{"id":548,"date":"2023-10-04T21:58:20","date_gmt":"2023-10-04T21:58:20","guid":{"rendered":"http:\/\/cinemaking.org\/?page_id=548"},"modified":"2024-03-30T19:56:25","modified_gmt":"2024-03-30T19:56:25","slug":"3rd-edition-award-winners","status":"publish","type":"page","link":"https:\/\/cinemaking.org\/?page_id=548","title":{"rendered":"3’rd Edition Award Winners"},"content":{"rendered":"

3’rd CinemaKing Interantional Film Festival 2022 Awards winner List<\/p>\n\n\n\n
<\/td>\nLift Time Achievement<\/td>\nNazmun Neza Piari<\/td>\nTropy<\/td>\nCertificate<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
SL no<\/td>\nFilm name<\/td>\nDirected by<\/td>\nDuration<\/td>\nCountry<\/td>\nAwards<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\nAsian Feature\u00a0<\/span><\/td>\n<\/tr>\n
1<\/td>\nTaya<\/td>\nPRABHA GOPALAPILLA<\/td>\n1:52:28<\/td>\nIndia<\/td>\nBest Film<\/td>\n<\/tr>\n
2<\/td>\nThe perfect summer<\/td>\nYufei Qiao<\/td>\n1:34:00<\/td>\nChina<\/td>\nBest Film<\/td>\n<\/tr>\n
3<\/td>\nTHEATRICS<\/td>\nRyuichi Onodera<\/td>\n1:16:30<\/td>\nJapan<\/td>\nBest Director<\/td>\n<\/tr>\n
4<\/td>\nAll About My Girl<\/td>\nTharaka Mahanama<\/td>\n1:10:00<\/td>\nSri Lanka<\/td>\nBest debut Director<\/td>\n<\/tr>\n
5<\/td>\nThe Boarding House<\/td>\nMaryam Ebrahimvand<\/td>\n1:11:00<\/td>\nIran<\/td>\nBest Women Director<\/td>\n<\/tr>\n
6<\/td>\nAksa<\/td>\nElain XU<\/td>\n1:49:00<\/td>\nChina<\/td>\nBest Women Director<\/td>\n<\/tr>\n
7<\/td>\nQazi<\/td>\nAnil Fastenau, Jakob Gehrmann<\/td>\n1:20:30<\/td>\nPakistan<\/td>\nBest Story<\/td>\n<\/tr>\n
8<\/td>\nAadhaar<\/td>\nRamnath Palanikumar<\/td>\n1:51:00<\/td>\nIndia<\/td>\nBest Story<\/td>\n<\/tr>\n
9<\/td>\nHEARTH<\/td>\nAlisher Zhadigerov<\/td>\n1:15:08<\/td>\nKazakhstan<\/td>\nBest Concept<\/td>\n<\/tr>\n
10<\/td>\nWorld-weary<\/td>\nReza Golchin<\/td>\n1:20:00<\/td>\nIran<\/td>\nBest Sreenplay<\/td>\n<\/tr>\n
11<\/td>\nImpossible Love<\/td>\nWeilun Gao<\/td>\n1:57:00<\/td>\nChina<\/td>\nBest Actor<\/td>\n<\/tr>\n
12<\/td>\nFALL GUY<\/td>\nJoel Lamangan<\/td>\n1:46:23<\/td>\nPhilippines<\/td>\nBest Actress<\/td>\n<\/tr>\n
13<\/td>\nLet flower shine<\/td>\nYi Guo<\/td>\n1:32:00<\/td>\nChina<\/td>\nBest Children Story<\/td>\n<\/tr>\n
14<\/td>\nBeyblade girl<\/td>\nAndong Deng<\/td>\n2:09:00<\/td>\nChina<\/td>\nBest Children Story<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\nAsian Short\u00a0<\/span><\/td>\n<\/tr>\n
