Rodriguez Guzman<\/td>\n00:24:00<\/td>\nChile<\/td>\nSpanish<\/td>\nSelected<\/td>\n<\/tr>\n
41<\/td>\nEnd to Phone<\/td>\nAlpaslan Mustafa DEM\u0130R<\/td>\n00:03:00<\/td>\nTurkey<\/td>\nTurkish<\/td>\nSelected<\/td>\n<\/tr>\n
42<\/td>\nPrototype<\/td>\nAbril Ruzmed<\/td>\n00:05:50<\/td>\nGermany<\/td>\nEnglish<\/td>\nSelected<\/td>\n<\/tr>\n
43<\/td>\nFace Cover<\/td>\nAshfaque Mohamed<\/td>\n01:10:00<\/td>\nSri Lanka<\/td>\nTamil<\/td>\nSelected<\/td>\n<\/tr>\n
44<\/td>\nMR. COVID<\/td>\nAbhishek Chatterjee<\/td>\n00:08:37<\/td>\nIndia<\/td>\nEnglish<\/td>\nSelected<\/td>\n<\/tr>\n
45<\/td>\nI need to talk to you about ugly things<\/td>\nCamilo Rodriguez<\/td>\n00:28:58<\/td>\nChile<\/td>\nSpanish<\/td>\nSelected<\/td>\n<\/tr>\n
46<\/td>\nJina And Prometheus<\/td>\nchiya Tchiya mohammadi ghasrian<\/td>\n00:12:43<\/td>\nFrance<\/td>\nFrench, Kurdish<\/td>\nSelected<\/td>\n<\/tr>\n
47<\/td>\nNAKED CAME THE STRANGER<\/td>\nZanna<\/td>\n00:05:10<\/td>\nUnited Kingdom<\/td>\nEnglish, Other<\/td>\nSelected<\/td>\n<\/tr>\n
48<\/td>\nIt’s Just Business<\/td>\nJudy Boyle<\/td>\n00:08:07<\/td>\nGreece, New Zealand<\/td>\nEnglish<\/td>\nSelected<\/td>\n<\/tr>\n
49<\/td>\nPlaying house<\/td>\nEunjin Lee<\/td>\n00:20:03<\/td>\nUnited States, Korea, Republic of<\/td>\nKorean<\/td>\nSelected<\/td>\n<\/tr>\n
50<\/td>\nOchena Rong<\/td>\nSinjan Mukherjee<\/td>\n00:09:35<\/td>\nIndia<\/td>\nBengali<\/td>\nSelected<\/td>\n<\/tr>\n
51<\/td>\nMON (The Secret Self)<\/td>\nSujay Chattopadhyay<\/td>\n00:19:13<\/td>\nIndia<\/td>\nBengali<\/td>\nSelected<\/td>\n<\/tr>\n
52<\/td>\nON OUR ROADS<\/td>\nMauricio Molina Navarro<\/td>\n00:21:36<\/td>\nItaly<\/td>\nItalian<\/td>\nSelected<\/td>\n<\/tr>\n
53<\/td>\nNaree<\/td>\nMohammad Arafatur Rahman<\/td>\n00:26:45<\/td>\nBangladesh, India<\/td>\nNo Dialogue<\/td>\nSelected<\/td>\n<\/tr>\n
54<\/td>\n601. Bucha’s tragedy<\/td>\nAgnieszka \u017b\u0105d\u0142o<\/td>\n00:39:00<\/td>\nPoland, Ukraine<\/td>\nUkrainian<\/td>\nSelected<\/td>\n<\/tr>\n
55<\/td>\nWingka<\/td>\nErnesto Garrat Vines<\/td>\n00:17:00<\/td>\nChile<\/td>\nOther, Spanish<\/td>\nSelected<\/td>\n<\/tr>\n
56<\/td>\nDevotional Skin<\/td>\nConstanza C\u00e1ceres, Francisca Basaure<\/td>\n00:27:47<\/td>\nChile<\/td>\nSpanish<\/td>\nSelected<\/td>\n<\/tr>\n
57<\/td>\nMALAIKA<\/td>\nABONGILE<\/td>\n00:27:17<\/td>\nSouth Africa<\/td>\nEnglish, Zulu<\/td>\nSelected<\/td>\n<\/tr>\n
58<\/td>\nUbhay Shangkat<\/td>\nSayeed Al Mesbah Chowdhury<\/td>\n00:02:30<\/td>\nBangladesh<\/td>\nBengali<\/td>\nSelected<\/td>\n<\/tr>\n
59<\/td>\nThe Search<\/td>\nThomas Brouns<\/td>\n00:22:47<\/td>\nUnited States<\/td>\nEnglish<\/td>\nSelected<\/td>\n<\/tr>\n
60<\/td>\nThe Librarian<\/td>\nSerkan Akta\u015f<\/td>\n00:20:43<\/td>\nTurkey<\/td>\nTurkish<\/td>\nSelected<\/td>\n<\/tr>\n
61<\/td>\nDelusion<\/td>\nSina Hadadi<\/td>\n00:09:15<\/td>\nIran, Islamic Republic of<\/td>\nPersian<\/td>\nSelected<\/td>\n<\/tr>\n
62<\/td>\nA Honour Tribute by Leonardo Thimo to Rena Vlahopoulou<\/td>\nLeonardo Thimo<\/td>\n01:02:20<\/td>\nGreece<\/td>\nModern Greek (1453-)<\/td>\nSelected<\/td>\n<\/tr>\n
63<\/td>\nDawn’s Embrace<\/td>\nKaiwen Chen<\/td>\n00:09:33<\/td>\nChina<\/td>\nChinese<\/td>\nSelected<\/td>\n<\/tr>\n
64<\/td>\nOut of focus<\/td>\nJuanyi Huang<\/td>\n00:11:15<\/td>\nChina<\/td>\nChinese<\/td>\nSelected<\/td>\n<\/tr>\n
65<\/td>\nEkhane Nongor (The Anchor)<\/td>\nMehedi Haque Rony<\/td>\n01:56:35<\/td>\nBangladesh<\/td>\nBengali<\/td>\nSelected<\/td>\n<\/tr>\n
66<\/td>\nPushing Dhaka<\/td>\nSophia K\u00e4fer<\/td>\n00:29:29<\/td>\nGermany<\/td>\nBengali, English<\/td>\nSelected<\/td>\n<\/tr>\n
67<\/td>\nSuperwoman ll<\/td>\nLeonardo Neo Mokoena<\/td>\n00:25:52<\/td>\nSouth Africa<\/td>\nEnglish<\/td>\nSelected<\/td>\n<\/tr>\n
68<\/td>\nNorthern Performance<\/td>\nJuuso Koivisto<\/td>\n00:39:53<\/td>\nFinland, Norway<\/td>\nFinnish<\/td>\nSelected<\/td>\n<\/tr>\n
69<\/td>\nRainy Night<\/td>\nWenda Li<\/td>\n00:04:35<\/td>\nChina<\/td>\nChinese<\/td>\nSelected<\/td>\n<\/tr>\n
70<\/td>\nMALEEK<\/td>\nElebesunu Abraham Ebimielen<\/td>\n01:10:31<\/td>\nNigeria<\/td>\nEnglish<\/td>\nSelected<\/td>\n<\/tr>\n
71<\/td>\nThe Muse<\/td>\nAngshuman Saikia<\/td>\n00:14:44<\/td>\nIndia<\/td>\nAssamese<\/td>\nSelected<\/td>\n<\/tr>\n
72<\/td>\nA Little Glass of Rum<\/td>\nLauren Keller<\/td>\n00:19:53<\/td>\nUnited States<\/td>\nEnglish<\/td>\nSelected<\/td>\n<\/tr>\n
73<\/td>\nArtificial Intelligence no.1: Programmed Body<\/td>\nH\u00e9ctor Maya<\/td>\n00:06:09<\/td>\nMexico<\/td>\nSpanish<\/td>\nSelected<\/td>\n<\/tr>\n
74<\/td>\nCombray<\/td>\nDelia Fern\u00e1ndez, Gonzalo G\u00f3mez-Ullate<\/td>\n00:06:00<\/td>\nSpain<\/td>\nFrench<\/td>\nSelected<\/td>\n<\/tr>\n
75<\/td>\nEl l\u00edmite de las cosas (The limit of things)<\/td>\nLaura Pardo, Soledad Castilla<\/td>\n00:04:40<\/td>\nSpain<\/td>\nSpanish<\/td>\nSelected<\/td>\n<\/tr>\n
76<\/td>\nBrujas (Witches)<\/td>\nGonzalo G\u00f3mez-Ullate<\/td>\n00:08:15<\/td>\nSpain<\/td>\nSpanish<\/td>\nSelected<\/td>\n<\/tr>\n
77<\/td>\nT\u00f3xicas (Toxics)<\/td>\nGonzalo G\u00f3mez-Ullate, Juan Alfonso Romero<\/td>\n00:09:42<\/td>\nSpain<\/td>\nSpanish<\/td>\nSelected<\/td>\n<\/tr>\n
78<\/td>\nLlegas tarde (You’re late)<\/td>\nAna Maestre, Ariane Gal\u00e1n<\/td>\n00:09:05<\/td>\nSpain<\/td>\nSpanish<\/td>\nSelected<\/td>\n<\/tr>\n
79<\/td>\nYo todav\u00eda (I’m still me)<\/td>\nLaura Pardo<\/td>\n00:03:00<\/td>\nSpain<\/td>\nSpanish<\/td>\nSelected<\/td>\n<\/tr>\n
