{"id":544,"date":"2023-10-04T21:57:54","date_gmt":"2023-10-04T21:57:54","guid":{"rendered":"http:\/\/cinemaking.org\/?page_id=544"},"modified":"2023-11-12T20:38:06","modified_gmt":"2023-11-12T20:38:06","slug":"3rd-edition-selection-list","status":"publish","type":"page","link":"https:\/\/cinemaking.org\/?page_id=544","title":{"rendered":"3’rd Edition Selection List"},"content":{"rendered":"

3’rd CinemaKing International Film Festival 2022 Selection List<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
<\/td>\nAsian Continent Feature Film Competition Section<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
SL no<\/td>\nFilm name<\/td>\nDirected by<\/td>\nDuration<\/td>\nCountry<\/td>\n<\/td>\n<\/tr>\n
1<\/td>\nParamapatham<\/td>\nViknes Perrabu, Thanesh Perrabu<\/td>\n01:50:00<\/td>\nMalaysia<\/td>\n<\/td>\n<\/tr>\n
2<\/td>\nThe Crumpled Paper<\/td>\nsaeed Bahman<\/td>\n01:27:22<\/td>\nIran<\/td>\n<\/td>\n<\/tr>\n
3<\/td>\nThe City i Saw With You<\/td>\nNima Javadi<\/td>\n01:12:00<\/td>\nIran<\/td>\n<\/td>\n<\/tr>\n
4<\/td>\nDistances<\/td>\nMohsen Ata<\/td>\n01:39:11<\/td>\nIran<\/td>\n<\/td>\n<\/tr>\n
5<\/td>\nBurial<\/td>\nMohammad Tanabandeh<\/td>\n01:18:11<\/td>\nIran<\/td>\n<\/td>\n<\/tr>\n
6<\/td>\nWorld-weary<\/td>\nReza Golchin<\/td>\n01:20:00<\/td>\nIran<\/td>\n<\/td>\n<\/tr>\n
7<\/td>\nMediterranean<\/td>\nHadi Hajatmand<\/td>\n01:23:13<\/td>\nIran<\/td>\n<\/td>\n<\/tr>\n
8<\/td>\nStaging<\/td>\nAlireza Samadi<\/td>\n01:30:03<\/td>\nIran<\/td>\n<\/td>\n<\/tr>\n
9<\/td>\nExpediency<\/td>\nHossein Darabi<\/td>\n01:50:13<\/td>\nIran<\/td>\n<\/td>\n<\/tr>\n
10<\/td>\nQazi<\/td>\nAnil Fastenau, Jakob Gehrmann<\/td>\n01:20:30<\/td>\nPakistan<\/td>\n<\/td>\n<\/tr>\n
11<\/td>\nTHEATRICS<\/td>\nRyuichi Onodera<\/td>\n01:16:30<\/td>\nJapan<\/td>\n<\/td>\n<\/tr>\n
12<\/td>\nUnity of Love<\/td>\nRey Coloma<\/td>\n02:00:00<\/td>\nPhilippines<\/td>\n<\/td>\n<\/tr>\n
13<\/td>\nHappy Ending<\/td>\nAkira Iwamatsu<\/td>\n01:53:17<\/td>\nJapan<\/td>\n<\/td>\n<\/tr>\n
14<\/td>\nAll About My Girl<\/td>\nTharaka Mahanama<\/td>\n01:10:00<\/td>\nSri Lanka<\/td>\n<\/td>\n<\/tr>\n
15<\/td>\nThe perfect summer<\/td>\nYufei Qiao<\/td>\n01:34:00<\/td>\nChina<\/td>\n<\/td>\n<\/tr>\n
16<\/td>\nIn exciting<\/td>\nCici Li<\/td>\n01:23:00<\/td>\nChina<\/td>\n<\/td>\n<\/tr>\n
17<\/td>\nDrunken woman<\/td>\nShuo Tang<\/td>\n01:24:00<\/td>\nChina<\/td>\n<\/td>\n<\/tr>\n
18<\/td>\nImpossible Love<\/td>\nWeilun Gao<\/td>\n01:57:00<\/td>\nChina<\/td>\n<\/td>\n<\/tr>\n
19<\/td>\nElderly people living alone<\/td>\nBin Wu<\/td>\n01:28:00<\/td>\nChina<\/td>\n<\/td>\n<\/tr>\n
20<\/td>\nBeyblade girl<\/td>\nAndong Deng<\/td>\n02:09:00<\/td>\nChina<\/td>\n<\/td>\n<\/tr>\n
21<\/td>\nThe Movie<\/td>\nYiping Hu<\/td>\n01:30:00<\/td>\nChina<\/td>\n<\/td>\n<\/tr>\n
22<\/td>\nAksa<\/td>\nElain XU<\/td>\n01:49:00<\/td>\nChina<\/td>\n<\/td>\n<\/tr>\n
23<\/td>\nHEARTH<\/td>\nAlisher Zhadigerov<\/td>\n01:15:08<\/td>\nKazakhstan<\/td>\n<\/td>\n<\/tr>\n
24<\/td>\nANTIQUE CLOCK, COPPER BASIN AND CAT<\/td>\nMingxuan WANG<\/td>\n01:40:55<\/td>\nChina<\/td>\n<\/td>\n<\/tr>\n
25<\/td>\nFALL GUY<\/td>\nJoel Lamangan<\/td>\n01:46:23<\/td>\nPhilippines<\/td>\n<\/td>\n<\/tr>\n
26<\/td>\nThe Tremor<\/td>\nBalaji Vembu Chelli<\/td>\n01:10:17<\/td>\nIndia<\/td>\n<\/td>\n<\/tr>\n
27<\/td>\nLet flower shine<\/td>\nYi Guo<\/td>\n01:32:00<\/td>\nChina<\/td>\n<\/td>\n<\/tr>\n
28<\/td>\nconcerto of a Blue Sky<\/td>\nnorikazu oda, mitsuha fujimori<\/td>\n01:19:06<\/td>\nJapan<\/td>\n<\/td>\n<\/tr>\n
29<\/td>\nThe Boarding House<\/td>\nMaryam Ebrahimvand<\/td>\n71\u00a0 Min<\/td>\nIran<\/td>\n<\/td>\n<\/tr>\n
30<\/td>\nSarita Umar ’13’ Barsha<\/td>\nSERGIO BASSO<\/td>\n1h38min<\/td>\nNepal<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\nEuropen Continent Feature Film Competition Section<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
SL no<\/td>\nFilm name<\/td>\nDirected by<\/td>\nDuration<\/td>\nCountry<\/td>\n<\/td>\n<\/tr>\n
1<\/td>\nThe Inglorious Serfs<\/td>\nRoman Perfilyev<\/td>\n01:30:00<\/td>\nUkraine<\/td>\n<\/td>\n<\/tr>\n
2<\/td>\nOPAL<\/td>\nAlan Bidard<\/td>\n01:25:00<\/td>\nFrance<\/td>\n<\/td>\n<\/tr>\n
3<\/td>\nINVISIBLE<\/td>\nFederico Di Cicilia<\/td>\n01:16:00<\/td>\nItaly<\/td>\n<\/td>\n<\/tr>\n
4<\/td>\nJUST LET ME GO<\/td>\nLuis Miguel Boliqueime Diogo<\/td>\n01:33:18<\/td>\nPortugal<\/td>\n<\/td>\n<\/tr>\n
5<\/td>\nBroken Circle<\/td>\nDemetrios (aka Dimitrios) Katis<\/td>\n02:19:23<\/td>\nGreece<\/td>\n<\/td>\n<\/tr>\n
6<\/td>\nStars of the seventh sky<\/td>\nElena Turova<\/td>\n01:12:05<\/td>\nBelarus<\/td>\n<\/td>\n<\/tr>\n
7<\/td>\nTUM-PABI-DUM<\/td>\nVyacheslav Nikiforov<\/td>\n01:34:54<\/td>\nBelarus<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\nAmerican Continent Feature Film Competition Section<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
SL no<\/td>\nFilm name<\/td>\nDirected by<\/td>\nDuration<\/td>\nCountry<\/td>\n<\/td>\n<\/tr>\n
1<\/td>\nVERONA<\/td>\nAne Siderman<\/td>\n01:34:50<\/td>\nBrazil<\/td>\n<\/td>\n<\/tr>\n
2<\/td>\nQueen of hearts<\/td>\nTyeisha Downer<\/td>\n01:18:21<\/td>\nUnited States<\/td>\n<\/td>\n<\/tr>\n
3<\/td>\nEl hormig\u00f3n<\/td>\nedgar javier torres carbajal<\/td>\n01:25:47<\/td>\nMexico<\/td>\n<\/td>\n<\/tr>\n
4<\/td>\nPaper Dream<\/td>\nAli Atshani<\/td>\n01:24:00<\/td>\nUnited States<\/td>\n<\/td>\n<\/tr>\n
5<\/td>\nBobcat Moretti<\/td>\nRob Margolies<\/td>\n01:36:00<\/td>\nUnited States<\/td>\n<\/td>\n<\/tr>\n
6<\/td>\nD.O.A.<\/td>\nKurt St. Thomas<\/td>\n01:22:30<\/td>\nUnited States<\/td>\n<\/td>\n<\/tr>\n
7<\/td>\nScarpedicemente<\/td>\nJohn Vamvas<\/td>\n01:26:00<\/td>\nCanada<\/td>\n<\/td>\n<\/tr>\n
8<\/td>\nJust Passing Through<\/td>\nMelina Fern\u00e1ndez da Silva, Nicol\u00e1s Meta<\/td>\n01:41:00<\/td>\nArgentina<\/td>\n<\/td>\n<\/tr>\n
9<\/td>\nInterlaced<\/td>\nJOSE LIVINO PINHEIRO LOPES<\/td>\n01:32:07<\/td>\nBrazil<\/td>\n<\/td>\n<\/tr>\n
10<\/td>\nKairos<\/td>\nJOSE LIVINO PINHEIRO LOPES<\/td>\n01:02:16<\/td>\nBrazil<\/td>\n<\/td>\n<\/tr>\n
11<\/td>\nSavage<\/td>\nJuan Carlos Mege<\/td>\n01:17:00<\/td>\nChile<\/td>\n<\/td>\n<\/tr>\n
12<\/td>\nLONGING SOULS<\/td>\nDiana Montenegro<\/td>\n01:28:13<\/td>\nColombia<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\nAfrica and Oceania Feature Film Competition Section<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
SL no<\/td>\nFilm name<\/td>\nDirected by<\/td>\nDuration<\/td>\nCountry<\/td>\n<\/td>\n<\/tr>\n
1<\/td>\nTHE LAST JUDGMENT<\/td>\nAgbor Leonard Agbor<\/td>\n01:05:00<\/td>\nCameroon<\/td>\n<\/td>\n<\/tr>\n
2<\/td>\nIt’s a wonderful day<\/td>\nNeveen Shalaby<\/td>\n01:35:00<\/td>\nEgypt<\/td>\n<\/td>\n<\/tr>\n
3<\/td>\nDREAM,DETERMINATION AND VISION<\/td>\nSiviwe Honobroke Mashiyi, Babalwa Mengo<\/td>\n02:38:35<\/td>\nSouth Africa<\/td>\n<\/td>\n<\/tr>\n
4<\/td>\nTurbines<\/td>\nIgor Breakenback, Shane Borza<\/td>\n01:24:00<\/td>\nAustralia<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\nBangladeshi Feature Film Competition Section<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
SL no<\/td>\nFilm name<\/td>\nDirected by<\/td>\nDuration<\/td>\nCountry<\/td>\n<\/td>\n<\/tr>\n
1<\/td>\nKagoj<\/td>\nAli Zulfikar Zahedi<\/td>\nFull length<\/td>\nBangladesh<\/td>\n<\/td>\n<\/tr>\n
2<\/td>\nBosonto Bikal<\/td>\nRafique Sikder<\/td>\nFull length<\/td>\nBangladesh<\/td>\n<\/td>\n<\/tr>\n
3<\/td>\nBhangon<\/td>\nMirza Sakhawat Hossain<\/td>\nFull length<\/td>\nBangladesh<\/td>\n<\/td>\n<\/tr>\n
4<\/td>\nJoybangla<\/td>\nKazi Hayat<\/td>\nFull length<\/td>\nBangladesh<\/td>\n<\/td>\n<\/tr>\n
5<\/td>\nBirangona 71<\/td>\nM Sakhawat Hossain<\/td>\nFull length<\/td>\nBangladesh<\/td>\n<\/td>\n<\/tr>\n
6<\/td>\nTalash<\/td>\nSaikat Nasir<\/td>\nFull length<\/td>\nBangladesh<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\nIndian Feature Film Competition Section<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
SL no<\/td>\nFilm name<\/td>\nDirected by<\/td>\nDuration<\/td>\nCountry<\/td>\nLanguage<\/td>\n<\/tr>\n
1<\/td>\nThe Luggage<\/td>\nAbhijeet More<\/td>\n01:59:00<\/td>\nIndia<\/td>\nHindi<\/td>\n<\/tr>\n