1<\/td>\nThe Knife of Memory<\/td>\nRuowen Sun<\/td>\n0:18:00<\/td>\nChina<\/td>\nBest film<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\nAsian Documentary<\/span><\/td>\n<\/tr>\n
1<\/td>\nIdol in a Strange Company<\/td>\nMinkuen Choi<\/td>\n1:24:29<\/td>\nKorea, Republic of<\/td>\nBest Film<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\nAsian Mobile Film\u00a0<\/span><\/td>\n<\/tr>\n
1<\/td>\nNews<\/td>\nSayed mohsen Hossaini<\/td>\n0:01:00<\/td>\nAfghanistan<\/td>\nBest Film<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\nAmerican Feature\u00a0<\/span><\/td>\n<\/tr>\n
1<\/td>\nVERONA<\/td>\nAne Siderman<\/td>\n1:34:50<\/td>\nBrazil<\/td>\nBest Film<\/td>\n<\/tr>\n
2<\/td>\nD.O.A.<\/td>\nKurt St. Thomas<\/td>\n1:22:30<\/td>\nUnited States<\/td>\nBest Director<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\nAmerican Short<\/span><\/td>\n<\/tr>\n
1<\/td>\nMis Mous<\/td>\nMICHAEL C GARRIGUES<\/td>\n0:06:18<\/td>\nUnited States<\/td>\nBest Film<\/td>\n<\/tr>\n
2<\/td>\nHello<\/td>\nCatherine Mazoyer<\/td>\n0:09:46<\/td>\nChile<\/td>\nSpecial Mention<\/td>\n<\/tr>\n
3<\/td>\nLasagna<\/td>\nLasagna<\/td>\n0:11:00<\/td>\nNetherlands<\/td>\nSpecial Mention<\/td>\n<\/tr>\n
4<\/td>\nMarion, cocks and birds (Marion, pollas y p\u00e1jaros)<\/td>\nSander Hahn<\/td>\n0:20:00<\/td>\nBrazil<\/td>\nSpecial Mention<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\nAmerican Documentary<\/span><\/td>\n<\/tr>\n
1<\/td>\nExploring the Pacific Northwest<\/td>\nIan A. Nelson<\/td>\n1:04:44<\/td>\nUnited States<\/td>\nBest Film<\/td>\n<\/tr>\n
<\/td>\nAt Last I Have a Voice<\/td>\nAnne Fortune<\/td>\n0:07:29<\/td>\nUnited States<\/td>\nBest Story<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\nAmerican Mobile Film<\/span><\/td>\n<\/tr>\n
1<\/td>\n1959<\/td>\nDaniel G\u00f3mez<\/td>\n0:07:00<\/td>\nParaguay<\/td>\nBest Film<\/td>\n<\/tr>\n
2<\/td>\nLet\u2019s talk about the weather<\/td>\nLuc\u00eda Harari<\/td>\n0:03:36<\/td>\nArgentina<\/td>\nBest Direction<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\nEuropen Feature\u00a0<\/span><\/td>\n<\/tr>\n
1<\/td>\nBroken Circle<\/td>\nDemetrios (aka Dimitrios) Katis<\/td>\n2:19:23<\/td>\nGreece<\/td>\nBest Film<\/td>\n<\/tr>\n
2<\/td>\nINVISIBLE<\/td>\nFederico Di Cicilia<\/td>\n1:16:00<\/td>\nItaly<\/td>\nBest Direction<\/td>\n<\/tr>\n
3<\/td>\nOPAL<\/td>\nAlan Bidard<\/td>\n1:25:00<\/td>\nFrance<\/td>\nBest Animation Film<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\nEuropen Short\u00a0<\/span><\/td>\n<\/tr>\n