80<\/td>\nDespertar (Awakening)<\/td>\nSoledad Castilla<\/td>\n00:09:53<\/td>\nSpain<\/td>\nSpanish<\/td>\nSelected<\/td>\n<\/tr>\n
81<\/td>\nRedescubre Ciudad Real (Rediscover Ciudad Real)<\/td>\nLaura Pardo, Soledad Castilla, Gonzalo G\u00f3mez-Ullate, Juan Alfonso Romero, Ismael Huertas<\/td>\n00:19:00<\/td>\nSpain<\/td>\nSpanish<\/td>\nSelected<\/td>\n<\/tr>\n
82<\/td>\nCapilla Hotel<\/td>\nHamed Shayesteh<\/td>\n01:03:00<\/td>\nIran, Islamic Republic of<\/td>\nPersian<\/td>\nSelected<\/td>\n<\/tr>\n
83<\/td>\nTaboo of Liro<\/td>\nArman Mehrabi<\/td>\n01:57:08<\/td>\nIran, Islamic Republic of<\/td>\nPersian<\/td>\nSelected<\/td>\n<\/tr>\n
84<\/td>\nAdrift<\/td>\nShahabeddin Hosseinpour<\/td>\n01:22:13<\/td>\nIran, Islamic Republic of<\/td>\nPersian<\/td>\nSelected<\/td>\n<\/tr>\n
85<\/td>\nOn Bruised Years<\/td>\nGovan Mehr Esmailpour<\/td>\n01:21:01<\/td>\nIran, Islamic Republic of<\/td>\nPersian<\/td>\nSelected<\/td>\n<\/tr>\n
86<\/td>\nWarcelona<\/td>\nVali karimnia<\/td>\n00:06:39<\/td>\nIran, Islamic Republic of<\/td>\nEnglish<\/td>\nSelected<\/td>\n<\/tr>\n
87<\/td>\nIRAQ<\/td>\nASoq Pathak<\/td>\n00:05:00<\/td>\nNepal<\/td>\nNepali<\/td>\nSelected<\/td>\n<\/tr>\n
88<\/td>\nRights Of Puppets<\/td>\nAli Reza Piyal<\/td>\n00:17:42<\/td>\nBangladesh<\/td>\nBengali<\/td>\nSelected<\/td>\n<\/tr>\n
89<\/td>\nHunger<\/td>\nDhrubo Khan<\/td>\n00:04:14<\/td>\nBangladesh<\/td>\nBengali<\/td>\nSelected<\/td>\n<\/tr>\n
90<\/td>\nThe Doll<\/td>\nGUIDO SEGAL<\/td>\n00:13:41<\/td>\nArgentina<\/td>\nSpanish<\/td>\nSelected<\/td>\n<\/tr>\n
91<\/td>\nAscension<\/td>\nGriffin Roessler<\/td>\n00:05:20<\/td>\nUnited States<\/td>\nEnglish<\/td>\nSelected<\/td>\n<\/tr>\n
92<\/td>\n-15<\/td>\nRinaldas Tomasevicius<\/td>\n00:27:34<\/td>\nLithuania<\/td>\nLithuanian<\/td>\nSelected<\/td>\n<\/tr>\n
93<\/td>\nCharming Habits<\/td>\nPaulius Ani\u010das<\/td>\n00:20:00<\/td>\nLithuania<\/td>\nNo Dialogue<\/td>\nSelected<\/td>\n<\/tr>\n
94<\/td>\nA Red Shirt<\/td>\nSiddharth Tripathy<\/td>\n01:38:20<\/td>\nIndia<\/td>\nHindi<\/td>\nSelected<\/td>\n<\/tr>\n
95<\/td>\nLittle Doggie<\/td>\nGiorgos Ntounis<\/td>\n00:26:01<\/td>\nGreece<\/td>\nModern Greek (1453-)<\/td>\nSelected<\/td>\n<\/tr>\n
96<\/td>\nElectric Shoes<\/td>\nDimitris Argyriou<\/td>\n00:03:28<\/td>\nGermany<\/td>\nEnglish<\/td>\nSelected<\/td>\n<\/tr>\n
97<\/td>\nThe First Two<\/td>\nBal\u00e1zs Sz\u00f6v\u00e9nyi-Lux<\/td>\n01:23:06<\/td>\nHungary<\/td>\nEnglish, Hungarian<\/td>\nSelected<\/td>\n<\/tr>\n
98<\/td>\nLights Out, Berlin!<\/td>\nDimitris Argyriou<\/td>\n01:21:00<\/td>\nGermany<\/td>\nEnglish, German<\/td>\nSelected<\/td>\n<\/tr>\n
99<\/td>\nINNER SENSE<\/td>\nBHASKAR JYOTI GOSWAMI<\/td>\n00:10:26<\/td>\nIndia<\/td>\n<\/td>\nSelected<\/td>\n<\/tr>\n
100<\/td>\nBAROTA BAJLEO BAJTE PARE (A dream in dark night)<\/td>\nAsim Sahu, Kuntan Pal<\/td>\n00:14:55<\/td>\nIndia<\/td>\nBengali<\/td>\nSelected<\/td>\n<\/tr>\n
101<\/td>\nNo jobs, no school: Afghan refugees in Pakistan see only a dark future<\/td>\nChieu Luu<\/td>\n00:10:00<\/td>\nPakistan, Afghanistan, Hong Kong, Chaina<\/td>\nEnglish, Persian, Urdu<\/td>\nSelected<\/td>\n<\/tr>\n
102<\/td>\nProlap<\/td>\nMilton Dey<\/td>\n00:05:35<\/td>\nBangladesh<\/td>\nBengali<\/td>\nSelected<\/td>\n<\/tr>\n
103<\/td>\nUpstream<\/td>\nAlvaro Adib<\/td>\n00:20:42<\/td>\nUruguay<\/td>\nSpanish<\/td>\nSelected<\/td>\n<\/tr>\n
104<\/td>\nTermite<\/td>\nTathagata Bhowmik<\/td>\n00:29:59<\/td>\nUnited States<\/td>\nBengali<\/td>\nSelected<\/td>\n<\/tr>\n
105<\/td>\nPrion<\/td>\nMaya Patrich<\/td>\n00:04:17<\/td>\nCanada<\/td>\nNo Dialogue<\/td>\nSelected<\/td>\n<\/tr>\n
106<\/td>\nEchoes From The Blue Meadow<\/td>\nH\u00e9ctor Hern\u00e1ndez<\/td>\n00:11:00<\/td>\nAustralia, Canada, Chile, Mexico<\/td>\nSpanish<\/td>\nSelected<\/td>\n<\/tr>\n
107<\/td>\nA BLIND TUNE<\/td>\nabdul hameed hassan alem<\/td>\n00:15:00<\/td>\nSaudi Arabia<\/td>\nArabic<\/td>\nSelected<\/td>\n<\/tr>\n
108<\/td>\nAfar<\/td>\nAjith Victor<\/td>\n00:11:00<\/td>\nIndia<\/td>\nMalayalam<\/td>\nSelected<\/td>\n<\/tr>\n
109<\/td>\nPetunia<\/td>\nEkaterina Ulyanova<\/td>\n00:03:47<\/td>\nRussian Federation<\/td>\nEnglish, Russian<\/td>\nSelected<\/td>\n<\/tr>\n
110<\/td>\nparallel<\/td>\nmajid farzolahi<\/td>\n00:08:00<\/td>\nIran<\/td>\nPersian<\/td>\nSelected<\/td>\n<\/tr>\n
111<\/td>\nTamso maa Jyotirgamaya<\/td>\nSanskar V Sahu<\/td>\n00:21:01<\/td>\nIndia<\/td>\n<\/td>\nSelected<\/td>\n<\/tr>\n
112<\/td>\nPecel Plus Plus<\/td>\nM Farhan Suryo<\/td>\n00:35:00<\/td>\nIndonesia<\/td>\nIndonesian<\/td>\nSelected<\/td>\n<\/tr>\n
113<\/td>\nInside The Car<\/td>\nDede Putra Veryan<\/td>\n00:19:35<\/td>\nIndonesia<\/td>\nIndonesian<\/td>\nSelected<\/td>\n<\/tr>\n
114<\/td>\nENIGMA<\/td>\nSoliu Kolapo Mustapha<\/td>\n00:03:30<\/td>\nNigeria<\/td>\nEnglish<\/td>\nSelected<\/td>\n<\/tr>\n
115<\/td>\nChathwali Lovestory<\/td>\nTejas Jadhav<\/td>\n00:15:00<\/td>\nIndia<\/td>\nHindi<\/td>\nSelected<\/td>\n<\/tr>\n
116<\/td>\nFlying in the Grey<\/td>\nYIJIAN JIANG<\/td>\n00:29:09<\/td>\nMacao, China, Hong Kong,<\/td>\nMandarin Chinese, Yue Chinese (Cantonese)<\/td>\nSelected<\/td>\n<\/tr>\n
117<\/td>\nTwilight (Sayanne).<\/td>\nArnab Biswas<\/td>\n00:07:00<\/td>\nIndia<\/td>\nBengali<\/td>\nSelected<\/td>\n<\/tr>\n
118<\/td>\nTokai<\/td>\nJASIM UDDIN EMON<\/td>\n00:05:00<\/td>\nBangladesh<\/td>\nBengali, English<\/td>\nSelected<\/td>\n<\/tr>\n
119<\/td>\nThe buried truth<\/td>\nMaruf Rahman<\/td>\n00:03:15<\/td>\nBangladesh<\/td>\nBengali<\/td>\nSelected<\/td>\n<\/tr>\n