2<\/td>\nVEIL<\/td>\nRUPAM MALLICK, SHRAMANA CHAKRABORTY<\/td>\n01:13:03<\/td>\nIndia<\/td>\nBengali<\/td>\n<\/tr>\n
3<\/td>\nMansai – Beyond River<\/td>\nAshutosh Das, Abhijit Sri Das, Rajat Biswas, Abhijit Sri Das, Prosenjit Sikdar<\/td>\n01:34:00<\/td>\nIndia<\/td>\nBengali<\/td>\n<\/tr>\n
4<\/td>\nYADBHAVAM THADBHAVATHI<\/td>\nAmmith Rao<\/td>\n01:57:27<\/td>\nIndia<\/td>\nKannada<\/td>\n<\/tr>\n
5<\/td>\nASHA<\/td>\nPALLAB ROY<\/td>\n01:48:27<\/td>\nIndia<\/td>\nSANTALI<\/td>\n<\/tr>\n
6<\/td>\nPORIVEYIL (scorching sun)<\/td>\nFAROOK ABDUL RAHIMAN<\/td>\n01:49:52<\/td>\nIndia<\/td>\nMalayalam<\/td>\n<\/tr>\n
7<\/td>\nSecond Mother<\/td>\nRajyapal Singh<\/td>\n01:33:06<\/td>\nIndia<\/td>\nHindi<\/td>\n<\/tr>\n
8<\/td>\nKUGRAMA<\/td>\nLokendra Surya<\/td>\n01:45:00<\/td>\nIndia<\/td>\nKannada<\/td>\n<\/tr>\n
9<\/td>\nNiwaas (Home)<\/td>\nMehul Agaja<\/td>\n01:26:14<\/td>\nIndia<\/td>\nMarathi<\/td>\n<\/tr>\n
10<\/td>\nMuthayya<\/td>\nBhaskhar Maurya<\/td>\n01:58:37<\/td>\nIndia<\/td>\nTelugu<\/td>\n<\/tr>\n
11<\/td>\nNO VACANCY<\/td>\nAMRITAM MONDAL<\/td>\n01:30:57<\/td>\nIndia<\/td>\nBengali<\/td>\n<\/tr>\n
12<\/td>\n4 SUM<\/td>\nNEERAJ GWAL<\/td>\n01:36:54<\/td>\nIndia<\/td>\nHindi<\/td>\n<\/tr>\n
13<\/td>\nYADBHAVAM THADBHAVATHI<\/td>\nAmmith Rao<\/td>\n01:57:27<\/td>\nIndia<\/td>\nKannada<\/td>\n<\/tr>\n
14<\/td>\nFeels Like Home<\/td>\nAniiket Limje<\/td>\n01:10:02<\/td>\nIndia<\/td>\nHindi<\/td>\n<\/tr>\n
15<\/td>\nLORN<\/td>\nAMRITAM MONDAL<\/td>\n01:04:58<\/td>\nIndia<\/td>\nBengali<\/td>\n<\/tr>\n
16<\/td>\nMorrya<\/td>\nJitendra Pundalik Barde<\/td>\n01:45:00<\/td>\nIndia<\/td>\nMarathi<\/td>\n<\/tr>\n
17<\/td>\nBunny<\/td>\nNilesh Upadhye<\/td>\n01:29:33<\/td>\nIndia<\/td>\nEnglish, Marathi<\/td>\n<\/tr>\n
18<\/td>\nGuthlee Ladoo<\/td>\nIshrat R Khan<\/td>\n01:44:40<\/td>\nIndia<\/td>\nHindi<\/td>\n<\/tr>\n
19<\/td>\nPALYAD (The Other Side)<\/td>\nShailesh Bhimrao Dupare<\/td>\n02:12:10<\/td>\nIndia<\/td>\nMarathi<\/td>\n<\/tr>\n
20<\/td>\nTEMPER<\/td>\nD BIPIN<\/td>\n02:26:22<\/td>\nIndia<\/td>\nOther<\/td>\n<\/tr>\n
21<\/td>\n4\/11<\/td>\nYumnam Ajit Singh<\/td>\n01:22:47<\/td>\nIndia<\/td>\nHindi<\/td>\n<\/tr>\n
22<\/td>\nBicycle Days<\/td>\nDevayni Anant<\/td>\n01:25:00<\/td>\nIndia<\/td>\nHindi<\/td>\n<\/tr>\n
23<\/td>\nMugizh<\/td>\nKartick Swaminathan<\/td>\n01:00:00<\/td>\nIndia<\/td>\nTamil<\/td>\n<\/tr>\n
24<\/td>\nElectronic City<\/td>\nChikkanna Ramakrishnaiah<\/td>\n02:00:00<\/td>\nIndia<\/td>\nKannada<\/td>\n<\/tr>\n
25<\/td>\nTARANGA \u2013 the wave of life<\/td>\nPalash Dey<\/td>\n01:25:43<\/td>\nIndia<\/td>\nBengali<\/td>\n<\/tr>\n
26<\/td>\nExciting day (Mayeerkoochedukkum naal)<\/td>\nHarish Kumar<\/td>\n01:10:00<\/td>\nIndia<\/td>\nTamil<\/td>\n<\/tr>\n
27<\/td>\nBeginning<\/td>\nJagan Vijaya<\/td>\n01:49:18<\/td>\nIndia<\/td>\nTamil<\/td>\n<\/tr>\n
28<\/td>\nSoul of Silence (XOBDO NIXOBDO KOLAHOL)<\/td>\nDhanjit Das<\/td>\n1:21:00<\/td>\nINDIA<\/td>\nAssame<\/td>\n<\/tr>\n
29<\/td>\nNaanera<\/td>\nDeepankar Prakash<\/td>\n1:56:00<\/td>\nIndia<\/td>\nHindi<\/td>\n<\/tr>\n
30<\/td>\nTAYA<\/td>\nPRABHA GOPALAPILLAI<\/td>\n01:52:28<\/td>\nIndia<\/td>\nHindi<\/td>\n<\/tr>\n
31<\/td>\nAadhaar<\/td>\nRamnath Palanikumar<\/td>\n01:51:00<\/td>\nIndia<\/td>\nHindi<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
<\/td>\nAsian Continent Short Film Competition Section<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
SL no<\/td>\nFilm name<\/td>\nDirected by<\/td>\nDuration<\/td>\nCountry<\/td>\n<\/tr>\n
1<\/td>\nIn a Trance with the Tempo of Temple Street<\/td>\nMaisy Goosy Suen, Fox Yip<\/td>\n00:08:32<\/td>\nHong Kong<\/td>\n<\/tr>\n
2<\/td>\nThe Cardamom<\/td>\nShikha Mahajan<\/td>\n00:19:51<\/td>\nIndia<\/td>\n<\/tr>\n
3<\/td>\nSecret\u00a0 Trouble<\/td>\nRUIYI YANG<\/td>\n00:04:12<\/td>\nChina<\/td>\n<\/tr>\n
4<\/td>\nThere is Always Something to Say<\/td>\nRIKI YANG<\/td>\n00:00:00<\/td>\nChina<\/td>\n<\/tr>\n
5<\/td>\nChopsticks<\/td>\nFanbo Zheng, Weiyang Chen<\/td>\n00:07:06<\/td>\nChina<\/td>\n<\/tr>\n
6<\/td>\nBreathing Memories<\/td>\nSudath Abeysiriwardana<\/td>\n00:08:07<\/td>\nSri Lanka<\/td>\n<\/tr>\n
7<\/td>\nFour Corners<\/td>\nHarold Jay Silla<\/td>\n00:19:02<\/td>\nPhilippines<\/td>\n<\/tr>\n
8<\/td>\nBell Pepper<\/td>\nAdem \u0130\u015fler<\/td>\n00:05:44<\/td>\nTurkey<\/td>\n<\/tr>\n
9<\/td>\nsuit<\/td>\nZeng Zhi Cong<\/td>\n00:21:25<\/td>\nChina<\/td>\n<\/tr>\n
10<\/td>\nA CORN INSIDE ME<\/td>\nMiduo LUO<\/td>\n00:24:04<\/td>\nChina<\/td>\n<\/tr>\n
11<\/td>\nTill The Very End<\/td>\nJuan Paolo Aquino<\/td>\n00:16:45<\/td>\nPhilippines<\/td>\n<\/tr>\n
12<\/td>\nThe Balloon<\/td>\nChaitanya Dilip Apte<\/td>\n00:14:56<\/td>\nIndia<\/td>\n<\/tr>\n
13<\/td>\nvalues for me<\/td>\nMark Daniel De Castro<\/td>\n00:07:00<\/td>\nPhilippines<\/td>\n<\/tr>\n
14<\/td>\nOld He<\/td>\nYi ZHANG<\/td>\n00:29:59<\/td>\nHong Kong<\/td>\n<\/tr>\n
15<\/td>\nA Prologue’s End<\/td>\nKHAIRUL MUSTOFA<\/td>\n00:22:10<\/td>\nIndonesia<\/td>\n<\/tr>\n
16<\/td>\nHarbinger<\/td>\nSteven Nathan Herdijaya<\/td>\n00:09:38<\/td>\nIndonesia<\/td>\n<\/tr>\n
17<\/td>\nRISAU (do not ask)<\/td>\nVera Isnaini<\/td>\n00:03:00<\/td>\nIndonesia<\/td>\n<\/tr>\n
18<\/td>\nMythos<\/td>\nYILMAZ DEM\u0130R<\/td>\n00:03:38<\/td>\nTurkey<\/td>\n<\/tr>\n
19<\/td>\nFahriyem<\/td>\nBar\u0131\u015f \u00d6zcan<\/td>\n00:17:06<\/td>\nTurkey<\/td>\n<\/tr>\n
20<\/td>\nHeavenly meeting<\/td>\nZhouxu Zhang<\/td>\n00:09:02<\/td>\nChina<\/td>\n<\/tr>\n
21<\/td>\nThe Last Sniper<\/td>\nEmil Babayev<\/td>\n00:03:43<\/td>\nAzerbaijan<\/td>\n<\/tr>\n
22<\/td>\nKambing Hitam<\/td>\nHerda Martin, Ahmad Ramdan<\/td>\n00:15:00<\/td>\nIndonesia<\/td>\n<\/tr>\n
23<\/td>\nThe wind girl<\/td>\nDana karim<\/td>\n00:14:58<\/td>\nIraq<\/td>\n<\/tr>\n
24<\/td>\nAs Night Falls<\/td>\nDeniz Kezik<\/td>\n00:20:00<\/td>\nTurkey<\/td>\n<\/tr>\n
25<\/td>\nNisanga (Alone)<\/td>\nKoushik Datta<\/td>\n00:17:51<\/td>\nSingapore<\/td>\n<\/tr>\n
26<\/td>\nDivination<\/td>\nGopal Acharya<\/td>\n00:14:45<\/td>\nNepal<\/td>\n<\/tr>\n
27<\/td>\nSharing Us<\/td>\nYanjun Shen<\/td>\n00:05:00<\/td>\nChina<\/td>\n<\/tr>\n
28<\/td>\nThe Wheel<\/td>\nMet\u00een EWR<\/td>\n00:13:42<\/td>\nTurkey<\/td>\n<\/tr>\n
29<\/td>\nStroke \/ Woman<\/td>\nElvert Ba\u00f1ares<\/td>\n00:01:00<\/td>\nPhilippines<\/td>\n<\/tr>\n
30<\/td>\nA Murder Case of Momotaro<\/td>\nNozomu Namba<\/td>\n00:12:45<\/td>\nJapan<\/td>\n<\/tr>\n
31<\/td>\nSnow in August<\/td>\nNozomu Namba<\/td>\n00:09:15<\/td>\nJapan<\/td>\n<\/tr>\n
32<\/td>\nLove 30 meters above the ground<\/td>\nNozomu Namba<\/td>\n00:05:30<\/td>\nJapan<\/td>\n<\/tr>\n
33<\/td>\nTaste of Fate<\/td>\nRaymond Ramos<\/td>\n00:19:04<\/td>\nTaiwan<\/td>\n<\/tr>\n
34<\/td>\nJagatan<\/td>\nPuput Juang<\/td>\n00:23:22<\/td>\nIndonesia<\/td>\n<\/tr>\n
35<\/td>\n\u300aThe Knife of Memory\u300b<\/td>\n\u5b59\u82e5\u6587 Ruowen Sun<\/td>\n00:18:00<\/td>\nChina<\/td>\n<\/tr>\n
36<\/td>\nMutton<\/td>\nHasantha Prabhoothi Dissanayake<\/td>\n00:12:25<\/td>\nSri Lanka<\/td>\n<\/tr>\n
37<\/td>\nOur So-Called Prayer<\/td>\nAprilingga Rahmadani<\/td>\n00:15:00<\/td>\nIndonesia<\/td>\n<\/tr>\n
38<\/td>\nPure Silence<\/td>\nBora Davutluo\u011flu<\/td>\n00:10:00<\/td>\nTurkey<\/td>\n<\/tr>\n
39<\/td>\nBlowing in the Bleak Wind<\/td>\nzifan zhang<\/td>\n00:22:47<\/td>\nChina<\/td>\n<\/tr>\n
40<\/td>\nOutbreak Goldfish<\/td>\nZhihui Zhang<\/td>\n00:05:00<\/td>\nChina<\/td>\n<\/tr>\n
41<\/td>\nAkale (Far Away)<\/td>\nRAJESHKUMAR Gopalakrishnan<\/td>\n00:26:08<\/td>\nSingapore<\/td>\n<\/tr>\n
42<\/td>\nTUNGLO ( CURSED ) english subtitle<\/td>\nKRIS KRISTOFFERSON DELA CRUZ HALOG<\/td>\n00:08:42<\/td>\nPhilippines<\/td>\n<\/tr>\n
43<\/td>\n@ItsDekRaaa<\/td>\nI Made Suarbawa<\/td>\n00:09:36<\/td>\nIndonesia<\/td>\n<\/tr>\n
44<\/td>\nThe Film Is Me<\/td>\nPhilip George Khoury<\/td>\n00:07:55<\/td>\nSyrian Arab Republic<\/td>\n<\/tr>\n
45<\/td>\nAF – forgiveness<\/td>\nH\u00dcSEY\u0130N \u00d6ZEL<\/td>\n00:08:08<\/td>\nTurkey<\/td>\n<\/tr>\n
46<\/td>\nChild Labour, A soul touching message from a child addressing to mankind and humanity.<\/td>\nSamina Gul<\/td>\n00:05:54<\/td>\nPakistan<\/td>\n<\/tr>\n
47<\/td>\nBukan Kupu-Kupu Malam<\/td>\nAgus Ari Wirawan<\/td>\n00:18:30<\/td>\nIndonesia<\/td>\n<\/tr>\n