1<\/td>\nThe Days of Silence<\/td>\nVittorio Adinolfi, Umberto Santacroce<\/td>\n0:06:00<\/td>\nItaly<\/td>\nBest Film<\/td>\n<\/tr>\n
2<\/td>\nThe Unexpected Expectant Father<\/td>\nKeeley Gainey<\/td>\n0:14:49<\/td>\nUnited Kingdom<\/td>\nBest Film<\/td>\n<\/tr>\n
3<\/td>\nFORGOTTEN SONG<\/td>\nMonika Grzybowska<\/td>\n0:39:49<\/td>\nPoland<\/td>\nSpecial Mention Film<\/td>\n<\/tr>\n
4<\/td>\nWalls Beneath Our Feet<\/td>\nAntti Suniala<\/td>\n0:04:51<\/td>\nFinland<\/td>\nSpecial Mention Film<\/td>\n<\/tr>\n
5<\/td>\nSafety Zone<\/td>\nG\u00f6rkem Kiter, \u00d6yk\u00fc \u00c7elik<\/td>\n0:03:14<\/td>\nTurkey<\/td>\nSpecial Mention Film<\/td>\n<\/tr>\n
6<\/td>\nThe Forbidden Fruit<\/td>\nVlad F. Dumea, Sebastian Andro<\/td>\n0:18:54<\/td>\nRomania<\/td>\nSpecial Mention Film<\/td>\n<\/tr>\n
7<\/td>\nShhh!<\/td>\nMartin K Hansen<\/td>\n0:13:03<\/td>\nDenmark<\/td>\nSpecial Mention Film<\/td>\n<\/tr>\n
8<\/td>\n2040<\/td>\nNadin Alyekhina<\/td>\n0:04:40<\/td>\nRussian Federation<\/td>\nSpecial Mention Film<\/td>\n<\/tr>\n
9<\/td>\nJUST LIKE WATER<\/td>\nManos Triantafillakis<\/td>\n0:12:53<\/td>\nGreece<\/td>\nSpecial Mention Film<\/td>\n<\/tr>\n
10<\/td>\nNO MAN’S LAND<\/td>\nBranko Istvancic<\/td>\n0:14:50<\/td>\nCroatia<\/td>\nSpecial Mention Film<\/td>\n<\/tr>\n
11<\/td>\nLAST RESORT<\/td>\n\u00d8yvind Olav Sydow Kleiveland<\/td>\n0:05:16<\/td>\nNorway<\/td>\nSpecial Mention Film<\/td>\n<\/tr>\n
12<\/td>\nFado Menor<\/td>\nSalvador Alejandro Guti\u00e9rrez<\/td>\n0:07:36<\/td>\nPortugal<\/td>\nSpecial Mention Film<\/td>\n<\/tr>\n
13<\/td>\nThe Fruitful<\/td>\nJohn Collins<\/td>\n0:07:00<\/td>\nIreland<\/td>\nSpecial Mention Film<\/td>\n<\/tr>\n
14<\/td>\nDon’t Believe<\/td>\nMarko Ristic<\/td>\n0:23:24<\/td>\nSerbia<\/td>\nSpecial Mention Film<\/td>\n<\/tr>\n
15<\/td>\nWelcome<\/td>\nAnzs Forr\u00e1s<\/td>\n0:10:00<\/td>\nHungary<\/td>\nSpecial Mention Film<\/td>\n<\/tr>\n
16<\/td>\nRuby<\/td>\nGwendoline Laurent<\/td>\n0:08:30<\/td>\nFrance<\/td>\nSpecial Mention Film<\/td>\n<\/tr>\n
17<\/td>\nLatir Amargo<\/td>\nYolanda Belvis<\/td>\n0:16:57<\/td>\nSpain<\/td>\nSpecial Mention Film<\/td>\n<\/tr>\n
18<\/td>\nWALL TO WALL<\/td>\nLinda L\u00f6vgren<\/td>\n0:14:56<\/td>\nSweden<\/td>\nSpecial Mention Film<\/td>\n<\/tr>\n
19<\/td>\nGoddess, Garbage & Violence<\/td>\nAristoteles Chaitidis, Alkistis Kafetz<\/td>\n0:12:19<\/td>\nGermany<\/td>\nSpecial Mention Film<\/td>\n<\/tr>\n
20<\/td>\nGood Night, Lily<\/td>\nPeter Vulchev<\/td>\n0:24:24<\/td>\nBulgaria<\/td>\nSpecial Mention Film<\/td>\n<\/tr>\n