120<\/td>\nsatyameva jayate<\/td>\nkrishna teja prp<\/td>\n00:10:00<\/td>\nIndia<\/td>\nTelugu<\/td>\nSelected<\/td>\n<\/tr>\n
121<\/td>\nThe Writing Key<\/td>\nBatuhan T\u00fcz\u00fcn<\/td>\n00:14:58<\/td>\nTurkey<\/td>\nEnglish, Turkish<\/td>\nSelected<\/td>\n<\/tr>\n
122<\/td>\nCloser<\/td>\nSantiago Rivero<\/td>\n00:12:51<\/td>\nLatvia<\/td>\nLatvian<\/td>\nSelected<\/td>\n<\/tr>\n
123<\/td>\nChweu\u00e8rle. Fragments of a chronology of random. Fragment 12<\/td>\nCharles Menut<\/td>\n00:10:00<\/td>\nFrance<\/td>\nFrench<\/td>\nSelected<\/td>\n<\/tr>\n
124<\/td>\nTiffin<\/td>\nSabiha Tabassum<\/td>\n00:03:20<\/td>\nUnited Kingdom<\/td>\nBengali<\/td>\nSelected<\/td>\n<\/tr>\n
125<\/td>\nIn the core of the atom, the sparks…<\/td>\nSarah Gutknecht, Camilo Lora<\/td>\n00:50:10<\/td>\nCanada<\/td>\nSpanish<\/td>\nSelected<\/td>\n<\/tr>\n
126<\/td>\nOur joy<\/td>\nEma Saric<\/td>\n00:02:59<\/td>\nBosnia and Herzegovina<\/td>\nBosnian<\/td>\nSelected<\/td>\n<\/tr>\n
127<\/td>\nOne hand the other (Eine Hand die Andere)<\/td>\nLenna Fichter, Janis Westphal<\/td>\n01:10:00<\/td>\nGermany<\/td>\nGerman<\/td>\nSelected<\/td>\n<\/tr>\n
128<\/td>\nOver-Ride ‘Narc-Island’ (Director’s Cut)<\/td>\nFragrance Francique<\/td>\n01:36:00<\/td>\nAntigua and Barbuda<\/td>\n<\/td>\nSelected<\/td>\n<\/tr>\n
129<\/td>\nThe Final Solution<\/td>\nAnarya Murshid<\/td>\n00:05:05<\/td>\nBangladesh<\/td>\nBengali<\/td>\nSelected<\/td>\n<\/tr>\n
130<\/td>\nDo you see me ?! ..<\/td>\nMuhammad Huseen Shammiah<\/td>\n00:15:00<\/td>\nSyrian Arab Republic<\/td>\nArabic<\/td>\nSelected<\/td>\n<\/tr>\n
131<\/td>\nearth man<\/td>\nManuel Jos\u00e8 Mart\u00ednez.<\/td>\n00:10:47<\/td>\nColombia<\/td>\n<\/td>\nSelected<\/td>\n<\/tr>\n
132<\/td>\nLight<\/td>\nMaria Salvin<\/td>\n00:01:51<\/td>\nIndia<\/td>\nNo Dialogue<\/td>\nSelected<\/td>\n<\/tr>\n
133<\/td>\nSongs for a movie, or a movie for songs<\/td>\nGerman L. Ramos Bri\u00f1ez<\/td>\n00:16:45<\/td>\nVenezuela, Bolivarian Republic of<\/td>\nSpanish<\/td>\nSelected<\/td>\n<\/tr>\n
134<\/td>\nPARH – The river bank<\/td>\nRaj Bannerjee<\/td>\n01:43:45<\/td>\nIndia<\/td>\nBengali<\/td>\nSelected<\/td>\n<\/tr>\n
135<\/td>\nThe Source 1996<\/td>\nIvy Luxen<\/td>\n00:06:30<\/td>\nUnited States<\/td>\nEnglish<\/td>\nSelected<\/td>\n<\/tr>\n
136<\/td>\nAbove The Line<\/td>\nCarlos Balvin<\/td>\n01:51:46<\/td>\nUnited States<\/td>\nEnglish<\/td>\nSelected<\/td>\n<\/tr>\n
137<\/td>\nZombie Chronicles<\/td>\nVito Garcia Viedma<\/td>\n01:10:00<\/td>\nChile<\/td>\nSpanish<\/td>\nSelected<\/td>\n<\/tr>\n
138<\/td>\nOutgrow the system<\/td>\nCecilia Paulsson, Anders Nilsson<\/td>\n00:60:00<\/td>\nSweden, Bangladesh, Uganda<\/td>\nEnglish, Swedish<\/td>\nSelected<\/td>\n<\/tr>\n
139<\/td>\nKLAM<\/td>\nCarlos Reyes<\/td>\n01:35:34<\/td>\nMexico<\/td>\nEnglish<\/td>\nSelected<\/td>\n<\/tr>\n
140<\/td>\nYezhu Jenmangal (7 Angels)<\/td>\nHarish<\/td>\n01:02:52<\/td>\nIndia<\/td>\nTamil<\/td>\nSelected<\/td>\n<\/tr>\n
141<\/td>\nSohomer Kando<\/td>\nSujit Das<\/td>\n00:13:40<\/td>\nIndia<\/td>\nBengali<\/td>\nSelected<\/td>\n<\/tr>\n
142<\/td>\nHis Redemption<\/td>\nShichao Yuan<\/td>\n01:26:00<\/td>\nChina<\/td>\nChinese<\/td>\nSelected<\/td>\n<\/tr>\n
143<\/td>\nPlay girl<\/td>\nJinfeng Gao<\/td>\n01:03:00<\/td>\nChina<\/td>\nChinese<\/td>\nSelected<\/td>\n<\/tr>\n
144<\/td>\nI\u2019m Not Missing<\/td>\nLiangzi<\/td>\n01:58:00<\/td>\nChina<\/td>\nChinese<\/td>\nSelected<\/td>\n<\/tr>\n
145<\/td>\nLove of Fireflies<\/td>\nYing Liu<\/td>\n01:37:35<\/td>\nChina<\/td>\nChinese<\/td>\nSelected<\/td>\n<\/tr>\n
146<\/td>\nYOU AND ME<\/td>\nWeimin Zhong<\/td>\n01:04:05<\/td>\nChina<\/td>\nChinese<\/td>\nSelected<\/td>\n<\/tr>\n
147<\/td>\nMetro<\/td>\nBrian Yao<\/td>\n02:12:00<\/td>\nChina<\/td>\nChinese<\/td>\nSelected<\/td>\n<\/tr>\n
148<\/td>\nTIDE UP AND DOWN<\/td>\nBinghan Zhang<\/td>\n01:36:00<\/td>\nChina<\/td>\nChinese<\/td>\nSelected<\/td>\n<\/tr>\n
149<\/td>\nThere’s a play<\/td>\nShuaixian Chen<\/td>\n01:30:00<\/td>\nChina<\/td>\nChinese<\/td>\nSelected<\/td>\n<\/tr>\n
150<\/td>\nCage<\/td>\nJun Yang<\/td>\n01:15:00<\/td>\nChina<\/td>\nChinese<\/td>\nSelected<\/td>\n<\/tr>\n
151<\/td>\nSparrow<\/td>\nYihang Xu<\/td>\n00:28:51<\/td>\nChina<\/td>\nChinese<\/td>\nSelected<\/td>\n<\/tr>\n
152<\/td>\nCATMINT<\/td>\nTianqing Deng<\/td>\n00:15:13<\/td>\nChina<\/td>\nChinese<\/td>\nSelected<\/td>\n<\/tr>\n
153<\/td>\nAbout My Daughter<\/td>\nShuyin Yu<\/td>\n00:11:32<\/td>\nChina<\/td>\nChinese<\/td>\nSelected<\/td>\n<\/tr>\n
154<\/td>\nThe Bugle Sounds<\/td>\nXiang Wang<\/td>\n00:14:29<\/td>\nChina<\/td>\nChinese<\/td>\nSelected<\/td>\n<\/tr>\n
155<\/td>\nFlowers under megalith<\/td>\nWenhai Chen<\/td>\n00:16:00<\/td>\nChina<\/td>\nChinese<\/td>\nSelected<\/td>\n<\/tr>\n
156<\/td>\nFrom Here To Joy<\/td>\nJiaen Li<\/td>\n00:28:00<\/td>\nChina<\/td>\nChinese<\/td>\nSelected<\/td>\n<\/tr>\n
157<\/td>\nQu Yuan<\/td>\nYan Yan<\/td>\n00:21:00<\/td>\nChina<\/td>\nChinese<\/td>\nSelected<\/td>\n<\/tr>\n
158<\/td>\nThe Fortuneteller<\/td>\nYuqian Qin<\/td>\n00:18:17<\/td>\nChina<\/td>\nChinese<\/td>\nSelected<\/td>\n<\/tr>\n
159<\/td>\nHearing the Truth<\/td>\nQian Tang<\/td>\n00:03:13<\/td>\nUnited States<\/td>\nEnglish<\/td>\nSelected<\/td>\n<\/tr>\n
160<\/td>\nThe Deep Love<\/td>\nJiamin Jiao<\/td>\n00:18:37<\/td>\nChina<\/td>\nChinese<\/td>\nSelected<\/td>\n<\/tr>\n
161<\/td>\nHidden Tiger<\/td>\nZhao Wang<\/td>\n00:14:50<\/td>\nChina<\/td>\nChinese<\/td>\nSelected<\/td>\n<\/tr>\n
162<\/td>\nRenaissance<\/td>\nYu Liao<\/td>\n00:24:05<\/td>\nChina<\/td>\nChinese<\/td>\nSelected<\/td>\n<\/tr>\n