48<\/td>\nThe Flight of the Green Worm<\/td>\nKristian Heroel Lumba<\/td>\n00:01:09<\/td>\nPhilippines<\/td>\n<\/tr>\n
49<\/td>\nFine hemp rope<\/td>\nWeiwu Li<\/td>\n00:14:54<\/td>\nChina<\/td>\n<\/tr>\n
50<\/td>\nNo Utopia<\/td>\nXiaodong Li<\/td>\n00:20:00<\/td>\nChina<\/td>\n<\/tr>\n
51<\/td>\nSerein<\/td>\nXun Pan<\/td>\n00:05:05<\/td>\nChina<\/td>\n<\/tr>\n
52<\/td>\nMissing My son<\/td>\nHan Wang<\/td>\n00:15:30<\/td>\nChina<\/td>\n<\/tr>\n
53<\/td>\nLive Well<\/td>\nJianwu Zeng<\/td>\n00:15:00<\/td>\nChina<\/td>\n<\/tr>\n
54<\/td>\nAdult ceremony<\/td>\nLucas Shaw<\/td>\n00:27:35<\/td>\nChina<\/td>\n<\/tr>\n
55<\/td>\nNeighbour<\/td>\nTianye Wang<\/td>\n00:15:52<\/td>\nChina<\/td>\n<\/tr>\n
56<\/td>\nLife Consists In Walking<\/td>\nYuxin Lu<\/td>\n00:05:00<\/td>\nChina<\/td>\n<\/tr>\n
57<\/td>\nThe doors<\/td>\nChenhu Qian<\/td>\n00:15:00<\/td>\nChina<\/td>\n<\/tr>\n
58<\/td>\nThe Fees<\/td>\nLukman Hakim<\/td>\n00:15:00<\/td>\nIndonesia<\/td>\n<\/tr>\n
59<\/td>\nThe Travelling Birds<\/td>\nShen Ren<\/td>\n00:16:29<\/td>\nChina<\/td>\n<\/tr>\n
60<\/td>\nWhen We Are Familiar Stranger, Close But Untouchable<\/td>\nDong Jun<\/td>\n00:17:41<\/td>\nChina<\/td>\n<\/tr>\n
61<\/td>\nA lost man<\/td>\nYanzeng Liang<\/td>\n00:27:00<\/td>\nChina<\/td>\n<\/tr>\n
62<\/td>\nThe Sun Goes Down<\/td>\nPeichang Ye<\/td>\n00:22:00<\/td>\nChina<\/td>\n<\/tr>\n
63<\/td>\nAavritti<\/td>\nAnubhav Khati, Anubhav Khati<\/td>\n00:10:00<\/td>\nNepal<\/td>\n<\/tr>\n
64<\/td>\nRadya<\/td>\nShaymaa Tafish<\/td>\n00:10:54<\/td>\nEgypt<\/td>\n<\/tr>\n
65<\/td>\nFracture<\/td>\nXiyu Zhu<\/td>\n00:19:00<\/td>\nChina<\/td>\n<\/tr>\n
66<\/td>\nAlternative Facts | Hechos Alternativos<\/td>\nMarina Santana De la Torre<\/td>\n00:05:00<\/td>\nMexico<\/td>\n<\/tr>\n
67<\/td>\nPUZZLED<\/td>\nJiang Liu<\/td>\n00:29:58<\/td>\nChina<\/td>\n<\/tr>\n
68<\/td>\nThe portrait<\/td>\nYiqiu Yin<\/td>\n00:13:45<\/td>\nChina<\/td>\n<\/tr>\n
69<\/td>\nA FILM<\/td>\nBailiang He<\/td>\n00:06:39<\/td>\nChina<\/td>\n<\/tr>\n
70<\/td>\nGuys<\/td>\n\u9526\u57ce \u5f20<\/td>\n00:37:28<\/td>\nChina<\/td>\n<\/tr>\n
71<\/td>\nThe Other Valentine<\/td>\nAnanya Bhanja Chaudhuri<\/td>\n00:31:35<\/td>\nIndia<\/td>\n<\/tr>\n
72<\/td>\nThe Incident<\/td>\nYong Jian David Ong<\/td>\n00:08:25<\/td>\nMalaysia<\/td>\n<\/tr>\n
73<\/td>\nIncite<\/td>\nYeter \u00c7i\u00e7ek<\/td>\n00:11:48<\/td>\nTurkey<\/td>\n<\/tr>\n
74<\/td>\nThe Last Poem<\/td>\nBigyan Thapa<\/td>\n00:05:19<\/td>\nNepal<\/td>\n<\/tr>\n
75<\/td>\nSurvival- living through covid<\/td>\nAfzal Khan<\/td>\n00:04:28<\/td>\nNepal<\/td>\n<\/tr>\n
76<\/td>\nGumshuda- an unfulfilled desire<\/td>\nCharu Mehrotra Sanan<\/td>\n00:39:20<\/td>\nIndia<\/td>\n<\/tr>\n
77<\/td>\n21…<\/td>\nLiya Hitesh<\/td>\n00:19:48<\/td>\nIndia<\/td>\n<\/tr>\n
78<\/td>\nNazpari<\/td>\nMohammad Reza Mohammadi<\/td>\n00:14:50<\/td>\nAfghanistan<\/td>\n<\/tr>\n
79<\/td>\nThe Reunion<\/td>\nKyungmin Cho<\/td>\n00:11:43<\/td>\nKorea, Republic of<\/td>\n<\/tr>\n
80<\/td>\nWhere Is God?<\/td>\nAlex Dao<\/td>\n00:27:03<\/td>\nChina<\/td>\n<\/tr>\n
81<\/td>\nThe World for All<\/td>\nKsenia Roganova<\/td>\n00:02:53<\/td>\nRussian Federation<\/td>\n<\/tr>\n
82<\/td>\nHow To Be Not Perfect<\/td>\nDavid Sarkissian<\/td>\n00:08:00<\/td>\nArmenia<\/td>\n<\/tr>\n
83<\/td>\nRun Carlos Run<\/td>\nDavid Sarkissian<\/td>\n00:05:00<\/td>\nArmenia<\/td>\n<\/tr>\n
84<\/td>\nA vicious circle<\/td>\nAlyona Polyakova<\/td>\n00:02:49<\/td>\nRussian Federation<\/td>\n<\/tr>\n
85<\/td>\nVortex<\/td>\nKenan Kerem Akkitap, Kerem Umurca<\/td>\n00:13:02<\/td>\nTurkey<\/td>\n<\/tr>\n
86<\/td>\nValera<\/td>\nOlga Artushevska<\/td>\n00:14:44<\/td>\nUkraine<\/td>\n<\/tr>\n
87<\/td>\nI am eighty years old<\/td>\nRoman Sinitsyn<\/td>\n00:15:00<\/td>\nRussian Federation<\/td>\n<\/tr>\n
88<\/td>\nGhar<\/td>\nEvelyn Jude Rodrigues<\/td>\n00:11:00<\/td>\nUnited Arab Emirates<\/td>\n<\/tr>\n
89<\/td>\nRed yearning<\/td>\nElnur Rza<\/td>\n00:04:33<\/td>\nAzerbaijan<\/td>\n<\/tr>\n
90<\/td>\nWinter Will Not Be<\/td>\nDmitri Frolov<\/td>\n00:39:00<\/td>\nRussian Federation<\/td>\n<\/tr>\n
91<\/td>\nDastard, traitor and dog.<\/td>\nErik Ibraev<\/td>\n00:13:59<\/td>\nKyrgyzstan<\/td>\n<\/tr>\n
92<\/td>\nSAME NIGHT DIFFERENT BLUE<\/td>\nNuri Cihan Ozdogan<\/td>\n00:15:00<\/td>\nTurkey<\/td>\n<\/tr>\n
93<\/td>\nThe Ending<\/td>\nMichael Balines Daya<\/td>\n00:29:06<\/td>\nPhilippines<\/td>\n<\/tr>\n
94<\/td>\nfree yun ( that’s free )<\/td>\nkris kristofferson dela cruz halog<\/td>\n00:14:00<\/td>\nPhilippines<\/td>\n<\/tr>\n
95<\/td>\n7 BLIND MEN<\/td>\nErsan Bayraktar<\/td>\n00:15:00<\/td>\nTurkey<\/td>\n<\/tr>\n
96<\/td>\nUnshot film<\/td>\n\u0414\u0430\u0440\u044c\u044f \u0410\u0440\u0442\u044e\u0448\u043a\u043e\u0432\u0430<\/td>\n00:36:40<\/td>\nRussian Federation<\/td>\n<\/tr>\n
97<\/td>\nHairs<\/td>\nShingo Ishikawa<\/td>\n00:08:00<\/td>\nJapan<\/td>\n<\/tr>\n
98<\/td>\nTHE ECHO<\/td>\nESEN DEM\u0130R<\/td>\n00:04:31<\/td>\nTurkey<\/td>\n<\/tr>\n
99<\/td>\nScreenwriter<\/td>\n\u0421\u0435\u0440\u0433\u0435\u0439 \u0410\u043d\u0434\u0440\u0435\u0435\u0432\u0438\u0447 \u0428\u043c\u0430\u043a\u043e\u0432<\/td>\n00:07:09<\/td>\nRussian Federation<\/td>\n<\/tr>\n
100<\/td>\nOn the edge<\/td>\nniva ben hanan<\/td>\n00:09:40<\/td>\nIsrael<\/td>\n<\/tr>\n
101<\/td>\nThe whistle<\/td>\nAdil Abdolmajeed Yusf<\/td>\n00:04:40<\/td>\nIraq<\/td>\n<\/tr>\n
102<\/td>\nThe Whistle<\/td>\nRizgar Abdulla<\/td>\n4:40<\/td>\nKurdish – Iraq<\/td>\n<\/tr>\n
103<\/td>\nKadhal `Quarantine\u00e2\u20ac\u2122<\/td>\nDarmin<\/td>\n11 minutes 44 seconds<\/td>\nMalaysia<\/td>\n<\/tr>\n
104<\/td>\nThe Disillusionment of Memory road<\/td>\nMao Haoyu<\/td>\n9:16<\/td>\nChina<\/td>\n<\/tr>\n
105<\/td>\nGhar<\/td>\nEvelyn Jude Rodrigues<\/td>\n11:00<\/td>\nUnited Arab Emirates<\/td>\n<\/tr>\n
106<\/td>\nThe Reunion<\/td>\nKyungmin Cho<\/td>\n11:43<\/td>\nKorea, Republic of<\/td>\n<\/tr>\n
107<\/td>\nBecoming the Queen of the No<\/td>\nAziz Altamimi<\/td>\n9:44<\/td>\nBahrain<\/td>\n<\/tr>\n
108<\/td>\nRefusal<\/td>\nBinyi Wang<\/td>\n00:08:35<\/td>\nChina<\/td>\n<\/tr>\n
109<\/td>\nJourney Across The Bridge<\/td>\nStefie Gan<\/td>\n00:02:13<\/td>\nMalaysia,USA<\/td>\n<\/tr>\n
110<\/td>\nScar<\/td>\nKaveh Forouhesh<\/td>\n00:06:40<\/td>\nIran<\/td>\n<\/tr>\n
111<\/td>\nKefsan<\/td>\nAkbar Shahbazi<\/td>\n0:17:00<\/td>\nIran<\/td>\n<\/tr>\n
112<\/td>\nPainting of God<\/td>\nAdel khodakarami<\/td>\n00:01:49<\/td>\nIran<\/td>\n<\/tr>\n
113<\/td>\nLonely Tulips<\/td>\nMahdiye Tasdighpasand<\/td>\n00:13:46<\/td>\nIran<\/td>\n<\/tr>\n
114<\/td>\nReyhan<\/td>\nMehdi Mehraban<\/td>\n00:15:00<\/td>\nIran<\/td>\n<\/tr>\n
115<\/td>\nGabion<\/td>\nreza kouhpour<\/td>\n00:14:48<\/td>\nIran<\/td>\n<\/tr>\n
116<\/td>\nTHE DATE<\/td>\nMahsa Abdol Movaffagh<\/td>\n00:08:00<\/td>\nIran<\/td>\n<\/tr>\n
117<\/td>\nMy Partner Giraffe<\/td>\nsalaheddin noori<\/td>\n00:13:28<\/td>\nIran<\/td>\n<\/tr>\n
118<\/td>\nNarcissist<\/td>\nEsmaeil Khakbaz<\/td>\n00:14:16<\/td>\nIran<\/td>\n<\/tr>\n
119<\/td>\nRest Time<\/td>\nAli Gholami<\/td>\n00:15:00<\/td>\nIran<\/td>\n<\/tr>\n
120<\/td>\nThe Cost of Life<\/td>\nMaryam Bahaari<\/td>\n00:09:00<\/td>\nIran<\/td>\n<\/tr>\n
121<\/td>\nAt Last, me !<\/td>\nNima Pasandideh<\/td>\n00:05:54<\/td>\nIran<\/td>\n<\/tr>\n
122<\/td>\nTHE WINNER<\/td>\nALI KEYVAN<\/td>\n00:14:53<\/td>\nIran<\/td>\n<\/tr>\n
123<\/td>\nReyhan<\/td>\nMehdi Mehraban<\/td>\n00:15:00<\/td>\nIran<\/td>\n<\/tr>\n
124<\/td>\nThe hole<\/td>\nFarzad Ranjbar<\/td>\n00:19:59<\/td>\nIran<\/td>\n<\/tr>\n
125<\/td>\nThe Share Of Crows<\/td>\nAmir Hossein Pourramazanali<\/td>\n00:08:13<\/td>\nIran<\/td>\n<\/tr>\n
126<\/td>\nPurification<\/td>\nAli Mohammad Shamohammadi<\/td>\n00:06:20<\/td>\nIran<\/td>\n<\/tr>\n
127<\/td>\nSerkeiha Alley<\/td>\nNaser Soofi<\/td>\n00:12:43<\/td>\nIran<\/td>\n<\/tr>\n
128<\/td>\nVisualization<\/td>\nAli Omidinejad<\/td>\n00:01:40<\/td>\nIran<\/td>\n<\/tr>\n
129<\/td>\nChewing with Eyes<\/td>\nMeraj Bahrami<\/td>\n00:12:19<\/td>\nIran<\/td>\n<\/tr>\n
130<\/td>\nSituation<\/td>\nHamed Zarifi Esfahani<\/td>\n00:14:07<\/td>\nIran<\/td>\n<\/tr>\n