21<\/td>\nMemorabilia<\/td>\nLars Zijm<\/td>\n0:24:21<\/td>\nNetherlands<\/td>\nSpecial Mention Film<\/td>\n<\/tr>\n
22<\/td>\nABOUT<\/td>\nJuliette TELLIER<\/td>\n0:10:23<\/td>\nFrance<\/td>\nSpecial Mention Film<\/td>\n<\/tr>\n
23<\/td>\nSon of a Prophetess<\/td>\nSTANKA GJURIC<\/td>\n0:06:34<\/td>\nCroatia<\/td>\nSpecial Mention Film<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\nEuropen Documentary<\/span><\/td>\n<\/tr>\n
1<\/td>\nBullets over Marseille<\/td>\nGordan Matic<\/td>\n1:24:02<\/td>\nSerbia<\/td>\nBest Film<\/td>\n<\/tr>\n
2<\/td>\nTandem Local<\/td>\nFran\u00e7ois Legrand, Marc-Antoine Boyer, Ludovic Bollette<\/td>\n1:26:07<\/td>\nBelgium<\/td>\nBest Film<\/td>\n<\/tr>\n
3<\/td>\nMy positive story<\/td>\nElvedin Sari\u0107<\/td>\n26:04:00<\/td>\nBosnia and Herzegovina<\/td>\nSpecial Mention Film<\/td>\n<\/tr>\n
4<\/td>\nARTIST’S VOICES<\/td>\nAlberto Nacci<\/td>\n0:50:00<\/td>\nItaly<\/td>\nSpecial Mention Film<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\nEuropen Mobile Film<\/span><\/td>\n<\/tr>\n
1<\/td>\nPencil<\/td>\nSimon Manley<\/td>\n0:05:54<\/td>\nAustria<\/td>\nBest Film<\/td>\n<\/tr>\n
2<\/td>\nHello, Cerak<\/td>\nFilip Stojiljkovic<\/td>\n0:13:16<\/td>\nSerbia<\/td>\nSpecial Mention<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\nWorld Feature\u00a0<\/span><\/td>\n<\/tr>\n
1<\/td>\nconcerto of a Blue Sky<\/td>\nnorikazu oda, mitsuha fujimori<\/td>\n1:19:06<\/td>\nJapan<\/td>\nBest Film<\/td>\n<\/tr>\n
2<\/td>\nScarpedicemente<\/td>\nJohn Vamvas<\/td>\n1:26:00<\/td>\nCanada<\/td>\nBest Film<\/td>\n<\/tr>\n
3<\/td>\nTurbines<\/td>\nIgor Breakenback, Shane Borza<\/td>\n1:24:00<\/td>\nAustralia<\/td>\nSpecial Mention<\/td>\n<\/tr>\n
4<\/td>\nLONGING SOULS<\/td>\nDiana Montenegro<\/td>\n1:28:13<\/td>\nColombia<\/td>\nSpecial Mention<\/td>\n<\/tr>\n
5<\/td>\nTUM-PABI-DUM<\/td>\nVyacheslav Nikiforov<\/td>\n1:34:54<\/td>\nBelarus<\/td>\nSpecial Mention<\/td>\n<\/tr>\n
6<\/td>\nTHE LAST JUDGMENT<\/td>\nAgbor Leonard Agbor<\/td>\n1:05:00<\/td>\nCameroon<\/td>\nSpecial Mention<\/td>\n<\/tr>\n
7<\/td>\nIt’s a wonderful day<\/td>\nNeveen Shalaby<\/td>\n1:35:00<\/td>\nEgypt<\/td>\nSpecial Mention<\/td>\n<\/tr>\n
8<\/td>\nDREAM,DETERMINATION AND VISION<\/td>\nSiviwe Honobroke Mashiyi, Babalwa Mengo<\/td>\n2:38:35<\/td>\nSouth Africa<\/td>\nSpecial Mention<\/td>\n<\/tr>\n
9<\/td>\nKairos<\/td>\nJOSE LIVINO PINHEIRO LOPES<\/td>\n01:02:16<\/td>\nBrazil<\/td>\nSpecial Mention<\/td>\n<\/tr>\n
<\/td>\nWorld\u00a0 Short\u00a0<\/span><\/td>\n<\/tr>\n