163<\/td>\nI am always here<\/td>\nXuanyu Mu<\/td>\n00:16:00<\/td>\nChina<\/td>\nChinese<\/td>\nSelected<\/td>\n<\/tr>\n
164<\/td>\nA Parting Day<\/td>\nLuming Feng<\/td>\n00:20:52<\/td>\nChina<\/td>\nChinese<\/td>\nSelected<\/td>\n<\/tr>\n
165<\/td>\nDark Reef<\/td>\nLuyuan liu<\/td>\n00:16:16<\/td>\nChina<\/td>\nChinese<\/td>\nSelected<\/td>\n<\/tr>\n
166<\/td>\nWaiting For The Dawn<\/td>\nXinyao Lian<\/td>\n00:13:23<\/td>\nChina<\/td>\nChinese<\/td>\nSelected<\/td>\n<\/tr>\n
167<\/td>\nTRANS RUNAWAYS<\/td>\nZha Babaieva<\/td>\n01:32:07<\/td>\nCanada, Germany, Ukraine<\/td>\nEnglish, German, Russian, Ukrainian<\/td>\nSelected<\/td>\n<\/tr>\n
168<\/td>\nA SYLVAN SAGA<\/td>\nJyoti Prasad Das<\/td>\n00:23:00<\/td>\nIndia<\/td>\nEnglish<\/td>\nSelected<\/td>\n<\/tr>\n
169<\/td>\nMIRACLE\u00a0 BAND<\/td>\nChunling Xu<\/td>\n01:36:24<\/td>\nChina<\/td>\nChinese<\/td>\nSelected<\/td>\n<\/tr>\n
170<\/td>\nOur Hell in Our Plastic World<\/td>\nEmre ARSLAN<\/td>\n00:06:03<\/td>\nTurkey<\/td>\nEnglish, Turkish<\/td>\nSelected<\/td>\n<\/tr>\n
171<\/td>\nThe Human Effect Revision 2023<\/td>\nEd Breeding<\/td>\n01:10:00<\/td>\nUnited States<\/td>\nEnglish<\/td>\nSelected<\/td>\n<\/tr>\n
172<\/td>\nPast, Future, Now<\/td>\nFerit Do\u011fan<\/td>\n00:10:04<\/td>\nTurkey<\/td>\nTurkish<\/td>\nSelected<\/td>\n<\/tr>\n
173<\/td>\nChildren of the Sun, Keep It Up<\/td>\nJyun Wu<\/td>\n00:37:32<\/td>\nTaiwan<\/td>\nChinese<\/td>\nSelected<\/td>\n<\/tr>\n
174<\/td>\nInterview<\/td>\nMustak Muzahid<\/td>\n00:13:17<\/td>\nBangladesh<\/td>\nBengali<\/td>\nSelected<\/td>\n<\/tr>\n
175<\/td>\nBEAUTY<\/td>\nPRAVIN AJINATH KHADE<\/td>\n00:20:00<\/td>\nIndia<\/td>\nMarathi<\/td>\nSelected<\/td>\n<\/tr>\n
176<\/td>\nTHE LAST HUG<\/td>\nTASNEEM AMRO<\/td>\n00:15:00<\/td>\nPalestine, United States<\/td>\nEnglish<\/td>\nSelected<\/td>\n<\/tr>\n
177<\/td>\nShahroor<\/td>\nYafa Ezzat Shahroor, Mo’men Ghanim Hasanain<\/td>\n00:14:59<\/td>\nQatar, Palestine,<\/td>\nArabic, Chinese<\/td>\nSelected<\/td>\n<\/tr>\n
178<\/td>\nHeartbeating Times<\/td>\nEsa\u00fal Flores de Anda, Alejandra Diaz Anaya<\/td>\n00:30:00<\/td>\nMexico<\/td>\nSpanish<\/td>\nSelected<\/td>\n<\/tr>\n
179<\/td>\nBlack \/ White & the “Other Colours”<\/td>\nDo\u011fa Y\u0131lmaz<\/td>\n00:04:29<\/td>\nTurkey<\/td>\nTurkish<\/td>\nSelected<\/td>\n<\/tr>\n
180<\/td>\nNODE<\/td>\nNuray Kayacan S\u00fcnb\u00fcl<\/td>\n00:24:48<\/td>\nTurkey<\/td>\nTurkish<\/td>\nSelected<\/td>\n<\/tr>\n
181<\/td>\nATOLA<\/td>\nRAVINDRA SHETTY TANTRAADI<\/td>\n00:11:01<\/td>\nIndia<\/td>\nKannada<\/td>\nSelected<\/td>\n<\/tr>\n
182<\/td>\nDon’t blame yourself<\/td>\nMilton Gerardo Donaire Pagador<\/td>\n00:09:49<\/td>\nPeru<\/td>\nSpanish<\/td>\nSelected<\/td>\n<\/tr>\n
183<\/td>\nSilent screams<\/td>\nClaudia Giuliana Guardia Ayala<\/td>\n00:19:13<\/td>\nPeru<\/td>\nSpanish<\/td>\nSelected<\/td>\n<\/tr>\n
184<\/td>\nMay can wait<\/td>\nGiulia Maturani<\/td>\n00:03:00<\/td>\nItaly<\/td>\nItalian<\/td>\nSelected<\/td>\n<\/tr>\n
185<\/td>\nFive Little Sins<\/td>\nBurak Furkan Tomurcuk<\/td>\n00:16:50<\/td>\nTurkey<\/td>\nTurkish<\/td>\nSelected<\/td>\n<\/tr>\n
186<\/td>\nTogether Until Death<\/td>\nJohn Wilker<\/td>\n00:06:25<\/td>\nPeru<\/td>\nSpanish<\/td>\nSelected<\/td>\n<\/tr>\n
187<\/td>\nTekejazz (Web Series)<\/td>\nDimitrios Gaitanis<\/td>\n00:05:00<\/td>\nGreece<\/td>\nModern Greek (1453-)<\/td>\nSelected<\/td>\n<\/tr>\n
188<\/td>\nAbode of Eternity<\/td>\nPratham Kumar<\/td>\n00:30:00<\/td>\nIndia<\/td>\nHindi<\/td>\nSelected<\/td>\n<\/tr>\n
189<\/td>\nMYSTIC HEIST<\/td>\nKolapo Mustapha<\/td>\n00:03:20<\/td>\nNigeria<\/td>\n<\/td>\nSelected<\/td>\n<\/tr>\n
190<\/td>\nMy Radio My Life<\/td>\nBidit Roy, Makarand Waikar<\/td>\n01:08:00<\/td>\nIndia<\/td>\nEnglish, Hindi, Marathi<\/td>\nSelected<\/td>\n<\/tr>\n
191<\/td>\nPoint Of View – POV<\/td>\nAam Naim<\/td>\n00:01:48<\/td>\nBangladesh<\/td>\nNo Dialogue<\/td>\nSelected<\/td>\n<\/tr>\n
192<\/td>\nFace to Face<\/td>\nBu\u011fra Cihan \u00c7ak\u0131r<\/td>\n00:05:27<\/td>\nTurkey<\/td>\nTurkish<\/td>\nSelected<\/td>\n<\/tr>\n
193<\/td>\nLeonardo Thimo’s Little Society<\/td>\nLeonardo Thimo<\/td>\n00:06:14<\/td>\nGreece<\/td>\nModern Greek (1453-)<\/td>\nSelected<\/td>\n<\/tr>\n
194<\/td>\nMAYBE… ONE DAY<\/td>\nNour Nader Safi<\/td>\n00:10:42<\/td>\nLebanon<\/td>\nArabic<\/td>\nSelected<\/td>\n<\/tr>\n
195<\/td>\n\u0421age<\/td>\nSergey Yurievich Khvostovtsev<\/td>\n00:10:41<\/td>\nRussian Federation<\/td>\nRussian<\/td>\nSelected<\/td>\n<\/tr>\n
196<\/td>\nAnima<\/td>\nSerafima Mironova<\/td>\n00:13:58<\/td>\nRussian Federation<\/td>\nRussian<\/td>\nSelected<\/td>\n<\/tr>\n
197<\/td>\nMISMATCH<\/td>\nBabawale Odunuga<\/td>\n01:45:10<\/td>\nCanada, Nigeria<\/td>\nEnglish<\/td>\nSelected<\/td>\n<\/tr>\n
198<\/td>\nSTOLON<\/td>\nBabawale Odunuga<\/td>\n01:46:26<\/td>\nCanada, Nigeria<\/td>\nEnglish<\/td>\nSelected<\/td>\n<\/tr>\n
199<\/td>\nThe Pawn<\/td>\nBabawale Odunuga<\/td>\n00:14:01<\/td>\nCanada<\/td>\nEnglish<\/td>\nSelected<\/td>\n<\/tr>\n
200<\/td>\nThe Other Shades<\/td>\nPankaj Nilkanth Jagtap<\/td>\n00:18:01<\/td>\nIndia<\/td>\n<\/td>\nSelected<\/td>\n<\/tr>\n
201<\/td>\n\u00a0The 300 Blows<\/td>\nCheng Lee<\/td>\n00:16:44<\/td>\nTaiwan<\/td>\nChinese, Chinese – Min Nan<\/td>\nSelected<\/td>\n<\/tr>\n
202<\/td>\nWe can’t see the sun<\/td>\nTota Fernandes<\/td>\n00:06:17<\/td>\nBrazil<\/td>\nPortuguese<\/td>\nSelected<\/td>\n<\/tr>\n