131<\/td>\nThe Unborn<\/td>\nMohsen Ghomi<\/td>\n00:15:00<\/td>\nIran<\/td>\n<\/tr>\n
132<\/td>\nDot, Line Dot<\/td>\nShahin Darbandi<\/td>\n00:19:42<\/td>\nIran<\/td>\n<\/tr>\n
133<\/td>\ncorpse<\/td>\nFatemeh khojasteh pour<\/td>\n00:03:38<\/td>\nIran<\/td>\n<\/tr>\n
134<\/td>\nReproduced<\/td>\nAdel Zamani<\/td>\n00:19:57<\/td>\nIran<\/td>\n<\/tr>\n
135<\/td>\nBahar<\/td>\nAmir Hossein Rasouli<\/td>\n00:06:28<\/td>\nIran<\/td>\n<\/tr>\n
136<\/td>\nError<\/td>\nEhsan Eslami<\/td>\n00:04:00<\/td>\nIran<\/td>\n<\/tr>\n
137<\/td>\nThe Detained<\/td>\nFarzad Bayat<\/td>\n00:09:12<\/td>\nIran<\/td>\n<\/tr>\n
138<\/td>\nMefenamic Acid<\/td>\nMandana Pashaei<\/td>\n00:08:50<\/td>\nIran<\/td>\n<\/tr>\n
139<\/td>\nThem<\/td>\nMajid Farhad<\/td>\n00:20:00<\/td>\nIran<\/td>\n<\/tr>\n
140<\/td>\nCycle<\/td>\nRamin Maraghi<\/td>\n00:06:39<\/td>\nIran<\/td>\n<\/tr>\n
141<\/td>\nExtinction<\/td>\nMilad Farajzadeh<\/td>\n00:09:27<\/td>\nIran<\/td>\n<\/tr>\n
142<\/td>\nThe Explosion of a Heart<\/td>\nSeyed Mohammad Sadegh Siadat<\/td>\n00:10:57<\/td>\nIran<\/td>\n<\/tr>\n
143<\/td>\nYellow Season<\/td>\nIsmail Nazemi<\/td>\n00:14:58<\/td>\nIran<\/td>\n<\/tr>\n
144<\/td>\nA Little Mistake<\/td>\nKiyanoosh Ahmadi<\/td>\n00:07:46<\/td>\nIran<\/td>\n<\/tr>\n
145<\/td>\nLines<\/td>\nReza Mirzaei<\/td>\n00:08:58<\/td>\nIran<\/td>\n<\/tr>\n
146<\/td>\nI am AI<\/td>\nAli Omidi Nejad<\/td>\n00:14:35<\/td>\nIran<\/td>\n<\/tr>\n
147<\/td>\nPick<\/td>\nshahoo . ahmadi<\/td>\n00:04:05<\/td>\nIran<\/td>\n<\/tr>\n
148<\/td>\nMy Partner Giraffe<\/td>\nsalaheddin noori<\/td>\n00:13:28<\/td>\nIran<\/td>\n<\/tr>\n
149<\/td>\nOne-Shot Life<\/td>\nHassan Mokhtari<\/td>\n00:11:00<\/td>\nIran<\/td>\n<\/tr>\n
150<\/td>\nDoggy Gloaming<\/td>\nMojtaba Zarghampour, Mahdi HosseinGholi<\/td>\n00:09:37<\/td>\nIran<\/td>\n<\/tr>\n
151<\/td>\nThe Return<\/td>\nAli Ghasemi<\/td>\n00:12:36<\/td>\nIran<\/td>\n<\/tr>\n
152<\/td>\nFort-Da Game<\/td>\nAli Taghizadeh, AmirHossein Shiralee<\/td>\n00:18:05<\/td>\nIran<\/td>\n<\/tr>\n
153<\/td>\nImmortal<\/td>\nSoroush Yari<\/td>\n00:14:01<\/td>\nIran<\/td>\n<\/tr>\n
154<\/td>\nHeal<\/td>\nRozita Mirani<\/td>\n00:10:58<\/td>\nIran<\/td>\n<\/tr>\n
155<\/td>\nSide suger tea<\/td>\nEsmaeil Ramezani, Hesam Zare Moghaddam<\/td>\n00:16:59<\/td>\nIran<\/td>\n<\/tr>\n
156<\/td>\nEnterspace<\/td>\nMohammmadJavad Salehi<\/td>\n00:04:20<\/td>\nIran<\/td>\n<\/tr>\n
157<\/td>\nA Dying Flame<\/td>\nMasoud Kiani<\/td>\n00:20:00<\/td>\nIran<\/td>\n<\/tr>\n
158<\/td>\nBirth Mark<\/td>\nTohid Ebrahimi<\/td>\n00:11:58<\/td>\nIran<\/td>\n<\/tr>\n
159<\/td>\nThe Wall<\/td>\nElaheh Eghdam<\/td>\n00:08:13<\/td>\nIran<\/td>\n<\/tr>\n
160<\/td>\nBad Film<\/td>\nYousef Javan Arasteh<\/td>\n00:20:00<\/td>\nIran<\/td>\n<\/tr>\n
161<\/td>\nMusic+Me<\/td>\nAmir Parsian Mehr<\/td>\n00:10:20<\/td>\nIran<\/td>\n<\/tr>\n
162<\/td>\nFool<\/td>\nSadegh Ebrahimi<\/td>\n00:14:56<\/td>\nIran<\/td>\n<\/tr>\n
163<\/td>\nImmigrante<\/td>\nMarzieh Mandegari<\/td>\n00:01:40<\/td>\nIran<\/td>\n<\/tr>\n
164<\/td>\nInertia<\/td>\nShayan Habibi<\/td>\n00:07:07<\/td>\nIran<\/td>\n<\/tr>\n
165<\/td>\nBaran<\/td>\nMohammadAmin RahmaniZade<\/td>\n00:14:59<\/td>\nIran<\/td>\n<\/tr>\n
166<\/td>\nMacular<\/td>\nMohsen Tizhoush<\/td>\n00:12:14<\/td>\nIran<\/td>\n<\/tr>\n
167<\/td>\nKarma<\/td>\nMohammadreza Mohammadi<\/td>\n00:11:39<\/td>\nIran<\/td>\n<\/tr>\n
168<\/td>\nRecluse<\/td>\nMatin Seymari<\/td>\n00:10:30<\/td>\nIran<\/td>\n<\/tr>\n
169<\/td>\nPolluted Air<\/td>\nkianoush Eslami<\/td>\n00:12:38<\/td>\nIran<\/td>\n<\/tr>\n
170<\/td>\nThe Winter’s Ash<\/td>\nnavid valadkhani<\/td>\n00:15:03<\/td>\nIran<\/td>\n<\/tr>\n
171<\/td>\nA Simple Examination<\/td>\nmeysam saberi fard<\/td>\n00:13:20<\/td>\nIran<\/td>\n<\/tr>\n
172<\/td>\nThe Passenger<\/td>\nShapour Moghadami<\/td>\n00:14:57<\/td>\nIran<\/td>\n<\/tr>\n
173<\/td>\nThe Loser<\/td>\nMehdi Haselpour<\/td>\n00:14:51<\/td>\nIran<\/td>\n<\/tr>\n
174<\/td>\nNature<\/td>\nHafez Ghahreman Zade<\/td>\n00:14:26<\/td>\nIran<\/td>\n<\/tr>\n
175<\/td>\nThe Old Man<\/td>\nAli Abdolvahhabi<\/td>\n00:08:27<\/td>\nIran<\/td>\n<\/tr>\n
176<\/td>\nPersonal Tendency<\/td>\nArash Roshanjooy, Alireza Aghaalikhani<\/td>\n00:14:59<\/td>\nIran<\/td>\n<\/tr>\n
177<\/td>\nShift + Delete<\/td>\nMehdi Heidary<\/td>\n00:14:50<\/td>\nIran<\/td>\n<\/tr>\n
178<\/td>\nTheater of Dreams<\/td>\nNaser Soofi<\/td>\n00:14:59<\/td>\nIran<\/td>\n<\/tr>\n
179<\/td>\nThe Rope<\/td>\nMatin Nazari<\/td>\n00:10:01<\/td>\nIran<\/td>\n<\/tr>\n
180<\/td>\nA Case<\/td>\nVahid Abrood<\/td>\n00:22:15<\/td>\nIran<\/td>\n<\/tr>\n
181<\/td>\nThe Man & The Bird<\/td>\nAli Omidinejad<\/td>\n00:02:11<\/td>\nIran<\/td>\n<\/tr>\n
182<\/td>\nThe Skill<\/td>\nSamin Zarafshan<\/td>\n00:20:00<\/td>\nIran<\/td>\n<\/tr>\n
183<\/td>\nStatement<\/td>\nSaba Moghaddami<\/td>\n00:19:06<\/td>\nIran<\/td>\n<\/tr>\n
184<\/td>\n121 Days Later<\/td>\nHossein Fatemian<\/td>\n00:15:00<\/td>\nIran<\/td>\n<\/tr>\n
185<\/td>\nBarana<\/td>\nShahin Zavar<\/td>\n00:14:47<\/td>\nIran<\/td>\n<\/tr>\n
186<\/td>\nPandora<\/td>\nKamran Hooshmandian<\/td>\n00:00:59<\/td>\nIran<\/td>\n<\/tr>\n
187<\/td>\nDyschromatopsia<\/td>\nAli Banai Taheri<\/td>\n00:06:35<\/td>\nIran<\/td>\n<\/tr>\n
188<\/td>\nRedemption<\/td>\nKiarash Pouyan<\/td>\n00:11:57<\/td>\nIran<\/td>\n<\/tr>\n
189<\/td>\nGajoo<\/td>\nSina Mohammadian<\/td>\n00:20:00<\/td>\nIran<\/td>\n<\/tr>\n
190<\/td>\nGangrene<\/td>\nBehnam Motamedi<\/td>\n00:20:53<\/td>\nIran<\/td>\n<\/tr>\n
191<\/td>\nI’m not<\/td>\nSadaf Motedayen<\/td>\n00:11:42<\/td>\nIran<\/td>\n<\/tr>\n
192<\/td>\nParallel Parking<\/td>\nDarya Azari<\/td>\n00:08:08<\/td>\nIran<\/td>\n<\/tr>\n
193<\/td>\nUnwanted<\/td>\nMasoud MostafaTabar<\/td>\n00:04:10<\/td>\nIran<\/td>\n<\/tr>\n
194<\/td>\n\u00a0Ghamir<\/td>\nJavad Ghasemlou<\/td>\n00:18:50<\/td>\nIran<\/td>\n<\/tr>\n
195<\/td>\nNumbness<\/td>\nNasim Sabbari Erfani<\/td>\n00:11:40<\/td>\nIran<\/td>\n<\/tr>\n
196<\/td>\nServant<\/td>\nBehzad Ebadi<\/td>\n00:13:41<\/td>\nIran<\/td>\n<\/tr>\n
197<\/td>\nBelow 10<\/td>\nHossein Fallah Abadi<\/td>\n00:13:40<\/td>\nIran<\/td>\n<\/tr>\n
198<\/td>\n\u00c9chantillon<\/td>\nNeshat Bagheri<\/td>\n00:21:35<\/td>\nIran<\/td>\n<\/tr>\n
199<\/td>\nMaryam<\/td>\nSeyed Mostafa Azad<\/td>\n00:14:01<\/td>\nIran<\/td>\n<\/tr>\n
200<\/td>\nSpaghetti<\/td>\nMohammadreza Ghorbani<\/td>\n00:02:48<\/td>\nIran<\/td>\n<\/tr>\n
201<\/td>\nMohsen Barati<\/td>\nYousef Javan Arasteh<\/td>\n00:13:14<\/td>\nIran<\/td>\n<\/tr>\n
202<\/td>\nThe two edges of the earth<\/td>\nSahar Mahmoudi<\/td>\n00:02:29<\/td>\nIran<\/td>\n<\/tr>\n
203<\/td>\nYellow<\/td>\nSahar Mahmoudi<\/td>\n00:11:31<\/td>\nIran<\/td>\n<\/tr>\n
204<\/td>\nForm<\/td>\nSaeid Ghasemi<\/td>\n00:11:58<\/td>\nIran<\/td>\n<\/tr>\n
205<\/td>\nThe Rooster<\/td>\nzhila Mohammadshahi<\/td>\n00:06:57<\/td>\nIran<\/td>\n<\/tr>\n
206<\/td>\nObituary<\/td>\nMoein Zarrabi<\/td>\n00:20:00<\/td>\nIran<\/td>\n<\/tr>\n
207<\/td>\nThere is No Tomorrow<\/td>\nHiva Naserian<\/td>\n00:11:00<\/td>\nIran<\/td>\n<\/tr>\n
208<\/td>\nRuined Identities<\/td>\nAli Hadavandi<\/td>\n00:13:02<\/td>\nIran<\/td>\n<\/tr>\n
209<\/td>\nMidnight Special<\/td>\nPouria Pishvaei<\/td>\n00:20:00<\/td>\nIran<\/td>\n<\/tr>\n
210<\/td>\nThe Devil will pay<\/td>\nKiarash Asgari<\/td>\n00:13:10<\/td>\nIran<\/td>\n<\/tr>\n
211<\/td>\nBreach<\/td>\nShahab-edin Hosseinpour<\/td>\n00:18:59<\/td>\nIran<\/td>\n<\/tr>\n
212<\/td>\nRequiem for samira<\/td>\nMahdi Ghafouri<\/td>\n00:18:43<\/td>\nIran<\/td>\n<\/tr>\n
213<\/td>\nOn Hire<\/td>\nTaymaz Rezvani<\/td>\n00:10:05<\/td>\nIran<\/td>\n<\/tr>\n
214<\/td>\nSUGAR CRUSH<\/td>\nAida tebianian<\/td>\n00:19:16<\/td>\nIran<\/td>\n<\/tr>\n
215<\/td>\nSlight Pain<\/td>\npoya Nabi<\/td>\n00:29:54<\/td>\nIran<\/td>\n<\/tr>\n
216<\/td>\nsynthesis.<\/td>\nmohammad towrivarian<\/td>\n00:15:00<\/td>\nIran<\/td>\n<\/tr>\n
217<\/td>\nTHE STRANGER<\/td>\nMohammad hossein Seif<\/td>\n00:07:51<\/td>\nIran<\/td>\n<\/tr>\n
218<\/td>\nHana<\/td>\nHossein Zolfaghari<\/td>\n00:19:06<\/td>\nIran<\/td>\n<\/tr>\n
219<\/td>\nRequiem of Aida<\/td>\nMehrdad Nonahal<\/td>\n00:19:56<\/td>\nIran<\/td>\n<\/tr>\n