1<\/td>\nSideral<\/td>\nCarlos Segundo<\/td>\n0:15:00<\/td>\nBrazil<\/td>\nBest Film<\/td>\n<\/tr>\n
2<\/td>\nGhar<\/td>\nEvelyn Jude Rodrigues<\/td>\n0:11:00<\/td>\nUnited Arab Emirates<\/td>\nSpecial Mention<\/td>\n<\/tr>\n
3<\/td>\nCamille<\/td>\nEmeric Gallego<\/td>\n0:11:35<\/td>\nFrance<\/td>\nSpecial Mention<\/td>\n<\/tr>\n
4<\/td>\nShadow<\/td>\nAdil Abdolmajeed Yusf<\/td>\n0:04:40<\/td>\nIraq<\/td>\nSpecial Mention<\/td>\n<\/tr>\n
5<\/td>\nLiving Bodies (Cuerpos Vivos)<\/td>\nAndrea Arauz<\/td>\n0:17:24<\/td>\nHonduras<\/td>\nSpecial Mention<\/td>\n<\/tr>\n
6<\/td>\nOut of the Blue<\/td>\nMaria Hengge<\/td>\n0:02:51<\/td>\nGermany<\/td>\nSpecial Mention<\/td>\n<\/tr>\n
7<\/td>\nWinter Will Not Be<\/td>\nDmitri Frolov<\/td>\n0:39:00<\/td>\nRussian Federation<\/td>\nSpecial Mention<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\nWorld\u00a0 Documentary<\/span><\/td>\n<\/tr>\n
1<\/td>\nMorning without Evening<\/td>\nBeate Petersen<\/td>\n0:39:26<\/td>\nNorway<\/td>\nBest Film<\/td>\n<\/tr>\n
2<\/td>\nSometimes even the shore drowns<\/td>\nMahera Omar<\/td>\n0:17:00<\/td>\nPakistan<\/td>\nSpecial Mention<\/td>\n<\/tr>\n
3<\/td>\nNkabom: A little medicine A little prayer<\/td>\nErminia Colucci<\/td>\n1:19:25<\/td>\nUnited Kingdom<\/td>\nSpecial Mention<\/td>\n<\/tr>\n
4<\/td>\nBURKINAB\u00c8 BOUNTY: agroecology in Burkina Faso<\/td>\nIara Lee<\/td>\n0:36:37<\/td>\nBurkina Faso<\/td>\nSpecial Mention<\/td>\n<\/tr>\n
5<\/td>\n130 Children<\/td>\nAinara Aparici<\/td>\n1:14:00<\/td>\nChile\/Spain<\/td>\nSpecial Mention<\/td>\n<\/tr>\n
6<\/td>\nWhen a River Becomes a Border<\/td>\nRobi Layio<\/td>\n0:36:07<\/td>\nCameroon<\/td>\nSpecial Mention<\/td>\n<\/tr>\n
7<\/td>\nCASA<\/td>\nMario Z<\/td>\n1:28:19<\/td>\nChile<\/td>\nSpecial Mention<\/td>\n<\/tr>\n
8<\/td>\nHAYA<\/td>\nUgn\u0117 Alaburdait\u0117<\/td>\n0:12:19<\/td>\nLithuania<\/td>\nSpecial Mention<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\nAnimation Film\u00a0<\/span><\/td>\n<\/tr>\n
1<\/td>\nNew\u300aDivergence\u300b<\/td>\nLijun Sun, Yongliang Shen<\/td>\n0:08:00<\/td>\nChina<\/td>\nBest Film<\/td>\n<\/tr>\n
2<\/td>\nTHE MILLENNIAL KIDS<\/td>\nNirartha Bas Diwangkara<\/td>\n0:07:02<\/td>\nIndonesia<\/td>\nSpecial Mention<\/td>\n<\/tr>\n
3<\/td>\nDehbaraftab village<\/td>\nZiba Arzhang<\/td>\n0:08:00<\/td>\nIran<\/td>\nSpecial Mention<\/td>\n<\/tr>\n
4<\/td>\nLove<\/td>\nMalika Maxat<\/td>\n0:07:25<\/td>\nKazakhstan<\/td>\nSpecial Mention<\/td>\n<\/tr>\n
5<\/td>\nCLONE XI – MEDANIT YELESHIM<\/td>\nAbel Mekasha<\/td>\n0:02:41<\/td>\nEthiopia<\/td>\nSpecial Mention<\/td>\n<\/tr>\n