203<\/td>\nASMAHANE<\/td>\nMohammed JENNANE<\/td>\n01:44:31<\/td>\nMorocco<\/td>\nArabic<\/td>\nSelected<\/td>\n<\/tr>\n
204<\/td>\nThe Dark Side of Pet Breeding<\/td>\nAsher Anantham, Alana Keira Anantham, Zarina Penn Aronson<\/td>\n00:09:36<\/td>\nUnited States<\/td>\nEnglish<\/td>\nSelected<\/td>\n<\/tr>\n
205<\/td>\nTHE FARM<\/td>\nYonghui Sun, Bozhang Wang<\/td>\n00:34:50<\/td>\nChina<\/td>\nChinese<\/td>\nSelected<\/td>\n<\/tr>\n
206<\/td>\nSaturday Morning Live\/ Republic of Georgia Episode\/ US<\/td>\nElene Morchadze<\/td>\n00:15:00<\/td>\nGeorgia,\u00a0 Ukraine, United States<\/td>\n<\/td>\nSelected<\/td>\n<\/tr>\n
207<\/td>\nHEART-STOPPING TRAIN<\/td>\nLucas Gomes da Silveira<\/td>\n00:06:50<\/td>\nBrazil<\/td>\nPortuguese, Spanish<\/td>\nSelected<\/td>\n<\/tr>\n
208<\/td>\nJagat Khyapa<\/td>\nSayak Mukherjee<\/td>\n01:08:09<\/td>\nIndia<\/td>\nBengali<\/td>\nSelected<\/td>\n<\/tr>\n
209<\/td>\nMaybe a little?<\/td>\nshay yeshayahu kremer, alon zayger<\/td>\n00:03:47<\/td>\nIsrael<\/td>\nHebrew<\/td>\nSelected<\/td>\n<\/tr>\n
210<\/td>\nA Certain Chyna with a ‘Y’<\/td>\nAtimanyu Vashishth<\/td>\n00:16:24<\/td>\nUnited Kingdom<\/td>\nEnglish<\/td>\nSelected<\/td>\n<\/tr>\n
211<\/td>\nThe Call<\/td>\nAnik Islam<\/td>\n00:05:14<\/td>\nBangladesh<\/td>\nBengali<\/td>\nSelected<\/td>\n<\/tr>\n
212<\/td>\n\u00a0Beauty of Japanese Swords<\/td>\nToshiya Oe<\/td>\n01:15:00<\/td>\nJapan<\/td>\nJapanese<\/td>\nSelected<\/td>\n<\/tr>\n
213<\/td>\nFifth Tide<\/td>\nLena Kemna, Christina Gindl<\/td>\n00:18:44<\/td>\nPortugal<\/td>\nEnglish<\/td>\nSelected<\/td>\n<\/tr>\n
214<\/td>\nCigarette<\/td>\nSyed Irfan Ahmed<\/td>\n00:08:03<\/td>\nPakistan<\/td>\nHindi, Urdu<\/td>\nSelected<\/td>\n<\/tr>\n
215<\/td>\nARUN<\/td>\nVivek Kumar Singh<\/td>\n00:04:04<\/td>\nIndia<\/td>\nEnglish, Hindi<\/td>\nSelected<\/td>\n<\/tr>\n
216<\/td>\nBare Metal<\/td>\nBrandon Robert Gries, Ryan Freng, John Shoemaker<\/td>\n00:10:00<\/td>\nUnited States<\/td>\nEnglish<\/td>\nSelected<\/td>\n<\/tr>\n
217<\/td>\nDefective Cycle<\/td>\nSeyedmajed Hosseinikhojasteh<\/td>\n00:20:00<\/td>\nUnited States<\/td>\nPersian<\/td>\nSelected<\/td>\n<\/tr>\n
218<\/td>\nThe Pen<\/td>\nAiub Uddin Shihab<\/td>\n00:01:02<\/td>\nBangladesh<\/td>\nBengali<\/td>\nSelected<\/td>\n<\/tr>\n
219<\/td>\nOh!<\/td>\nDiogo Hoffer<\/td>\n00:16:00<\/td>\nBrazil<\/td>\nPortuguese<\/td>\nSelected<\/td>\n<\/tr>\n
220<\/td>\nQueer Khalifa<\/td>\nDanial Gondal<\/td>\n00:13:47<\/td>\nUnited States<\/td>\nEnglish<\/td>\nSelected<\/td>\n<\/tr>\n
221<\/td>\nWAR\u00a0 AND\u00a0 WORSHIP<\/td>\nABANTI SINHA<\/td>\n00:28:00<\/td>\nIndia<\/td>\nEnglish<\/td>\nSelected<\/td>\n<\/tr>\n
222<\/td>\nGAURI<\/td>\nBiswarup Biswas<\/td>\n00:27:57<\/td>\nIndia<\/td>\nNo Dialogue<\/td>\nSelected<\/td>\n<\/tr>\n
223<\/td>\nLet’s talk<\/td>\nElad Mukades<\/td>\n00:18:18<\/td>\nIsrael<\/td>\nHebrew<\/td>\nSelected<\/td>\n<\/tr>\n
224<\/td>\nEco Choice<\/td>\nJOBAER H KHAN<\/td>\n00:08:41<\/td>\nMalaysia<\/td>\nEnglish<\/td>\nSelected<\/td>\n<\/tr>\n
225<\/td>\nNostalgia of Cinema – The National Cinema<\/td>\nMohammed Yahya Almahdi, Sami Abdullah Al-Safani<\/td>\n00:23:55<\/td>\nEgypt<\/td>\nArabic<\/td>\nSelected<\/td>\n<\/tr>\n
226<\/td>\nMATRIOSKA<\/td>\nPaolo Pier Luigi Guglielmetti<\/td>\n00:05:00<\/td>\nItaly<\/td>\nItalian<\/td>\nSelected<\/td>\n<\/tr>\n
227<\/td>\nThe allergy<\/td>\n\u67f3\u4f9d\u7136<\/td>\n00:13:41<\/td>\nChina<\/td>\n<\/td>\nSelected<\/td>\n<\/tr>\n
228<\/td>\nVardan K shrap<\/td>\nOMGURU<\/td>\n00:29:56<\/td>\nIndia<\/td>\nGujarati<\/td>\nSelected<\/td>\n<\/tr>\n
229<\/td>\nposter<\/td>\nAiub Uddin Shihab<\/td>\n00:01:00<\/td>\nBangladesh<\/td>\nBengali<\/td>\nSelected<\/td>\n<\/tr>\n
230<\/td>\nSwimming is Prohibited – Y\u00fczmek Yasakt\u0131r<\/td>\nDeniz M\u0131d\u0131k<\/td>\n00:08:00<\/td>\nTurkey<\/td>\nTurkish<\/td>\nSelected<\/td>\n<\/tr>\n
231<\/td>\nBARAK (HOLYDOG)<\/td>\nYaman Mahir Yamaner<\/td>\n00:07:08<\/td>\nTurkey<\/td>\nTurkish<\/td>\nSelected<\/td>\n<\/tr>\n
232<\/td>\nLove And AI<\/td>\nFengjiao Ling<\/td>\n00:30:15<\/td>\nChina<\/td>\nChinese<\/td>\nSelected<\/td>\n<\/tr>\n
233<\/td>\nIn the Dusk<\/td>\nAlberto De la Espriella<\/td>\n00:02:55<\/td>\nColombia<\/td>\nSpanish<\/td>\nSelected<\/td>\n<\/tr>\n
234<\/td>\nd major<\/td>\nDi Kang<\/td>\n00:16:30<\/td>\nChina<\/td>\nMandarin Chinese<\/td>\nSelected<\/td>\n<\/tr>\n
235<\/td>\nFour Seasons Green<\/td>\nWanxing Meng<\/td>\n00:14:14<\/td>\nChina<\/td>\nChinese<\/td>\nSelected<\/td>\n<\/tr>\n
236<\/td>\nHome<\/td>\nIllia Kolenchenko<\/td>\n00:01:15<\/td>\nUnited States<\/td>\nEnglish<\/td>\nSelected<\/td>\n<\/tr>\n
237<\/td>\nInto Zephyr<\/td>\nSeyed Morteza Sabzeghaba, Amin Nazari<\/td>\n00:30:00<\/td>\nIran, Islamic Republic of<\/td>\nPersian<\/td>\nSelected<\/td>\n<\/tr>\n
238<\/td>\nA Corner in Life<\/td>\nWu Liyang<\/td>\n00:17:00<\/td>\nChina<\/td>\nChinese<\/td>\nSelected<\/td>\n<\/tr>\n
239<\/td>\nSynthetic Symphony<\/td>\nAnargha Pal<\/td>\n00:24:55<\/td>\nIndia<\/td>\nBengali<\/td>\nSelected<\/td>\n<\/tr>\n
240<\/td>\nWayuri<\/td>\nDiana Gandra<\/td>\n00:24:56<\/td>\nBrazil<\/td>\nPortuguese<\/td>\nSelected<\/td>\n<\/tr>\n
241<\/td>\nGrandma<\/td>\nSrinjan Majumder<\/td>\n00:14:10<\/td>\nIndia<\/td>\nBengali<\/td>\nSelected<\/td>\n<\/tr>\n
242<\/td>\n27 dollari, DAYDREAM<\/td>\nCarlo Magr\u00ec<\/td>\n00:11:40<\/td>\nItaly<\/td>\nItalian<\/td>\nSelected<\/td>\n<\/tr>\n
243<\/td>\n”Life in the salt water”<\/td>\nSamiur Rahman<\/td>\n00:12:14<\/td>\nBangladesh<\/td>\nBengali<\/td>\nSelected<\/td>\n<\/tr>\n