220<\/td>\nWhisper in the sound of silence<\/td>\nSargol Eslamian<\/td>\n00:19:53<\/td>\nIran<\/td>\n<\/tr>\n
221<\/td>\nTEHRANgara<\/td>\nRahi Azimi<\/td>\n00:10:30<\/td>\nIran<\/td>\n<\/tr>\n
222<\/td>\nTURQUOISE PALACE<\/td>\nAlireza Damirchi<\/td>\n00:04:44<\/td>\nIran<\/td>\n<\/tr>\n
223<\/td>\nGOLTAM<\/td>\nSusanna Beltrami, stefano fedalli<\/td>\n00:04:00<\/td>\nIran<\/td>\n<\/tr>\n
224<\/td>\nLet me go<\/td>\nHamed Naveshki, Ali Varenkeshi<\/td>\n00:14:24<\/td>\nIran<\/td>\n<\/tr>\n
225<\/td>\nBear<\/td>\nSajad Nourollahi<\/td>\n00:16:33<\/td>\nIran<\/td>\n<\/tr>\n
226<\/td>\nMute<\/td>\nFarimah (fatemeh) Bahrami<\/td>\n00:12:14<\/td>\nIran<\/td>\n<\/tr>\n
227<\/td>\nSimin Strap<\/td>\nAmir Sadeghi<\/td>\n00:13:51<\/td>\nIran<\/td>\n<\/tr>\n
228<\/td>\nGirlhood<\/td>\nAraz Naderi<\/td>\n00:16:34<\/td>\nIran<\/td>\n<\/tr>\n
229<\/td>\nCALL FOR PHOTOGRAPHY WITH WARM COLORS<\/td>\nSiamak Vaezi<\/td>\n00:19:32<\/td>\nIran<\/td>\n<\/tr>\n
230<\/td>\nat his eight<\/td>\nreza shad<\/td>\n00:11:00<\/td>\nIran<\/td>\n<\/tr>\n
231<\/td>\nCutter<\/td>\nHossein Hayati<\/td>\n00:12:06<\/td>\nIran<\/td>\n<\/tr>\n
232<\/td>\nPursuit<\/td>\nDarioush Alizadeh<\/td>\n00:15:29<\/td>\nIran<\/td>\n<\/tr>\n
233<\/td>\nABLUTION<\/td>\nNarges Niksirat<\/td>\n00:19:39<\/td>\nIran<\/td>\n<\/tr>\n
234<\/td>\nSuffocation<\/td>\nShahram Javadkhani<\/td>\n00:19:59<\/td>\nIran<\/td>\n<\/tr>\n
235<\/td>\nPURPLE<\/td>\nRama Nami<\/td>\n00:21:55<\/td>\nIran<\/td>\n<\/tr>\n
236<\/td>\nClosed Ending<\/td>\nMarjan Nemat tavousi<\/td>\n00:19:00<\/td>\nIran<\/td>\n<\/tr>\n
237<\/td>\nMisled<\/td>\nAlisam Sadeghi<\/td>\n00:11:06<\/td>\nIran<\/td>\n<\/tr>\n
238<\/td>\nIN PARALLEL WITH INFINITY<\/td>\nJavad Mozdabadi<\/td>\n00:10:00<\/td>\nIran<\/td>\n<\/tr>\n
239<\/td>\nIt may not be over<\/td>\nAva Javidi<\/td>\n00:15:00<\/td>\nIran<\/td>\n<\/tr>\n
240<\/td>\nEMOTION AND MANIA<\/td>\nZhinus Pedram, Arash Dehghan shad<\/td>\n00:12:22<\/td>\nIran<\/td>\n<\/tr>\n
241<\/td>\nThe letters<\/td>\nMehdi Sanaati, Azita Fallahnejad<\/td>\n00:11:32<\/td>\nIran<\/td>\n<\/tr>\n
242<\/td>\nThe Ring<\/td>\nRoham Rasouli<\/td>\n00:05:51<\/td>\nIran<\/td>\n<\/tr>\n
243<\/td>\nEXCHANGE<\/td>\nBarzan Rostami<\/td>\n00:23:00<\/td>\nIran<\/td>\n<\/tr>\n
244<\/td>\ndog<\/td>\nMohammad hassan yassaee<\/td>\n00:07:47<\/td>\nIran<\/td>\n<\/tr>\n
245<\/td>\nDuel<\/td>\nAzam Moradi<\/td>\n00:16:31<\/td>\nIran<\/td>\n<\/tr>\n
246<\/td>\nWoodpecker<\/td>\nMohammad Siyamaknia<\/td>\n00:15:41<\/td>\nIran<\/td>\n<\/tr>\n
247<\/td>\nMy Wisdom Tooth<\/td>\nMohammad Hossein Shakibapour<\/td>\n00:19:11<\/td>\nIran<\/td>\n<\/tr>\n
248<\/td>\nHow Should One Wait For Godot<\/td>\nArshia Zeinali<\/td>\n00:28:07<\/td>\nIran<\/td>\n<\/tr>\n
249<\/td>\nErosiorium<\/td>\nMeysam Oghbaei, Mahdiye Toosi<\/td>\n00:14:44<\/td>\nIran<\/td>\n<\/tr>\n
250<\/td>\nTHE TUB<\/td>\nAli Hosseinzadeh<\/td>\n00:10:26<\/td>\nIran<\/td>\n<\/tr>\n
251<\/td>\nWe Are The Same<\/td>\nsaeed Bahman<\/td>\n00:07:00<\/td>\nIran<\/td>\n<\/tr>\n
252<\/td>\nThe 13th month of the year<\/td>\nVahid Eslami<\/td>\n00:18:36<\/td>\nIran<\/td>\n<\/tr>\n
253<\/td>\nThe killing<\/td>\nHussein Roodbari<\/td>\n00:09:36<\/td>\nIran<\/td>\n<\/tr>\n
254<\/td>\nThe period<\/td>\nMehrdad Karami<\/td>\n00:16:26<\/td>\nIran<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\nEuropean Continent Short Film Competition Section<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
SL no<\/td>\nFilm name<\/td>\nDirected by<\/td>\nDuration<\/td>\nCountry<\/td>\n<\/tr>\n
1<\/td>\nMemorabilia<\/td>\nLars Zijm<\/td>\n00:24:21<\/td>\nNetherlands<\/td>\n<\/tr>\n
2<\/td>\nGood Night, Lily<\/td>\nPeter Vulchev<\/td>\n00:24:24<\/td>\nBulgaria<\/td>\n<\/tr>\n
3<\/td>\nThe Boy who would become a Knight<\/td>\nGianmarco D’Agostino<\/td>\n00:06:30<\/td>\nItaly<\/td>\n<\/tr>\n
4<\/td>\nSon of a Prophetess<\/td>\nSTANKA GJURIC<\/td>\n00:07:00<\/td>\nCroatia<\/td>\n<\/tr>\n
5<\/td>\nPARIS 2024<\/td>\nPierre Larribe<\/td>\n00:07:00<\/td>\nFrance<\/td>\n<\/tr>\n
6<\/td>\nTake Care<\/td>\nJonay Garc\u00eda<\/td>\n00:07:00<\/td>\nSpain<\/td>\n<\/tr>\n
7<\/td>\nThe Button<\/td>\nAdolfo Pe\u00f1a<\/td>\n00:20:00<\/td>\nSpain<\/td>\n<\/tr>\n
8<\/td>\nMart\u00edn\u2019s Vantage Point<\/td>\nChedey Reyes<\/td>\n00:12:51<\/td>\nSpain<\/td>\n<\/tr>\n
9<\/td>\nBorder<\/td>\nAnatael P\u00e9rez<\/td>\n00:02:54<\/td>\nSpain<\/td>\n<\/tr>\n
10<\/td>\nFrugal<\/td>\nJuan Vicente Chuli\u00e1<\/td>\n00:14:28<\/td>\nSpain<\/td>\n<\/tr>\n
11<\/td>\nThe Valladolid Debate<\/td>\nJuan Rodr\u00edguez-Briso<\/td>\n00:20:00<\/td>\nSpain<\/td>\n<\/tr>\n
12<\/td>\nLet Me Ride<\/td>\nBenjam\u00edn Mu\u00f1oz<\/td>\n00:27:41<\/td>\nSpain<\/td>\n<\/tr>\n
13<\/td>\nMammif\u00e8res<\/td>\nRafael Navarro Mi\u00f1\u00f3n<\/td>\n00:08:18<\/td>\nSpain<\/td>\n<\/tr>\n
14<\/td>\nMyMemories<\/td>\nNicol\u00e1s Aranda<\/td>\n00:07:00<\/td>\nSpain<\/td>\n<\/tr>\n
15<\/td>\nMountains Who Sing<\/td>\nFernando Alc\u00e1ntara<\/td>\n00:04:34<\/td>\nSpain<\/td>\n<\/tr>\n
16<\/td>\nSoph\u00eda<\/td>\nAlex Duck<\/td>\n00:13:55<\/td>\nSpain<\/td>\n<\/tr>\n
17<\/td>\nGoddess, Garbage & Violence<\/td>\nAristoteles Chaitidis, Alkistis Kafetzi<\/td>\n00:12:19<\/td>\nGermany<\/td>\n<\/tr>\n
18<\/td>\nMax Oliva Showreel<\/td>\nmassimiliano oliva bartolozzi<\/td>\n00:05:00<\/td>\nItaly<\/td>\n<\/tr>\n
19<\/td>\nMolo Audace<\/td>\nAdriano Vessichelli<\/td>\n0:03:38<\/td>\nItaly<\/td>\n<\/tr>\n
20<\/td>\nWALL TO WALL<\/td>\nLinda L\u00f6vgren<\/td>\n00:14:56<\/td>\nSweden<\/td>\n<\/tr>\n
21<\/td>\nThe German<\/td>\nRafael Navarro Mi\u00f1\u00f3n<\/td>\n00:19:58<\/td>\nSpain<\/td>\n<\/tr>\n
22<\/td>\nWelcome<\/td>\nAnna Forr\u00e1s<\/td>\n00:10:00<\/td>\nHungary<\/td>\n<\/tr>\n
23<\/td>\nRuby<\/td>\nGwendoline Laurent<\/td>\n00:08:30<\/td>\nFrance<\/td>\n<\/tr>\n
24<\/td>\nDon’t Believe<\/td>\nMarko Ristic<\/td>\n00:23:40<\/td>\nSerbia<\/td>\n<\/tr>\n
25<\/td>\nDon’t Look Back<\/td>\nMarko Ristic<\/td>\n00:09:37<\/td>\nSerbia<\/td>\n<\/tr>\n
26<\/td>\nThe Days of Silence<\/td>\nVittorio Adinolfi, Umberto Santacroce<\/td>\n00:06:00<\/td>\nItaly<\/td>\n<\/tr>\n
27<\/td>\nNO MAN’S LAND<\/td>\nBranko Istvancic<\/td>\n00:14:50<\/td>\nCroatia<\/td>\n<\/tr>\n
28<\/td>\nThe Fruitful<\/td>\nJohn Collins<\/td>\n00:07:00<\/td>\nIreland<\/td>\n<\/tr>\n
29<\/td>\nIl canto pi\u00f9 grande ( The song of the women)<\/td>\nMarco Piras<\/td>\n00:08:07<\/td>\nItaly<\/td>\n<\/tr>\n
30<\/td>\nCristian e Sally (Cristian and Sally)<\/td>\nModestino Di Nenna<\/td>\n00:14:55<\/td>\nItaly<\/td>\n<\/tr>\n
31<\/td>\nA Love story<\/td>\nFilippo Tamburini<\/td>\n00:07:00<\/td>\nItaly<\/td>\n<\/tr>\n
32<\/td>\nTo Turn Off The Stars<\/td>\nMargot Cavret<\/td>\n00:03:55<\/td>\nFrance<\/td>\n<\/tr>\n
33<\/td>\nDie Father Die<\/td>\nLuis Grajera<\/td>\n00:24:40<\/td>\nSpain<\/td>\n<\/tr>\n
34<\/td>\nQuemad a la bruja (Burn the witch)<\/td>\nLaura Pardo<\/td>\n00:10:00<\/td>\nSpain<\/td>\n<\/tr>\n
35<\/td>\nHorror Vacui<\/td>\nGonzalo G\u00f3mez-Ullate<\/td>\n00:09:45<\/td>\nSpain<\/td>\n<\/tr>\n
36<\/td>\nLa nana de Lilith (Lilith’s Lullaby)<\/td>\nSoledad Castilla<\/td>\n00:08:00<\/td>\nSpain<\/td>\n<\/tr>\n
37<\/td>\nPosturetas S.A. (Posers Inc.)<\/td>\nGonzalo G\u00f3mez-Ullate<\/td>\n00:08:04<\/td>\nSpain<\/td>\n<\/tr>\n
38<\/td>\nMusa (Muse)<\/td>\nSoledad Castilla<\/td>\n00:11:09<\/td>\nSpain<\/td>\n<\/tr>\n
39<\/td>\nF\u00edgaro<\/td>\nLaura Pardo<\/td>\n00:03:00<\/td>\nSpain<\/td>\n<\/tr>\n
40<\/td>\nMascota (Pet)<\/td>\nLaura Pardo<\/td>\n00:03:00<\/td>\nSpain<\/td>\n<\/tr>\n
41<\/td>\nFado Menor<\/td>\nSalvador Alejandro Guti\u00e9rrez<\/td>\n00:07:36<\/td>\nPortugal<\/td>\n<\/tr>\n
42<\/td>\nA world free of crisis<\/td>\nTed Hardy-Carnac<\/td>\n00:26:00<\/td>\nFrance<\/td>\n<\/tr>\n
43<\/td>\nRETICENCY<\/td>\nSEL\u0130M ALAN<\/td>\n00:11:09<\/td>\nTurkey<\/td>\n<\/tr>\n
44<\/td>\nLAST RESORT<\/td>\n\u00d8yvind Olav Sydow Kleiveland<\/td>\n00:05:16<\/td>\nNorway<\/td>\n<\/tr>\n
45<\/td>\nThe Milk and the Barking Balloon<\/td>\nJ\u0119drek Kocjan<\/td>\n00:08:45<\/td>\nPoland<\/td>\n<\/tr>\n
46<\/td>\nArlequin<\/td>\nAntonio Cesarini, Sabrina Renaudeau<\/td>\n00:02:40<\/td>\nFrance<\/td>\n<\/tr>\n
47<\/td>\nThe Perfect Escapists<\/td>\nFederico Forciniti<\/td>\n00:14:00<\/td>\nSweden<\/td>\n<\/tr>\n