6<\/td>\nJourney Across The Bridge<\/td>\nStefie Gan<\/td>\n0:02:13<\/td>\nUnited States<\/td>\nSpecial Mention<\/td>\n<\/tr>\n
7<\/td>\nI hide a secret deep inside my soul…<\/td>\nElena Petkevich<\/td>\n0:13:45<\/td>\nBelarus<\/td>\nSpecial Mention<\/td>\n<\/tr>\n
8<\/td>\nHope<\/td>\nRoxanne Wright<\/td>\n0:01:59<\/td>\nCanada<\/td>\nSpecial Mention<\/td>\n<\/tr>\n
9<\/td>\nKAVAL<\/td>\nSasha Stanishik<\/td>\n0:10:26<\/td>\nMacedonia, the former Yugoslav Republic of<\/td>\nSpecial Mention<\/td>\n<\/tr>\n
10<\/td>\nBE VISIBLE<\/td>\nG\u00fcl Y\u0131ld\u0131r\u0131m<\/td>\n0:03:05<\/td>\nTurkey<\/td>\nSpecial Mention<\/td>\n<\/tr>\n
11<\/td>\nManjadikaalam<\/td>\nPadmasree Murali<\/td>\n0:07:21<\/td>\nIndia<\/td>\nSpecial Mention<\/td>\n<\/tr>\n
12<\/td>\nForgotten<\/td>\nRajyasree Sarkar<\/td>\n0:03:07<\/td>\nIndia<\/td>\nSpecial Mention<\/td>\n<\/tr>\n
13<\/td>\nHocchey ta ki? (What is happening?)<\/td>\nSneha Das, Monjima Mullick, Om Singh, Sawanti Das<\/td>\n0:02:50<\/td>\nIndia<\/td>\nSpecial Mention<\/td>\n<\/tr>\n
14<\/td>\nA little someone<\/td>\nRamya Ankilla<\/td>\n0:06:40<\/td>\nIndia<\/td>\nSpecial Mention<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\nKid Filmmaker film\u00a0<\/span><\/td>\n<\/tr>\n
1<\/td>\n\u00bfH\u00e9roes? (Heroes?)<\/td>\nDaniel Rinc\u00f3n<\/td>\n0:04:15<\/td>\nSpain<\/td>\nBest Kids Director<\/td>\n<\/tr>\n
1<\/td>\nMy Red Ball<\/td>\nesabella strickland<\/td>\n0:02:47<\/td>\nCanada<\/td>\nBest Kids Director<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\nBangladesh Feature\u00a0<\/span><\/td>\n<\/tr>\n
1<\/td>\nKagoj<\/td>\nAli Zulfikar Zahedi<\/td>\n2:05:00<\/td>\nBangladesh<\/td>\nBest Film<\/td>\n<\/tr>\n
2<\/td>\nKagoj<\/td>\nAli Zulfikar Zahedi<\/td>\n2:05:00<\/td>\nBangladesh<\/td>\nBest Director<\/td>\n<\/tr>\n
3<\/td>\nBosonto Bikal<\/td>\nRafique Sikder<\/td>\n2:14:00<\/td>\nBangladesh<\/td>\nJury Mention film<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\nBangladeshi Short Film<\/span><\/td>\n<\/tr>\n
1<\/td>\nDEJA VU<\/td>\nRayhan Shoshi<\/td>\n0:23:45<\/td>\nBangladesh<\/td>\nBest Film<\/td>\n<\/tr>\n
2<\/td>\nTRACELESS<\/td>\nMd Abid Mallick<\/td>\n0:05:00<\/td>\nBangladesh<\/td>\nSpecial Mention<\/td>\n<\/tr>\n
3<\/td>\nShubroto Sengupto<\/td>\nMohammad Abir Mukhar<\/td>\n0:25:00<\/td>\nBangladesh<\/td>\nSpecial Mention<\/td>\n<\/tr>\n
4<\/td>\nAllie – My Best Friend<\/td>\nAbraham Tamim<\/td>\n0:03:00<\/td>\nBangladesh<\/td>\nSpecial Mention<\/td>\n<\/tr>\n