244<\/td>\nI Wait Around the Corner<\/td>\nNeslihan KULTUR<\/td>\n00:59:00<\/td>\nTurkey<\/td>\nTurkish<\/td>\nSelected<\/td>\n<\/tr>\n
245<\/td>\nResilient Women<\/td>\nMaria Sol Aranda<\/td>\n00:12:59<\/td>\nArgentina, Brazil<\/td>\nSpanish<\/td>\nSelected<\/td>\n<\/tr>\n
246<\/td>\nThe Filmmaker<\/td>\nElcio Cabral Melo<\/td>\n00:07:16<\/td>\nBrazil<\/td>\nPortuguese<\/td>\nSelected<\/td>\n<\/tr>\n
247<\/td>\nWhen You Are Ready<\/td>\nKavita Parekh<\/td>\n00:08:19<\/td>\nUnited States<\/td>\nBengali, English<\/td>\nSelected<\/td>\n<\/tr>\n
248<\/td>\nMy Life: Child of the Wild<\/td>\nAlmudena Garcia-Parrado<\/td>\n00:28:00<\/td>\nUK<\/td>\n<\/td>\nSelected<\/td>\n<\/tr>\n
249<\/td>\nRehab Clinic<\/td>\nElizabeth Ayodele<\/td>\n00:39:52<\/td>\nNigeria<\/td>\n<\/td>\nSelected<\/td>\n<\/tr>\n
250<\/td>\nFleeting Lights<\/td>\nLeonardo Nait<\/td>\n00:04:51<\/td>\nItaly<\/td>\nItalian<\/td>\nSelected<\/td>\n<\/tr>\n
251<\/td>\nRoofscape Runner<\/td>\nAqil Daiyan<\/td>\n00:01:20<\/td>\nBangladesh<\/td>\nNo Dialogue<\/td>\nSelected<\/td>\n<\/tr>\n
252<\/td>\nDRAIN GOLD<\/td>\nAditya Nirmalkar<\/td>\n00:53:33<\/td>\nIndia<\/td>\nHindi<\/td>\nSelected<\/td>\n<\/tr>\n
253<\/td>\nBeyond The Street<\/td>\nNizam Uddin Majumder<\/td>\n00:03:00<\/td>\nUnited Kingdom<\/td>\n<\/td>\nSelected<\/td>\n<\/tr>\n
254<\/td>\nMobile Addiction<\/td>\nMd Anwar Hossain<\/td>\n00:00:00<\/td>\nBangladesh<\/td>\nBengali<\/td>\nSelected<\/td>\n<\/tr>\n
255<\/td>\nLove<\/td>\nAmirhossein Fahadan<\/td>\n00:05:51<\/td>\nIran, Islamic Republic of<\/td>\n<\/td>\nSelected<\/td>\n<\/tr>\n
256<\/td>\nShoshi<\/td>\nShajib Ghosh<\/td>\n00:19:04<\/td>\nBangladesh<\/td>\nBengali<\/td>\nSelected<\/td>\n<\/tr>\n
257<\/td>\nNichori Project<\/td>\nDimitris Gaitanis<\/td>\n02:19:32<\/td>\nGreece<\/td>\nModern Greek (1453-)<\/td>\nSelected<\/td>\n<\/tr>\n
258<\/td>\nUNHEALED<\/td>\nDev Khetan<\/td>\n00:15:00<\/td>\nIndia<\/td>\nHindi<\/td>\nSelected<\/td>\n<\/tr>\n
259<\/td>\nthe untouchables<\/td>\nkrishna teja prp<\/td>\n00:10:00<\/td>\nIndia<\/td>\nTelugu<\/td>\nSelected<\/td>\n<\/tr>\n
260<\/td>\nDead The Unconventional\u00a0 lives<\/td>\nKashif Noon Siddique<\/td>\n00:14:43<\/td>\nIndia<\/td>\nHindi<\/td>\nSelected<\/td>\n<\/tr>\n
261<\/td>\nPANIC<\/td>\nSURANJAN DEY<\/td>\n00:19:27<\/td>\nIndia<\/td>\nHindi<\/td>\nSelected<\/td>\n<\/tr>\n
262<\/td>\nBeyond the wall<\/td>\nVijayraj Dilip Umap<\/td>\n00:11:45<\/td>\nIndia<\/td>\nMarathi<\/td>\nSelected<\/td>\n<\/tr>\n
263<\/td>\nBeyond the wall<\/td>\nVijayraj Dilip Umap<\/td>\n00:11:45<\/td>\nIndia<\/td>\nMarathi<\/td>\nSelected<\/td>\n<\/tr>\n
264<\/td>\nTerrarium<\/td>\nDanielle Hana Helman<\/td>\n00:01:40<\/td>\nIsrael<\/td>\nEnglish<\/td>\nSelected<\/td>\n<\/tr>\n
265<\/td>\nA\u00a0 Photographer Who Clicks Blur Photograph<\/td>\nUtkarsh Chaturvedi<\/td>\n01:05:02<\/td>\nIndia<\/td>\nEnglish, Hindi<\/td>\nSelected<\/td>\n<\/tr>\n
266<\/td>\nTeka<\/td>\nEbrahim Chowdhury<\/td>\n00:06:15<\/td>\nBangladesh<\/td>\nBengali<\/td>\nSelected<\/td>\n<\/tr>\n
267<\/td>\nCHOICE (2023)<\/td>\nAndrii Vasylovych Komakha<\/td>\n00:16:58<\/td>\nUkraine<\/td>\nEnglish, Russian, Ukrainian<\/td>\nSelected<\/td>\n<\/tr>\n
268<\/td>\nStages of life<\/td>\nRifat Rohan<\/td>\n00:02:00<\/td>\nBangladesh<\/td>\nEnglish<\/td>\nSelected<\/td>\n<\/tr>\n
269<\/td>\nLatin American Women in Canadian Politics<\/td>\nIsabel Inclan<\/td>\n00:36:11<\/td>\nCanada<\/td>\nEnglish<\/td>\nSelected<\/td>\n<\/tr>\n
270<\/td>\nDusk Till Dawn<\/td>\nNiharika Tripathi<\/td>\n00:15:06<\/td>\nIndia<\/td>\nEnglish, Hindi<\/td>\nSelected<\/td>\n<\/tr>\n
271<\/td>\nFROM THE SAME TREE<\/td>\nCLAUDIA FISCHER<\/td>\n01:30:00<\/td>\nColombia,\u00a0 Switzerland, United States<\/td>\nEnglish, Spanish<\/td>\nSelected<\/td>\n<\/tr>\n
272<\/td>\nFootprints<\/td>\nS Janardhanan Nair<\/td>\n01:15:00<\/td>\nIndia,\u00a0 United Arab Emirates<\/td>\nMalayalam<\/td>\nSelected<\/td>\n<\/tr>\n
273<\/td>\nBeneath The Bed<\/td>\nAhsanul Haque Ramim<\/td>\n00:01:42<\/td>\nBangladesh<\/td>\nBengali<\/td>\nSelected<\/td>\n<\/tr>\n
274<\/td>\nYear 0000<\/td>\nMd. Sambitul Islam<\/td>\n00:05:46<\/td>\nBangladesh<\/td>\nBengali<\/td>\nSelected<\/td>\n<\/tr>\n
275<\/td>\nTen Minutes In A Week<\/td>\nAbir Ferdous Ayon<\/td>\n00:08:44<\/td>\nBangladesh<\/td>\nBengali<\/td>\nSelected<\/td>\n<\/tr>\n
276<\/td>\nThe Third Law<\/td>\nLee Brown<\/td>\n00:10:00<\/td>\nZimbabwe<\/td>\nEnglish<\/td>\nSelected<\/td>\n<\/tr>\n
277<\/td>\nTUMBLE | 3D Animated short film<\/td>\nSundar Velayudham<\/td>\n00:03:23<\/td>\nUnited Kingdom<\/td>\nEnglish<\/td>\nSelected<\/td>\n<\/tr>\n
278<\/td>\nThe Ordinary People<\/td>\nKanika Verma, Avinash Das<\/td>\n01:36:00<\/td>\nIndia<\/td>\nHindi<\/td>\nSelected<\/td>\n<\/tr>\n
279<\/td>\nZina our tale<\/td>\nMehdi Mokrani<\/td>\n00:10:00<\/td>\nAlgeria<\/td>\nArabic<\/td>\nSelected<\/td>\n<\/tr>\n
280<\/td>\nPAYRA<\/td>\nMahdin Kamal Rhythm<\/td>\n00:06:25<\/td>\nBangladesh<\/td>\nBengali, English<\/td>\nSelected<\/td>\n<\/tr>\n
281<\/td>\nENEMY<\/td>\nZ\u00dcLEYHA \u015eENER<\/td>\n01:25:00<\/td>\nTurkey<\/td>\nTurkish<\/td>\nSelected<\/td>\n<\/tr>\n
282<\/td>\n40th<\/td>\nArtem Solomenin, Mikhail Bukin, Ivan Dovgal, Grigory Rutberg, Eduard Dzhafarov<\/td>\n00:05:41<\/td>\nRussian Federation<\/td>\nRussian<\/td>\nSelected<\/td>\n<\/tr>\n
283<\/td>\nLonging for Paradise<\/td>\nZafeer Butt<\/td>\n00:08:00<\/td>\nPakistan<\/td>\nUrdu<\/td>\nSelected<\/td>\n<\/tr>\n
284<\/td>\nThe Lonely Sidewalk<\/td>\nUmut \u015een<\/td>\n00:28:27<\/td>\nTurkey<\/td>\nTurkish<\/td>\nSelected<\/td>\n<\/tr>\n