48<\/td>\nAUGUST 17 AT 5 PM<\/td>\nPATRICE GUILLAIN<\/td>\n00:09:10<\/td>\nFrance<\/td>\n<\/tr>\n
49<\/td>\nChristmas 1914<\/td>\nAlessandro Rajola<\/td>\n00:07:50<\/td>\nItaly<\/td>\n<\/tr>\n
50<\/td>\nLatir Amargo<\/td>\nYolanda Belvis<\/td>\n00:16:57<\/td>\nSpain<\/td>\n<\/tr>\n
51<\/td>\nMarie and the path (that became a journey)<\/td>\nNolwenn Letanoux<\/td>\n00:27:03<\/td>\nFrance<\/td>\n<\/tr>\n
52<\/td>\nNight of the Living Santa<\/td>\nAsh Johann Curry-Machado<\/td>\n00:02:57<\/td>\nUnited Kingdom<\/td>\n<\/tr>\n
53<\/td>\nDecompensation<\/td>\nJasna Safi\u0107<\/td>\n00:23:00<\/td>\nCroatia<\/td>\n<\/tr>\n
54<\/td>\nJust Like Water<\/td>\nManos Triantafillakis<\/td>\n00:12:54<\/td>\nGreece<\/td>\n<\/tr>\n
55<\/td>\nSorrow<\/td>\nStefan Teofilovic<\/td>\n00:06:30<\/td>\nSerbia<\/td>\n<\/tr>\n
56<\/td>\nSacchi di Farina<\/td>\nFrancesco Emanuele Catapano<\/td>\n00:15:00<\/td>\nItaly<\/td>\n<\/tr>\n
57<\/td>\n2040<\/td>\nNadin Alyekhina<\/td>\n00:04:40<\/td>\nRussian Federation<\/td>\n<\/tr>\n
58<\/td>\nThe giant and the little girl<\/td>\nJoe Inchincoli<\/td>\n00:03:30<\/td>\nItaly<\/td>\n<\/tr>\n
59<\/td>\nThou Art That<\/td>\nPradyumna Chatterjee<\/td>\n00:26:46<\/td>\nRussian Federation<\/td>\n<\/tr>\n
60<\/td>\nSecret without deceit<\/td>\nLeonardo Thimo<\/td>\n00:08:00<\/td>\nGreece<\/td>\n<\/tr>\n
61<\/td>\nDon’t have your Opinion<\/td>\nLeonardo Thimo, Dimitrios Gaitanis<\/td>\n00:05:47<\/td>\nGreece<\/td>\n<\/tr>\n
62<\/td>\nTHUNDER<\/td>\nOrest Smylanetz<\/td>\n00:01:00<\/td>\nUkraine<\/td>\n<\/tr>\n
63<\/td>\nThe Women<\/td>\nNeergaard<\/td>\n00:17:28<\/td>\nGermany<\/td>\n<\/tr>\n
64<\/td>\nForty plus One sins<\/td>\nConstantine Balabanidis<\/td>\n00:14:13<\/td>\nGreece<\/td>\n<\/tr>\n
65<\/td>\nABOUT<\/td>\nJuliette TELLIER<\/td>\n00:10:23<\/td>\nFrance<\/td>\n<\/tr>\n
66<\/td>\nULYX<\/td>\nEmeric LEPRINCE, Hugo ROBLIN<\/td>\n00:23:44<\/td>\nFrance<\/td>\n<\/tr>\n
67<\/td>\nThe fable of the Quarantamaula<\/td>\nAlberto Rey, Miguel Puga<\/td>\n00:18:00<\/td>\nSpain<\/td>\n<\/tr>\n
68<\/td>\nCannibal’s Wedding<\/td>\nJOSE MARIA TRIGUEROS CONTRERAS<\/td>\n00:07:26<\/td>\nSpain<\/td>\n<\/tr>\n
69<\/td>\nThe Coming Thing<\/td>\nBu\u011fra Aslany\u00fcrek<\/td>\n00:04:00<\/td>\nTurkey<\/td>\n<\/tr>\n
70<\/td>\nShhh!<\/td>\nMartin K Hansen<\/td>\n00:13:03<\/td>\nDenmark<\/td>\n<\/tr>\n
71<\/td>\nAnd After<\/td>\nRonald van Rees<\/td>\n00:05:19<\/td>\nFrance<\/td>\n<\/tr>\n
72<\/td>\nOfficer Sifis Kalpakis<\/td>\nLeonardo Thimo<\/td>\n00:05:38<\/td>\nGreece<\/td>\n<\/tr>\n
73<\/td>\nWomen’s Names<\/td>\nLeonardo Thimo, Dimitrios Gaitanis, Marianna Kastania<\/td>\n00:08:00<\/td>\nGreece<\/td>\n<\/tr>\n
74<\/td>\nThe Forbidden Fruit<\/td>\nVlad F. Dumea, Sebastian Andro<\/td>\n00:18:54<\/td>\nRomania<\/td>\n<\/tr>\n
75<\/td>\nFamily Game.<\/td>\nAntoine Le Gallo<\/td>\n00:06:45<\/td>\nFrance<\/td>\n<\/tr>\n
76<\/td>\nWhere Are You? or Struggles of an Industrial Object<\/td>\nHalil Say\u0131nt\u00fcrk<\/td>\n00:15:42<\/td>\nTurkey<\/td>\n<\/tr>\n
77<\/td>\nThe Sales<\/td>\nOg\u00fcn Mert Kurt<\/td>\n00:23:33<\/td>\nTurkey<\/td>\n<\/tr>\n
78<\/td>\nSafety Zone<\/td>\nG\u00f6rkem Kiter, \u00d6yk\u00fc \u00c7elik<\/td>\n00:03:14<\/td>\nTurkey<\/td>\n<\/tr>\n
79<\/td>\nDark Room<\/td>\nJuha Antero Lilja<\/td>\n00:04:00<\/td>\nFinland<\/td>\n<\/tr>\n
80<\/td>\nStep on It<\/td>\nMike Spence<\/td>\n00:06:51<\/td>\nUnited Kingdom<\/td>\n<\/tr>\n
81<\/td>\nHow i became stupid<\/td>\nYiannis Chelidonis<\/td>\n00:21:31<\/td>\nGreece<\/td>\n<\/tr>\n
82<\/td>\nFORGOTTEN SONG<\/td>\nMonika Grzybowska<\/td>\n00:39:59<\/td>\nPoland<\/td>\n<\/tr>\n
83<\/td>\nThe Unexpected Expectant Father<\/td>\nKeeley Gainey<\/td>\n00:14:59<\/td>\nUnited Kingdom<\/td>\n<\/tr>\n
84<\/td>\nWalls Beneath Our Feet<\/td>\nAntti Suniala<\/td>\n00:04:51<\/td>\nFinland<\/td>\n<\/tr>\n
85<\/td>\n20th of March<\/td>\nJo\u00e3o Semedo<\/td>\n00:12:18<\/td>\nPortugal<\/td>\n<\/tr>\n
86<\/td>\nApice, terra mia<\/td>\nluigi nappa, max oliva ,daniele violante<\/td>\n00:13:12<\/td>\nItaly<\/td>\n<\/tr>\n
87<\/td>\nSoul Asylum<\/td>\nYuke Hu<\/td>\n00:15:18<\/td>\nUnited Kingdom<\/td>\n<\/tr>\n
88<\/td>\nIOM<\/td>\nDavide Salimbeni<\/td>\n00:16:00<\/td>\nItaly<\/td>\n<\/tr>\n
89<\/td>\nThe Fate<\/td>\nJos\u00e9 Garc\u00eda P\u00e9rez<\/td>\n00:08:30<\/td>\nSpain<\/td>\n<\/tr>\n
90<\/td>\nOut of the Blue<\/td>\nMaria Hengge<\/td>\n00:02:51<\/td>\nGermany<\/td>\n<\/tr>\n
91<\/td>\nLINEAGE<\/td>\nDAAKYEHENE ABABIO<\/td>\n00:23:37<\/td>\nUnited States<\/td>\n<\/tr>\n
92<\/td>\nWivine<\/td>\nThomas De Moor<\/td>\n00:08:00<\/td>\nBelgium<\/td>\n<\/tr>\n
93<\/td>\nCamille<\/td>\nEmeric Gallego<\/td>\n00:11:35<\/td>\nFrance<\/td>\n<\/tr>\n
94<\/td>\nDreyfus Drei<\/td>\nElla Dreyfus, Janis Westphal<\/td>\n00:30:00<\/td>\nGermany<\/td>\n<\/tr>\n
95<\/td>\nHAYA<\/td>\nUgn\u0117 Alaburdait\u0117<\/td>\n00:12:19<\/td>\nLithuania<\/td>\n<\/tr>\n
96<\/td>\nWezi (Breathe)<\/td>\nAbdoul-Ganiou Dermani<\/td>\n02\u00c2\u00b455\u00c2\u00b4\u00c2\u00b4<\/td>\nGermany<\/td>\n<\/tr>\n
97<\/td>\nDo we have a chance?<\/td>\nValentina Galdi<\/td>\n0:04:40<\/td>\nItaly\/Hungary<\/td>\n<\/tr>\n
98<\/td>\nMI DI WORM no. 10<\/td>\nBarbara Peikert<\/td>\n1:00<\/td>\nSwitzerland<\/td>\n<\/tr>\n
99<\/td>\nPERIPLANETA<\/td>\nBarbara Peikert<\/td>\n6:07<\/td>\nSwitzerland<\/td>\n<\/tr>\n
100<\/td>\n[be e e e e e e e e e e e e e e ‘e e]<\/td>\nziREjA<\/td>\n00:19:00<\/td>\nSpain<\/td>\n<\/tr>\n
101<\/td>\nNexting<\/td>\nKarina Logotheti<\/td>\n00:11:14<\/td>\nGreece<\/td>\n<\/tr>\n
102<\/td>\nLasagna<\/td>\nIrith Fuks<\/td>\n00:11:00<\/td>\nNetherlands<\/td>\n<\/tr>\n
103<\/td>\nNoapte<\/td>\nCOCUS Gabriel representing “Students MMIapp, Beziers IT”<\/td>\n00:29:24<\/td>\nFrance<\/td>\n<\/tr>\n
104<\/td>\nJoin me<\/td>\nAna\u00efs Nativel (Beziers IT)<\/td>\n00:07:52<\/td>\nFrance<\/td>\n<\/tr>\n
105<\/td>\nOn the Surface<\/td>\nL\u00e9o Colomina, Gabriel Cocus\u00a0 (Beziers IT)<\/td>\n00:27:36<\/td>\nFrance<\/td>\n<\/tr>\n
106<\/td>\nBoro Bhaiyya Chole Geche (Big Brother, She’s Gone)<\/td>\nAniez Atlas<\/td>\n00:02:45<\/td>\nSpain<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\nAmerican Continent Short Film Competition Section<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
SL no<\/td>\nFilm name<\/td>\nDirected by<\/td>\nDuration<\/td>\nCountry<\/td>\n<\/tr>\n
1<\/td>\nHelen at Dusk<\/td>\nMarco Joubert<\/td>\n00:15:43<\/td>\nCanada<\/td>\n<\/tr>\n
2<\/td>\nLimbo<\/td>\nMark J. Pragai<\/td>\n00:04:18<\/td>\nCanada<\/td>\n<\/tr>\n
3<\/td>\nViolator<\/td>\nMathieu Richard<\/td>\n00:06:39<\/td>\nCanada<\/td>\n<\/tr>\n
4<\/td>\nSolstice<\/td>\nDouglas Webster<\/td>\n00:14:00<\/td>\nUnited States<\/td>\n<\/tr>\n
5<\/td>\nBETWEEN WALLS<\/td>\nGleison Mota<\/td>\n00:15:00<\/td>\nBrazil<\/td>\n<\/tr>\n
6<\/td>\nBrigitte<\/td>\nGabriel Auclair-Doucet<\/td>\n00:10:00<\/td>\nCanada<\/td>\n<\/tr>\n
7<\/td>\nLactown<\/td>\nSamuel Carl Cohen<\/td>\n00:23:46<\/td>\nUnited States<\/td>\n<\/tr>\n
8<\/td>\nSonhos da Isah: O livro magico<\/td>\nJoao Ricardo costa<\/td>\n00:07:20<\/td>\nBrazil<\/td>\n<\/tr>\n
9<\/td>\nHunger<\/td>\nCarlos Mel\u00e9ndez<\/td>\n00:15:00<\/td>\nMexico<\/td>\n<\/tr>\n
10<\/td>\nGirl Thing<\/td>\nEster Macedo<\/td>\n00:09:56<\/td>\nBrazil<\/td>\n<\/tr>\n
11<\/td>\nOpen House, Closed Door<\/td>\nAki Aitos<\/td>\n00:02:44<\/td>\nUnited States<\/td>\n<\/tr>\n
12<\/td>\nA FAMILIAR FACE<\/td>\nLeandro Bernab\u00e9 G\u00f3mez<\/td>\n00:09:06<\/td>\nArgentina<\/td>\n<\/tr>\n
13<\/td>\n[ENG Subs] Andromeda<\/td>\nLucas Gesser<\/td>\n00:14:00<\/td>\nBrazil<\/td>\n<\/tr>\n
14<\/td>\nTranse Brasil<\/td>\nLeandro Ol\u00edmpio<\/td>\n00:10:00<\/td>\nBrazil<\/td>\n<\/tr>\n
15<\/td>\nMarion, cocks and birds (Marion, pollas y p\u00e1jaros)<\/td>\nSander Hahn<\/td>\n00:20:00<\/td>\nBrazil<\/td>\n<\/tr>\n
16<\/td>\nMaia<\/td>\nRenata Prado<\/td>\n00:16:00<\/td>\nBrazil<\/td>\n<\/tr>\n
17<\/td>\nSpeech<\/td>\nYordanis Dominguez Baez<\/td>\n00:01:39<\/td>\nCuba<\/td>\n<\/tr>\n
18<\/td>\nBitter<\/td>\nJuliana Coutinho<\/td>\n00:26:20<\/td>\nBrazil<\/td>\n<\/tr>\n