5<\/td>\nThe Immortal Game<\/td>\nMahbub Islam<\/td>\n0:05:54<\/td>\nBangladesh<\/td>\nSpecial Mention<\/td>\n<\/tr>\n
6<\/td>\nThe Necklace<\/td>\nSajjad H Emon<\/td>\n0:07:12<\/td>\nBangladesh<\/td>\nSpecial Mention<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\nBangladeshi Documentary Film<\/span><\/td>\n<\/tr>\n
1<\/td>\nBubur Basha\u00a0 (Grandmother’s Home)<\/td>\nAnusha Alamgir<\/td>\n0:25:00<\/td>\nBangladesh<\/td>\nBest Film<\/td>\n<\/tr>\n
2<\/td>\nMukul Talkies<\/td>\nZobayer Raihan<\/td>\n00:07:26<\/td>\nBangladesh<\/td>\nSpecial Mention<\/td>\n<\/tr>\n
3<\/td>\nStruggle Of Bishkhali<\/td>\nShahedul Islam Sifat<\/td>\n00:08:53<\/td>\nBangladesh<\/td>\nSpecial Mention<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\nBangladeshi Mobile\u00a0<\/span><\/td>\n<\/tr>\n
1<\/td>\nBrihonnola<\/td>\nSahed Ahmed<\/td>\n00:07:35<\/td>\nBangladesh<\/td>\nBest Film<\/td>\n<\/tr>\n
2<\/td>\nRastanama<\/td>\nDebanjan Bhattacharya<\/td>\n0:05:14<\/td>\nBangladesh<\/td>\nSpecial Mention<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\nIndian Feature\u00a0<\/span><\/td>\n<\/tr>\n
1<\/td>\nMuthayya<\/td>\nBhaskhar Maurya<\/td>\n1:58:37<\/td>\nIndia<\/td>\nBest Film<\/td>\n<\/tr>\n
2<\/td>\nBeginning<\/td>\nJagan Vijaya<\/td>\n1:49:18<\/td>\nIndia<\/td>\nBest Debute Director<\/td>\n<\/tr>\n
3<\/td>\nNiwaas (Home)<\/td>\nMehul Agaja<\/td>\n1:26:14<\/td>\nIndia<\/td>\nBest Debute Director<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\nIndian Short\u00a0<\/span><\/td>\n<\/tr>\n
1<\/td>\nAYESHA<\/td>\nShriya Rana<\/td>\n0:10:00<\/td>\nIndia<\/td>\nBest Film<\/td>\n<\/tr>\n
2<\/td>\nMATE<\/td>\nBarnali Medhi<\/td>\n0:08:32<\/td>\nIndia<\/td>\nSpecial Mention<\/td>\n<\/tr>\n
3<\/td>\nChurka Murmu- a story of a forgotten hero<\/td>\nJagannath Biswas<\/td>\n0:25:57<\/td>\nIndia<\/td>\nSpecial Mention<\/td>\n<\/tr>\n
4<\/td>\nThe Perfect World<\/td>\nShikha Mahajan<\/td>\n0:19:16<\/td>\nIndia<\/td>\nSpecial Mention<\/td>\n<\/tr>\n
5<\/td>\nGoshta Arjunchi<\/td>\nAnupam Barve<\/td>\n0:12:30<\/td>\nIndia<\/td>\nSpecial Mention<\/td>\n<\/tr>\n
6<\/td>\nPAPER BOATS<\/td>\nKhushee Rajendra Hegde<\/td>\n0:04:59<\/td>\nIndia<\/td>\nSpecial Mention<\/td>\n<\/tr>\n
7<\/td>\nWaswas\u0101<\/td>\nShreedhi Jainesh Ejardar<\/td>\n0:04:09<\/td>\nIndia<\/td>\nSpecial Mention<\/td>\n<\/tr>\n
8<\/td>\nNo Smoking Please<\/td>\nShailesh Bhimrao Dupare, Mangesh Bhimrao Dupare<\/td>\n0:03:33<\/td>\nIndia<\/td>\nSpecial Mention<\/td>\n<\/tr>\n