285<\/td>\nMekong Apocalypse<\/td>\nMichael Buckley<\/td>\n00:55:35<\/td>\nCanada<\/td>\nEnglish<\/td>\nSelected<\/td>\n<\/tr>\n
286<\/td>\nButchery<\/td>\nAndrii Makarchenko<\/td>\n00:04:15<\/td>\nUkraine<\/td>\nUkrainian<\/td>\nSelected<\/td>\n<\/tr>\n
287<\/td>\nThe Help<\/td>\nDhananjoy Mandal<\/td>\n00:23:10<\/td>\nIndia<\/td>\nBengali<\/td>\nSelected<\/td>\n<\/tr>\n
288<\/td>\n\u300aCosmic Viewer\u300b<\/td>\nWen Jiayu<\/td>\n00:11:10<\/td>\nChina<\/td>\nEnglish<\/td>\nSelected<\/td>\n<\/tr>\n
289<\/td>\nThe Steering<\/td>\nMohammed Sadik<\/td>\n01:55:00<\/td>\nIndia<\/td>\nMalayalam<\/td>\nSelected<\/td>\n<\/tr>\n
290<\/td>\nTo the lighthouse<\/td>\nBai Han<\/td>\n00:30:00<\/td>\nChina<\/td>\nChinese<\/td>\nSelected<\/td>\n<\/tr>\n
291<\/td>\nOne more day<\/td>\nCarlos Puig Mund\u00f3<\/td>\n00:20:00<\/td>\nSpain<\/td>\nCatalan<\/td>\nSelected<\/td>\n<\/tr>\n
292<\/td>\nSeeds of the Future (Short)<\/td>\nMichela Mazzarese<\/td>\n00:10:00<\/td>\nItaly<\/td>\nItalian<\/td>\nSelected<\/td>\n<\/tr>\n
293<\/td>\nDinobi<\/td>\nDavinchi Samuel-Uche, Izu Okafor<\/td>\n01:38:00<\/td>\nNigeria<\/td>\nEnglish<\/td>\nSelected<\/td>\n<\/tr>\n
294<\/td>\nEYE’s ON<\/td>\nNeamutul Islam Shanto<\/td>\n00:05:09<\/td>\nBangladesh<\/td>\nBengali, English<\/td>\nSelected<\/td>\n<\/tr>\n
295<\/td>\nIts Window Is Brick<\/td>\nSaeed Bahman<\/td>\n00:07:00<\/td>\nIran, Islamic Republic of<\/td>\nPersian<\/td>\nSelected<\/td>\n<\/tr>\n
296<\/td>\nSensei from Dhaka<\/td>\nMaciej Szczukowski<\/td>\n00:17:16<\/td>\nSweden<\/td>\nEnglish<\/td>\nSelected<\/td>\n<\/tr>\n
297<\/td>\nChotoder Golpo Boroder Kotha<\/td>\nSATYAJIT DASGUPTA<\/td>\n01:29:41<\/td>\nIndia<\/td>\nBengali<\/td>\nSelected<\/td>\n<\/tr>\n
298<\/td>\nThe Third Eye<\/td>\nSeyed Mojtaba Hosseini, Banafsheh Jahed<\/td>\n00:19:19<\/td>\nIran, Islamic Republic of<\/td>\nPersian<\/td>\nSelected<\/td>\n<\/tr>\n
299<\/td>\nNiebla<\/td>\nLina Fabiana Quintero, Edwin Fabi\u00e1n Rodriguez<\/td>\n00:30:00<\/td>\nColombia<\/td>\nSpanish<\/td>\nSelected<\/td>\n<\/tr>\n
300<\/td>\nThe Unexpected Gift<\/td>\nMerita \u00c7egrani<\/td>\n00:10:55<\/td>\nMacedonia, the former Yugoslav Republic of<\/td>\nAlbanian<\/td>\nSelected<\/td>\n<\/tr>\n
301<\/td>\nProcessor<\/td>\nTimothy Brown<\/td>\n00:16:16<\/td>\nCanada<\/td>\nNo Dialogue<\/td>\nSelected<\/td>\n<\/tr>\n
302<\/td>\nPrimogeniture<\/td>\nSavanna Menzel<\/td>\n00:03:08<\/td>\nUnited States<\/td>\nEnglish<\/td>\nSelected<\/td>\n<\/tr>\n
303<\/td>\nPramad<\/td>\nFahim Islam<\/td>\n00:11:25<\/td>\nBangladesh<\/td>\nBengali<\/td>\nSelected<\/td>\n<\/tr>\n
304<\/td>\nPratikkha (Waiting)<\/td>\nSomdipa Dey<\/td>\n00:09:31<\/td>\nIndia<\/td>\nBengali<\/td>\nSelected<\/td>\n<\/tr>\n
305<\/td>\nDustbin<\/td>\nESS DEE, Ishani Sengupta<\/td>\n00:27:50<\/td>\nIndia<\/td>\nBengali<\/td>\nSelected<\/td>\n<\/tr>\n
306<\/td>\n\u300aDusk Bye\u300b<\/td>\n\u9686\u946b \u738b<\/td>\n00:19:03<\/td>\nChina<\/td>\nChinese<\/td>\nSelected<\/td>\n<\/tr>\n
307<\/td>\nWhirl Bus<\/td>\nKekang Zhang<\/td>\n00:28:00<\/td>\nChina<\/td>\nChinese<\/td>\nSelected<\/td>\n<\/tr>\n
308<\/td>\nTacne\u00f1as Women and the Flag procession,<\/td>\nRosi Hel\u00e9 Castellanos del Portal<\/td>\n00:16:02<\/td>\nPeru<\/td>\nSpanish<\/td>\nSelected<\/td>\n<\/tr>\n
309<\/td>\nChanging Perspectives<\/td>\nAshley Miller, Treighton Martin<\/td>\n00:14:14<\/td>\nUnited States<\/td>\nEnglish<\/td>\nSelected<\/td>\n<\/tr>\n
310<\/td>\nSatyada Siri- a Woman’s Tale<\/td>\nPraveen K Shetty, Nitesh Anchan<\/td>\n00:25:00<\/td>\nIndia<\/td>\nEnglish<\/td>\nSelected<\/td>\n<\/tr>\n
311<\/td>\nGOODBYE<\/td>\nMinhaz Mehedi<\/td>\n00:01:46<\/td>\nBangladesh<\/td>\nEnglish<\/td>\nSelected<\/td>\n<\/tr>\n
312<\/td>\nLlama woman<\/td>\nMilagros Liseth Castillo Rivera<\/td>\n00:06:31<\/td>\nPeru<\/td>\nSpanish<\/td>\nSelected<\/td>\n<\/tr>\n
313<\/td>\nA WARM CHRISTMAS<\/td>\nRegina Ohiama Udalor<\/td>\n01:15:51<\/td>\nNigeria<\/td>\nEnglish<\/td>\nSelected<\/td>\n<\/tr>\n
314<\/td>\nUnrecognized<\/td>\nMasudur Rahman<\/td>\n00:48:51<\/td>\nBangladesh<\/td>\nBengali<\/td>\nSelected<\/td>\n<\/tr>\n
315<\/td>\nWork and Food<\/td>\nMohammad Faramarz<\/td>\n00:15:17<\/td>\nAfghanistan<\/td>\nPersian<\/td>\nSelected<\/td>\n<\/tr>\n
316<\/td>\nIngrid<\/td>\nAlbert Pons<\/td>\n00:18:00<\/td>\nMexico<\/td>\nSpanish<\/td>\nSelected<\/td>\n<\/tr>\n
317<\/td>\nHey, Grandpa!<\/td>\nFelipe Risallah Villela Nascimento<\/td>\n00:10:00<\/td>\nBrazil<\/td>\nPortuguese<\/td>\nSelected<\/td>\n<\/tr>\n
318<\/td>\nPRATIMA<\/td>\nDHANJIT DAS<\/td>\n00:22:00<\/td>\nIndia<\/td>\nAssamese<\/td>\nSelected<\/td>\n<\/tr>\n
319<\/td>\na man who called the fire station 1900 times<\/td>\nAmirhossein Mansoury<\/td>\n00:24:45<\/td>\nIran, Islamic Republic of<\/td>\nPersian<\/td>\nSelected<\/td>\n<\/tr>\n
320<\/td>\nPerspectives<\/td>\nPieter Stijn, Mario Maertens<\/td>\n00:04:36<\/td>\nBelgium<\/td>\nEnglish<\/td>\nSelected<\/td>\n<\/tr>\n
321<\/td>\nMy child<\/td>\nKourosh Bahadori<\/td>\n00:01:30<\/td>\nIran, New Zealand, Australia,<\/td>\n<\/td>\nSelected<\/td>\n<\/tr>\n
322<\/td>\nBITTER SILENCE<\/td>\nFREDDY D ‘ ELIA<\/td>\n00:20:00<\/td>\nPanama<\/td>\nSpanish<\/td>\nSelected<\/td>\n<\/tr>\n
323<\/td>\nNotes to a Lover from Jenny Adam and her beautiful family\/Astidah Al-ruh<\/td>\nSUDEEP RANJAN SARKAR<\/td>\n02:03:37<\/td>\nIndia<\/td>\n<\/td>\nSelected<\/td>\n<\/tr>\n
324<\/td>\nAngtee (The Ring)\u00a0 Directed By Md.Imran Hossen<\/td>\nMd Imran Hossen<\/td>\n00:07:40<\/td>\nBangladesh<\/td>\nBengali<\/td>\nSelected<\/td>\n<\/tr>\n