19<\/td>\n\u00a0I Know Everything is Memory<\/td>\nNath\u00e1lia Oliveira<\/td>\n00:15:00<\/td>\nBrazil<\/td>\n<\/tr>\n
20<\/td>\nSea of Stars<\/td>\nRobin L. Bisio<\/td>\n00:02:53<\/td>\nUnited States<\/td>\n<\/tr>\n
21<\/td>\nLove Transparent<\/td>\nDeon Green<\/td>\n00:03:43<\/td>\nUnited States<\/td>\n<\/tr>\n
22<\/td>\nJosefina<\/td>\nGianfranco Zanobini<\/td>\n00:06:15<\/td>\nPeru<\/td>\n<\/tr>\n
23<\/td>\nTILL DEATH DO US PART<\/td>\nAndrea Careri<\/td>\n00:23:00<\/td>\nUnited States<\/td>\n<\/tr>\n
24<\/td>\nLegitime Defense<\/td>\nGUSTAVO DUC<\/td>\n00:03:00<\/td>\nArgentina<\/td>\n<\/tr>\n
25<\/td>\nAlone<\/td>\nNicolas Andrew Silva<\/td>\n00:00:57<\/td>\nUnited States<\/td>\n<\/tr>\n
26<\/td>\nThe Christmas Hour<\/td>\nSofia Szelske<\/td>\n00:14:18<\/td>\nArgentina<\/td>\n<\/tr>\n
27<\/td>\nLittle Astronaut<\/td>\njordan tyler woodruff<\/td>\n00:03:25<\/td>\nUnited States<\/td>\n<\/tr>\n
28<\/td>\nLegends of volcanoes<\/td>\nAquiles Poblete, Soledad Lagos<\/td>\n00:06:27<\/td>\nChile<\/td>\n<\/tr>\n
29<\/td>\nHello<\/td>\nCatherine Mazoyer<\/td>\n00:09:46<\/td>\nChile<\/td>\n<\/tr>\n
30<\/td>\nPEBBLE<\/td>\nKarina Logothetis<\/td>\n00:13:11<\/td>\nUnited States<\/td>\n<\/tr>\n
31<\/td>\n“These Aren’t People”<\/td>\nBen Rosales<\/td>\n00:07:02<\/td>\nUnited States<\/td>\n<\/tr>\n
32<\/td>\nDive into the night<\/td>\nHaidong Dou<\/td>\n00:21:38<\/td>\nUnited States<\/td>\n<\/tr>\n
33<\/td>\nPorto da Barra Beach<\/td>\nJohnny Bee Good<\/td>\n00:10:40<\/td>\nUnited States<\/td>\n<\/tr>\n
34<\/td>\nUKWATI \/\/ The Wedding<\/td>\nSean William Economou<\/td>\n00:12:27<\/td>\nUnited States<\/td>\n<\/tr>\n
35<\/td>\nCOLLISION<\/td>\nRodrigo Avila Cardona, Carlos F Enciso<\/td>\n00:10:09<\/td>\nMexico<\/td>\n<\/tr>\n
36<\/td>\nThe Settler<\/td>\nZara Mirzaei<\/td>\n00:19:00<\/td>\nUnited States<\/td>\n<\/tr>\n
37<\/td>\nMETA: HAWAII<\/td>\nJonas E. B. Weitzel<\/td>\n00:13:53<\/td>\nUnited States<\/td>\n<\/tr>\n
38<\/td>\nThe PIZZOLONA<\/td>\nRodrigo Avila Cardona<\/td>\n00:04:43<\/td>\nMexico<\/td>\n<\/tr>\n
39<\/td>\nTHE FURRY ENCOUNTER<\/td>\nRodrigo Avila Cardona<\/td>\n00:05:54<\/td>\nMexico<\/td>\n<\/tr>\n
40<\/td>\nMis Mous<\/td>\nMICHAEL C GARRIGUES<\/td>\n00:06:18<\/td>\nUnited States<\/td>\n<\/tr>\n
41<\/td>\nGatico<\/td>\nJos\u00e9 Guerrero<\/td>\n00:15:00<\/td>\nChile<\/td>\n<\/tr>\n
42<\/td>\nLiving Bodies (Cuerpos Vivos)<\/td>\nAndrea Arauz<\/td>\n00:17:24<\/td>\nHonduras<\/td>\n<\/tr>\n
43<\/td>\nMy Name Is Nostalgia<\/td>\nAna Graziela Aguiar<\/td>\n00:04:00<\/td>\nBrazil<\/td>\n<\/tr>\n
44<\/td>\nSideral<\/td>\nCarlos Segundo<\/td>\n00:15:00<\/td>\nBrazil<\/td>\n<\/tr>\n
45<\/td>\nMetanoia<\/td>\nMoran Avni<\/td>\n00:08:15<\/td>\nMexico<\/td>\n<\/tr>\n
46<\/td>\nEmp\u00e1lida 2<\/td>\nEdsel K Sierralta<\/td>\n00:05:00<\/td>\nVenezuela<\/td>\n<\/tr>\n
47<\/td>\nA Dialogue with Pandora<\/td>\nPaul Greene<\/td>\n00:05:56<\/td>\nCanada<\/td>\n<\/tr>\n
48<\/td>\nPendulum<\/td>\nJasmine Jurgensen<\/td>\n00:09:52<\/td>\nCanada<\/td>\n<\/tr>\n
49<\/td>\nWRONG<\/td>\nAGBOR LEONARD AGBOR<\/td>\n00:25:00<\/td>\nCameroon<\/td>\n<\/tr>\n
50<\/td>\nBreathe Now<\/td>\nTon Ruey<\/td>\n00:06:10<\/td>\nBrazil<\/td>\n<\/tr>\n
51<\/td>\nMarion, cocks and birds (Marion, pollas y p\u00e1jaros)<\/td>\nSander Hahn<\/td>\n00:20:00<\/td>\nBrazil<\/td>\n<\/tr>\n
52<\/td>\nPratibimb<\/td>\nMonal Panchasara<\/td>\n00:13:32<\/td>\nCanada<\/td>\n<\/tr>\n
53<\/td>\n5 Big Macs For Salvation<\/td>\nSepidar Valiyan<\/td>\n00:19:09<\/td>\nCanada<\/td>\n<\/tr>\n
54<\/td>\n\u00a0Definitely (Maybe)<\/td>\nFilipe Santos<\/td>\n00:23:50<\/td>\nBrazil<\/td>\n<\/tr>\n
55<\/td>\nIsadora’s Karaoke<\/td>\nThiago B. Mendon\u00e7a<\/td>\n00:06:00<\/td>\nBrazil<\/td>\n<\/tr>\n
56<\/td>\nTwo Big Elephants<\/td>\nLeonel Costa<\/td>\n00:19:53<\/td>\nBrazil<\/td>\n<\/tr>\n
57<\/td>\nnumber 37<\/td>\nalejandro chab<\/td>\n00:11:43<\/td>\nArgentina<\/td>\n<\/tr>\n
58<\/td>\nContratempo<\/td>\nSantiago Caballero Vel\u00e1squez<\/td>\n00:14:44<\/td>\nColombia<\/td>\n<\/tr>\n
59<\/td>\nOUT OF MIND<\/td>\nNicol\u00e1s Isasi<\/td>\n00:05:00<\/td>\nArgentina<\/td>\n<\/tr>\n
60<\/td>\nMireyita<\/td>\nOrangel Lugo<\/td>\n10:54<\/td>\nVenezuela<\/td>\n<\/tr>\n
61<\/td>\nHUESOS<\/td>\nRoberto Villafane<\/td>\n7:14<\/td>\nPanama<\/td>\n<\/tr>\n
62<\/td>\nCloud Runner<\/td>\nALRAZY SONET<\/td>\n00:20:00<\/td>\nUnited States<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\nAfrica and Oceania Continent Short Film Competition Section<\/td>\n<\/td>\n<\/tr>\n
SL no<\/td>\nFilm name<\/td>\nDirected by<\/td>\nDuration<\/td>\nCountry<\/td>\n<\/tr>\n
1<\/td>\nMetropolis<\/td>\nNoomen Noomen<\/td>\n00:18:00<\/td>\nTunisia<\/td>\n<\/tr>\n
2<\/td>\nTHE DISAPPEARANCE OF ME<\/td>\nMoataz Alaa<\/td>\n00:02:35<\/td>\nEgypt<\/td>\n<\/tr>\n
3<\/td>\nKhadiga<\/td>\nMorad Mostafa<\/td>\n00:19:55<\/td>\nEgypt<\/td>\n<\/tr>\n
4<\/td>\nNocturnal citizens<\/td>\nMichael Kamal<\/td>\n00:11:43<\/td>\nEgypt<\/td>\n<\/tr>\n
5<\/td>\nOn\/Off<\/td>\nJurg Slabbert<\/td>\n00:17:54<\/td>\nSouth Africa<\/td>\n<\/tr>\n
6<\/td>\nSuperwoman ll<\/td>\nLeonardo Neo Mokoena<\/td>\n00:25:52<\/td>\nSouth Africa<\/td>\n<\/tr>\n
7<\/td>\nIf you do good, you do for yourself<\/td>\nFRANK DZIKUNU<\/td>\n00:07:07<\/td>\nGhana<\/td>\n<\/tr>\n
8<\/td>\nDidimalang<\/td>\nKeothaile Manyanye, Tebogo Chologi, Tolamoetlile Kgobokoe, Nthabiseng Kgobokoe<\/td>\n00:03:46<\/td>\nSouth Africa<\/td>\n<\/tr>\n
9<\/td>\nPassion, Love and Soulmate<\/td>\nSiviwe Honobroke Mashiyi<\/td>\n00:09:37<\/td>\nSouth Africa<\/td>\n<\/tr>\n
10<\/td>\nSuperwoman<\/td>\nLeonardo Neo Mokoena<\/td>\n00:12:46<\/td>\nSouth Africa<\/td>\n<\/tr>\n
11<\/td>\nRadya<\/td>\nShaymaa Tafish<\/td>\n0:10:54<\/td>\nEgypt<\/td>\n<\/tr>\n
12<\/td>\nWhy<\/td>\nHicham Elbaz<\/td>\n8:16<\/td>\nMorocco<\/td>\n<\/tr>\n
13<\/td>\nColored Darkness<\/td>\nMohamed AMALAAB<\/td>\n4.55<\/td>\nMorocco<\/td>\n<\/tr>\n
14<\/td>\nMark of Love : Celestial Burial 1080p<\/td>\nhermann kayode<\/td>\n11:25<\/td>\nBenin<\/td>\n<\/tr>\n
15<\/td>\nMoipolai<\/td>\nTricia L Sello<\/td>\n13:12<\/td>\nBotswana<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\nBangladeshi Short Film Competition Section<\/td>\n<\/td>\n<\/tr>\n
SL no<\/td>\nFilm name<\/td>\nDirected by<\/td>\nDuration<\/td>\nCountry<\/td>\n<\/tr>\n
1<\/td>\n1422<\/td>\nAshfaqur Rahman Abir<\/td>\n00:03:00<\/td>\nBangladesh<\/td>\n<\/tr>\n
2<\/td>\nI Love You<\/td>\nShahrier Khan<\/td>\n00:06:20<\/td>\nBangladesh<\/td>\n<\/tr>\n
3<\/td>\nSamapan Kabbo – The Conclude Poem<\/td>\nFarhan Sadik Fahim<\/td>\n00:31:08<\/td>\nBangladesh<\/td>\n<\/tr>\n
4<\/td>\nA Fiery Grudge<\/td>\nRhyme Rubayet<\/td>\n00:12:00<\/td>\nBangladesh<\/td>\n<\/tr>\n
5<\/td>\nMomentary Of Mine<\/td>\nKowshik Rahman<\/td>\n00:18:25<\/td>\nBangladesh<\/td>\n<\/tr>\n
6<\/td>\ngeheugen ‘2021<\/td>\nAl Muntakim Tihan<\/td>\n00:02:30<\/td>\nBangladesh<\/td>\n<\/tr>\n
7<\/td>\nDEJA VU<\/td>\nRayhan Shoshi<\/td>\n00:23:45<\/td>\nBangladesh<\/td>\n<\/tr>\n
8<\/td>\nChena Ochena<\/td>\nMohammad Motiur Rahman<\/td>\n00:09:27<\/td>\nBangladesh<\/td>\n<\/tr>\n
9<\/td>\nTime Traveler<\/td>\nRifat Rohan<\/td>\n00:03:20<\/td>\nBangladesh<\/td>\n<\/tr>\n
10<\/td>\nMiracle In Heaven<\/td>\nGolam Rabbani<\/td>\n00:21:40<\/td>\nBangladesh<\/td>\n<\/tr>\n
11<\/td>\nJamdani<\/td>\nZobayer Raihan<\/td>\n00:02:40<\/td>\nBangladesh<\/td>\n<\/tr>\n
12<\/td>\nSilent Sorrow<\/td>\nMahfuzur Rahman Sabuj<\/td>\n00:02:30<\/td>\nBangladesh<\/td>\n<\/tr>\n
13<\/td>\nTope(BAIT)<\/td>\nJASIM UDDIN EMON<\/td>\n00:32:51<\/td>\nBangladesh<\/td>\n<\/tr>\n
14<\/td>\nA good news came this morning<\/td>\nGolam Anis Azad<\/td>\n00:02:22<\/td>\nBangladesh<\/td>\n<\/tr>\n
15<\/td>\nGame of the future<\/td>\nAcharya Aditya<\/td>\n00:02:19<\/td>\nBangladesh<\/td>\n<\/tr>\n
16<\/td>\nWhom Would We Believe<\/td>\nNabil Mostafa<\/td>\n00:03:40<\/td>\nBangladesh<\/td>\n<\/tr>\n
17<\/td>\nThe Necklace<\/td>\nSajjad H Emon<\/td>\n00:07:12<\/td>\nBangladesh<\/td>\n<\/tr>\n
18<\/td>\nPOSTAL<\/td>\nsajjad H Emon, saiadus Salahin jayeem<\/td>\n00:09:33<\/td>\nBangladesh<\/td>\n<\/tr>\n
19<\/td>\nFlying (Ural)<\/td>\nTouhidul Islam Nadim<\/td>\n00:12:14<\/td>\nBangladesh<\/td>\n<\/tr>\n