9<\/td>\nTHE SHAME<\/td>\nMOHAN DAS<\/td>\n0:18:31<\/td>\nIndia<\/td>\nSpecial Mention<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\nIndian Documentary<\/span><\/td>\n<\/tr>\n
1<\/td>\nDukhu Majhi – Son of the barren land (Rukhu Matir Dukhu Majhi)<\/td>\nSomnath Mondal<\/td>\n0:28:25<\/td>\nIndia<\/td>\nBest Film<\/td>\n<\/tr>\n
2<\/td>\nThe Show Must Go On<\/td>\nDivya Cowasji<\/td>\n1:00:00<\/td>\nIndia<\/td>\nSpecial Mention<\/td>\n<\/tr>\n
3<\/td>\nNeither a Girl Nor a Woman<\/td>\nAnjali Patil<\/td>\n1:00:34<\/td>\nIndia<\/td>\nSpecial Mention<\/td>\n<\/tr>\n
4<\/td>\nB B Lal “Doyen” of Indian Archaeology<\/td>\nDr. Ramadevi Sekhar, Ebenezer Annadoss<\/td>\n0:31:46<\/td>\nIndia<\/td>\nSpecial Mention<\/td>\n<\/tr>\n
5<\/td>\nThe Last Rites<\/td>\nDhananjoy Mandal<\/td>\n0:19:00<\/td>\nIndia<\/td>\nSpecial Mention<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\nIndian Mobile Film<\/span><\/td>\n<\/tr>\n
1<\/td>\nDilli Haat – A panorama of diversity<\/td>\nMimansha Singh<\/td>\n0:02:42<\/td>\nIndia<\/td>\nBest Film<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"

3’rd CinemaKing Interantional Film Festival 2022 Awards winner List Lift Time Achievement Nazmun Neza Piari Tropy Certificate SL no Film name Directed by Duration Country Awards Asian Feature\u00a0 1 Taya PRABHA GOPALAPILLA 1:52:28 India Best Film 2 The perfect summer Yufei Qiao 1:34:00 China Best Film 3 THEATRICS Ryuichi Onodera 1:16:30 Japan Best Director 4 […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":495,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-548","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/cinemaking.org\/index.php?rest_route=\/wp\/v2\/pages\/548","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/cinemaking.org\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/cinemaking.org\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/cinemaking.org\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/cinemaking.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=548"}],"version-history":[{"count":7,"href":"https:\/\/cinemaking.org\/index.php?rest_route=\/wp\/v2\/pages\/548\/revisions"}],"predecessor-version":[{"id":1178,"href":"https:\/\/cinemaking.org\/index.php?rest_route=\/wp\/v2\/pages\/548\/revisions\/1178"}],"up":[{"embeddable":true,"href":"https:\/\/cinemaking.org\/index.php?rest_route=\/wp\/v2\/pages\/495"}],"wp:attachment":[{"href":"https:\/\/cinemaking.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=548"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}