325<\/td>\nMukha Xilpo, The Mask Making Tradition of Majuli<\/td>\nAnnanya Bhuyan<\/td>\n00:16:19<\/td>\nIndia<\/td>\nAssamese<\/td>\nSelected<\/td>\n<\/tr>\n
326<\/td>\nMeshbari<\/td>\nDipanwita Sengputa<\/td>\n00:29:59<\/td>\nIndia<\/td>\nBengali<\/td>\nSelected<\/td>\n<\/tr>\n
327<\/td>\nTahoe Joe<\/td>\nMichael Rock, Dillon Brown<\/td>\n01:26:19<\/td>\nUnited States<\/td>\nEnglish<\/td>\nSelected<\/td>\n<\/tr>\n
328<\/td>\nHAPPY ANNIVERSARY<\/td>\nPronab Nath<\/td>\n00:07:18<\/td>\nBangladesh<\/td>\nBengali<\/td>\nSelected<\/td>\n<\/tr>\n
329<\/td>\nThe Body of the World<\/td>\nSimone Massi<\/td>\n00:04:00<\/td>\nItaly<\/td>\nItalian<\/td>\nSelected<\/td>\n<\/tr>\n
330<\/td>\nSomeone Like You<\/td>\nAidan Young<\/td>\n00:16:27<\/td>\nAustralia<\/td>\nEnglish<\/td>\nSelected<\/td>\n<\/tr>\n
331<\/td>\ncontinuity<\/td>\nsolmaz nazari<\/td>\n00:03:04<\/td>\nIran, Islamic Republic of<\/td>\nPersian<\/td>\nSelected<\/td>\n<\/tr>\n
332<\/td>\nLittle White Lies<\/td>\nJisoo Kim<\/td>\n00:03:07<\/td>\nUnited States<\/td>\nKorean<\/td>\nSelected<\/td>\n<\/tr>\n
333<\/td>\nABENIDA<\/td>\nLuisito Lagdameo Ignacio<\/td>\n01:35:00<\/td>\nPhilippines<\/td>\nTagalog<\/td>\nSelected<\/td>\n<\/tr>\n
334<\/td>\nFever<\/td>\nAlejandro Gerber Bicecci<\/td>\n00:06:42<\/td>\nMexico<\/td>\nSpanish<\/td>\nSelected<\/td>\n<\/tr>\n
335<\/td>\nBeneath the surface<\/td>\nRudraksha Chandrakant Raje<\/td>\n00:19:59<\/td>\nIndia<\/td>\nHindi<\/td>\nSelected<\/td>\n<\/tr>\n
336<\/td>\nCactus, Love, Mountains: A Psychedelic Journey with Huachuma<\/td>\nkai (kaitz) ilya brebner<\/td>\n00:14:56<\/td>\nIsrael<\/td>\nEnglish, Spanish<\/td>\nSelected<\/td>\n<\/tr>\n
337<\/td>\nKripya Dhyaan dein<\/td>\nNeeraj Bhasin<\/td>\n02:04:00<\/td>\nIndia<\/td>\nHindi<\/td>\nSelected<\/td>\n<\/tr>\n
338<\/td>\nPlead Mercy To Live<\/td>\nMd. Fahadur Reza<\/td>\n00:14:40<\/td>\nBangladesh<\/td>\nBengali<\/td>\nSelected<\/td>\n<\/tr>\n
339<\/td>\nAnubandh<\/td>\nKaustav Chatterjee<\/td>\n00:12:59<\/td>\nIndia<\/td>\nEnglish, Hindi<\/td>\nSelected<\/td>\n<\/tr>\n
340<\/td>\nThe Last word<\/td>\nSadek Sabbir<\/td>\n00:14:52<\/td>\nBangladesh<\/td>\nBengali<\/td>\nSelected<\/td>\n<\/tr>\n
341<\/td>\nAlchemy<\/td>\nBrandon Polanco<\/td>\n00:14:05<\/td>\nUnited States<\/td>\nEnglish<\/td>\nSelected<\/td>\n<\/tr>\n
342<\/td>\nWhy Humans Dive<\/td>\nHarry Cassio<\/td>\n01:14:22<\/td>\nAustralia<\/td>\nEnglish<\/td>\nSelected<\/td>\n<\/tr>\n
343<\/td>\nAlindia Radio<\/td>\nRangaswamy S<\/td>\n02:02:10<\/td>\nIndia<\/td>\nKannada<\/td>\nSelected<\/td>\n<\/tr>\n
344<\/td>\nI Wanna Be Macao Boxing Champion Of Nursing!<\/td>\nCheng Teng Kou<\/td>\n00:14:59<\/td>\nMacao<\/td>\nYue Chinese (Cantonese)<\/td>\nSelected<\/td>\n<\/tr>\n
345<\/td>\nMimicry cat<\/td>\nLorenzo Blasi<\/td>\n00:09:14<\/td>\nItaly<\/td>\nItalian<\/td>\nSelected<\/td>\n<\/tr>\n
346<\/td>\nSo Long,My Friend<\/td>\n\u7b56 \u5f90<\/td>\n00:23:52<\/td>\nChina<\/td>\nChinese<\/td>\nSelected<\/td>\n<\/tr>\n
347<\/td>\nThe Disappearance of the Black Farmer<\/td>\nInetta J Cooper Fulton, Inetta J Cooper Fulton<\/td>\n00:20:00<\/td>\nUnited States<\/td>\nEnglish<\/td>\nSelected<\/td>\n<\/tr>\n
348<\/td>\nA Bride’s Diary<\/td>\nYeon Choi<\/td>\n00:09:30<\/td>\nUnited States<\/td>\nEnglish<\/td>\nSelected<\/td>\n<\/tr>\n
349<\/td>\nBeyond Galilee<\/td>\nT. D. Antoine<\/td>\n00:48:03<\/td>\nUnited States<\/td>\n<\/td>\nSelected<\/td>\n<\/tr>\n
350<\/td>\n\u300aThe past\u300b<\/td>\nWang ming Luo<\/td>\n00:05:46<\/td>\nChina<\/td>\n<\/td>\nSelected<\/td>\n<\/tr>\n
351<\/td>\n…Life<\/td>\nAkkas Shahobazi<\/td>\n00:05:46<\/td>\nIran,<\/td>\nPersian<\/td>\nSelected<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n

\"\"<\/a>\u00a0 \u00a0 \u00a0 \u00a0 \"\"<\/a><\/p>\n

Only Selected film can use the CIFF Laurel<\/p>\n

 <\/p>\n

N.B : If the committee got any iffidance of selected film about violence of festival rules, the CIFF committee which film will reject any time.<\/p>\n","protected":false},"excerpt":{"rendered":"

4’th CinemaKing International Film Festival 2023 Selection list. SL No Film Name Director Name Duration Country Language Status 1 Ivory Tulle Jax Guillen 00:08:39 Canada English, Tagalog Selected 2 The Rehearsal Moataz Alaa 00:04:00 Egypt Arabic Selected 3 Labyrinth of the mind Arman Ali 00:07:40 Bangladesh Bengali Selected 4 Thalassios Peirasmos (Short Film) Zoe Szymon […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":497,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-563","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/cinemaking.org\/index.php?rest_route=\/wp\/v2\/pages\/563","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/cinemaking.org\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/cinemaking.org\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/cinemaking.org\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/cinemaking.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=563"}],"version-history":[{"count":10,"href":"https:\/\/cinemaking.org\/index.php?rest_route=\/wp\/v2\/pages\/563\/revisions"}],"predecessor-version":[{"id":1148,"href":"https:\/\/cinemaking.org\/index.php?rest_route=\/wp\/v2\/pages\/563\/revisions\/1148"}],"up":[{"embeddable":true,"href":"https:\/\/cinemaking.org\/index.php?rest_route=\/wp\/v2\/pages\/497"}],"wp:attachment":[{"href":"https:\/\/cinemaking.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=563"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}