20<\/td>\nTRACELESS<\/td>\nMd Abid Mallick<\/td>\n00:05:00<\/td>\nBangladesh<\/td>\n<\/tr>\n
21<\/td>\nThe Wardrobe<\/td>\nNirzhar Hussain, Mahbub Islam<\/td>\n00:03:40<\/td>\nBangladesh<\/td>\n<\/tr>\n
22<\/td>\nThe Black Costume<\/td>\nMahbub Islam, Nirzhar Hussain<\/td>\n00:04:17<\/td>\nBangladesh<\/td>\n<\/tr>\n
23<\/td>\nThe Last Moan<\/td>\nBijoy B sarkar<\/td>\n00:14:48<\/td>\nBangladesh<\/td>\n<\/tr>\n
24<\/td>\nUnder The Bed<\/td>\nMahbub Islam, Nirzhar Hussain<\/td>\n00:06:03<\/td>\nBangladesh<\/td>\n<\/tr>\n
25<\/td>\nHEAVEN<\/td>\nMARCELENUES MARCELENE QUIAH<\/td>\n00:00:00<\/td>\nBangladesh<\/td>\n<\/tr>\n
26<\/td>\nThe Bathroom<\/td>\nNirzhar Hussain, Mahbub Islam<\/td>\n00:02:46<\/td>\nBangladesh<\/td>\n<\/tr>\n
27<\/td>\nLAST WISH<\/td>\nChowdhury Asif Jahangir Arko<\/td>\n00:14:53<\/td>\nBangladesh<\/td>\n<\/tr>\n
28<\/td>\nHe She or Them<\/td>\nAhmed Sabbir<\/td>\n00:04:49<\/td>\nBangladesh<\/td>\n<\/tr>\n
29<\/td>\nWinter.<\/td>\nMohammad Shahid<\/td>\n00:04:55<\/td>\nBangladesh<\/td>\n<\/tr>\n
30<\/td>\nHALT<\/td>\nASADUZZAMAN<\/td>\n00:13:34<\/td>\nBangladesh<\/td>\n<\/tr>\n
31<\/td>\nThe Human<\/td>\nMahfuzur Rahman Sabuj<\/td>\n00:04:30<\/td>\nBangladesh<\/td>\n<\/tr>\n
32<\/td>\nThe Water Glass<\/td>\nNirzhar Hussain, Mahbub Islam<\/td>\n00:02:48<\/td>\nBangladesh<\/td>\n<\/tr>\n
33<\/td>\nWith A Glass Of Darkness<\/td>\nAbir Ayon<\/td>\n00:12:43<\/td>\nBangladesh<\/td>\n<\/tr>\n
34<\/td>\nJadukorer Mrittu Nei<\/td>\nMd. Ishtiaque Yunus<\/td>\n00:07:08<\/td>\nBangladesh<\/td>\n<\/tr>\n
35<\/td>\nMan vs. Mosquito<\/td>\nNirzhar Hussain, Mahbub Islam<\/td>\n00:05:24<\/td>\nBangladesh<\/td>\n<\/tr>\n
36<\/td>\nOngaar<\/td>\nMilton Dey<\/td>\n00:02:40<\/td>\nBangladesh<\/td>\n<\/tr>\n
37<\/td>\nCrossing<\/td>\nMashrukur Rahman Khan<\/td>\n00:03:32<\/td>\nBangladesh<\/td>\n<\/tr>\n
38<\/td>\nEmperian<\/td>\nMahbub Raftaar<\/td>\n00:17:32<\/td>\nBangladesh<\/td>\n<\/tr>\n
39<\/td>\nBandi Shatabdi (Captive Century)<\/td>\nHabibur Rahman<\/td>\n00:15:53<\/td>\nBangladesh<\/td>\n<\/tr>\n
40<\/td>\nMelancholia<\/td>\nMahi Islam<\/td>\n00:03:49<\/td>\nBangladesh<\/td>\n<\/tr>\n
41<\/td>\nNightMare<\/td>\nNirzhar Hussain<\/td>\n00:20:00<\/td>\nBangladesh<\/td>\n<\/tr>\n
42<\/td>\nWish<\/td>\nMd Hafizur Rahman<\/td>\n00:11:55<\/td>\nBangladesh<\/td>\n<\/tr>\n
43<\/td>\nLoad Shedding<\/td>\nMd Emon Pt<\/td>\n00:00:59<\/td>\nBangladesh<\/td>\n<\/tr>\n
44<\/td>\nThe Window<\/td>\nYousuf Khan Noor<\/td>\n00:02:59<\/td>\nBangladesh<\/td>\n<\/tr>\n
45<\/td>\nProhori<\/td>\nMustak Muzahid<\/td>\n00:11:49<\/td>\nBangladesh<\/td>\n<\/tr>\n
46<\/td>\nBrihonnola<\/td>\nSahed Ahmed<\/td>\n00:07:35<\/td>\nBangladesh<\/td>\n<\/tr>\n
47<\/td>\nAttik ( The Relationship of Soul)<\/td>\nJoy Dutta<\/td>\n00:16:32<\/td>\nBangladesh<\/td>\n<\/tr>\n
48<\/td>\nAnanda<\/td>\nDebanjan Bhattacharya<\/td>\n00:03:50<\/td>\nBangladesh<\/td>\n<\/tr>\n
49<\/td>\nPriyo Maa<\/td>\nZunayed Ashik<\/td>\n00:03:47<\/td>\nBangladesh<\/td>\n<\/tr>\n
50<\/td>\nShubroto Sengupto<\/td>\nMohammad Abir Mukhar<\/td>\n00:25:00<\/td>\nBangladesh<\/td>\n<\/tr>\n
51<\/td>\nTwelve Forty<\/td>\nDurjoy Roy<\/td>\n00:06:22<\/td>\nBangladesh<\/td>\n<\/tr>\n
52<\/td>\nDecision<\/td>\nAbir Ahmed Pias<\/td>\n00:08:22<\/td>\nBangladesh<\/td>\n<\/tr>\n
53<\/td>\nThe Immortal Game<\/td>\nMahbub Islam<\/td>\n00:05:54<\/td>\nBangladesh<\/td>\n<\/tr>\n
54<\/td>\nThree and a half<\/td>\nSifat Rahman<\/td>\n00:16:46<\/td>\nBangladesh<\/td>\n<\/tr>\n
55<\/td>\nPalabar Rasta Nei (No Way To Escape)<\/td>\nMustak Muzahid<\/td>\n00:19:05<\/td>\nBangladesh<\/td>\n<\/tr>\n
56<\/td>\nKuhok<\/td>\nMehedi Hasan Bappy<\/td>\n00:12:19<\/td>\nBangladesh<\/td>\n<\/tr>\n
57<\/td>\nThe River Circle<\/td>\nSamarpan Biswas<\/td>\n00:07:08<\/td>\nBangladesh<\/td>\n<\/tr>\n
58<\/td>\nIntoxication<\/td>\nMaruf Rahman<\/td>\n00:26:58<\/td>\nBangladesh<\/td>\n<\/tr>\n
59<\/td>\nAn ‘Almost’ Charity<\/td>\nAbir Ahmed Pias<\/td>\n1:16<\/td>\nBangladesh<\/td>\n<\/tr>\n
60<\/td>\nAllie – My Best Friend<\/td>\nAbraham Tamim<\/td>\n0:03:00<\/td>\nBangladesh<\/td>\n<\/tr>\n
61<\/td>\nPori<\/td>\nAfra Hossain Ramisa<\/td>\n0:20:08<\/td>\nBangladesh<\/td>\n<\/tr>\n
62<\/td>\nThe Buried Truth<\/td>\nMaruf Rahman<\/td>\n0:02:07<\/td>\nBangladesh<\/td>\n<\/tr>\n
63<\/td>\nReflection<\/td>\nMursalin Sarker<\/td>\n0:03:11<\/td>\nBangladesh<\/td>\n<\/tr>\n
64<\/td>\nDhusor Jatra<\/td>\nMashud Sumon<\/td>\n0:49:00<\/td>\nBangladesh<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\nIndian Short Film Competition Section<\/td>\n<\/td>\n<\/tr>\n
SL no<\/td>\nFilm name<\/td>\nDirected by<\/td>\nDuration<\/td>\nCountry<\/td>\n<\/tr>\n
1<\/td>\nCherry Picker<\/td>\nPervez Ahmed<\/td>\n00:22:35<\/td>\nIndia<\/td>\n<\/tr>\n
2<\/td>\nGoshta Arjunchi<\/td>\nAnupam Barve<\/td>\n00:12:30<\/td>\nIndia<\/td>\n<\/tr>\n
3<\/td>\nMother’s Day<\/td>\nBikramjeet Das<\/td>\n00:04:30<\/td>\nIndia<\/td>\n<\/tr>\n
4<\/td>\nTHE DUEL<\/td>\nBiswadeep Nath<\/td>\n00:18:37<\/td>\nIndia<\/td>\n<\/tr>\n
5<\/td>\nGhumya<\/td>\nRahul Dadabhau Lamkhade<\/td>\n00:20:38<\/td>\nIndia<\/td>\n<\/tr>\n
6<\/td>\nThe Perfect World<\/td>\nShikha Mahajan<\/td>\n00:19:06<\/td>\nIndia<\/td>\n<\/tr>\n
7<\/td>\nChurka Murmu- a story of a forgotten hero<\/td>\nJagannath Biswas<\/td>\n00:25:57<\/td>\nIndia<\/td>\n<\/tr>\n
8<\/td>\nDestination – Thriller on U Turn<\/td>\nNikhil Bharadwaj Vanamamalai<\/td>\n00:24:24<\/td>\nUS, India<\/td>\n<\/tr>\n
9<\/td>\nJump<\/td>\nStanley Hector<\/td>\n00:06:05<\/td>\nIndia<\/td>\n<\/tr>\n
10<\/td>\nThe Connection<\/td>\nShivesh Mishra<\/td>\n00:08:11<\/td>\nIndia<\/td>\n<\/tr>\n
11<\/td>\nBLUE LEMON<\/td>\nAKHIL SACHI<\/td>\n00:15:55<\/td>\nIndia<\/td>\n<\/tr>\n
12<\/td>\nMATE<\/td>\nBarnali Medhi<\/td>\n00:08:32<\/td>\nIndia<\/td>\n<\/tr>\n
13<\/td>\nMute Water<\/td>\nSahidul Haque<\/td>\n00:16:20<\/td>\nIndia<\/td>\n<\/tr>\n
14<\/td>\nThe Pen<\/td>\nAmrutraj Bhamble<\/td>\n00:14:49<\/td>\nIndia<\/td>\n<\/tr>\n
15<\/td>\nThe Sleeping Buddha<\/td>\nAnirban Chakraborty<\/td>\n00:39:35<\/td>\nIndia<\/td>\n<\/tr>\n
16<\/td>\nBeepasha2.0<\/td>\nPrabesh Barua<\/td>\n00:14:50<\/td>\nIndia<\/td>\n<\/tr>\n
17<\/td>\nNoise<\/td>\nRONAK SHARMA<\/td>\n00:03:02<\/td>\nIndia<\/td>\n<\/tr>\n
18<\/td>\nGRAHANA<\/td>\nPraveen kadashetti<\/td>\n00:20:00<\/td>\nIndia<\/td>\n<\/tr>\n
19<\/td>\nREVIVE<\/td>\nJerry Jacob<\/td>\n00:09:44<\/td>\nIndia<\/td>\n<\/tr>\n
20<\/td>\nThannilai maranthu<\/td>\nKabil Palaniraj<\/td>\n00:08:40<\/td>\nIndia<\/td>\n<\/tr>\n
21<\/td>\nMAAYAVI : Chapter 1 – The Clash Begins<\/td>\nGopi Raj Vijay<\/td>\n00:16:49<\/td>\nIndia<\/td>\n<\/tr>\n
22<\/td>\nRAY OF HOPE<\/td>\nSANKHADEEP CHAKRABORTY<\/td>\n00:39:57<\/td>\nIndia<\/td>\n<\/tr>\n
23<\/td>\nLETTER<\/td>\nITHIREES SOWKATHALI<\/td>\n00:17:48<\/td>\nIndia<\/td>\n<\/tr>\n
24<\/td>\nBOBBIN<\/td>\nAarti Vitthal Borade<\/td>\n00:20:00<\/td>\nIndia<\/td>\n<\/tr>\n
25<\/td>\nAYESHA<\/td>\nShriya Rana<\/td>\n00:10:00<\/td>\nIndia<\/td>\n<\/tr>\n
26<\/td>\nSugar School<\/td>\nDHANANJAY BHAWALEKAR<\/td>\n00:34:56<\/td>\nIndia<\/td>\n<\/tr>\n
27<\/td>\nTogether<\/td>\nAzad Alam<\/td>\n00:22:40<\/td>\nIndia<\/td>\n<\/tr>\n
28<\/td>\nThe Wordsmith<\/td>\nAnargha Pal<\/td>\n00:20:01<\/td>\nIndia<\/td>\n<\/tr>\n
29<\/td>\nThe Reflection<\/td>\nyaatric<\/td>\n00:14:57<\/td>\nIndia<\/td>\n<\/tr>\n
30<\/td>\nThe Mop<\/td>\nSubhadip Mazumdar<\/td>\n00:08:27<\/td>\nIndia<\/td>\n<\/tr>\n
31<\/td>\nPech<\/td>\nKumar Chheda<\/td>\n00:15:23<\/td>\nIndia<\/td>\n<\/tr>\n
32<\/td>\nLife<\/td>\nSaurav Mookherji<\/td>\n00:04:27<\/td>\nIndia<\/td>\n<\/tr>\n
33<\/td>\nNandini – a tale of homecoming<\/td>\nSoumya Chatterjee<\/td>\n00:21:32<\/td>\nIndia<\/td>\n<\/tr>\n
34<\/td>\nUttaradhikkar<\/td>\nJoy Podder<\/td>\n00:12:18<\/td>\nIndia<\/td>\n<\/tr>\n
35<\/td>\nSolitude<\/td>\nHarish Kumar<\/td>\n00:09:01<\/td>\nIndia<\/td>\n<\/tr>\n
36<\/td>\nTathaagat<\/td>\nPrasanna Mangesh Joshi<\/td>\n00:12:33<\/td>\nIndia<\/td>\n<\/tr>\n
37<\/td>\nETIKOTHA<\/td>\nBADAL PRADHAN<\/td>\n00:29:23<\/td>\nIndia<\/td>\n<\/tr>\n
38<\/td>\nURUM -The Shade<\/td>\nREMS LONGJAM<\/td>\n00:01:54<\/td>\nIndia<\/td>\n<\/tr>\n
39<\/td>\nFrince<\/td>\nRam<\/td>\n00:30:00<\/td>\nIndia<\/td>\n<\/tr>\n
40<\/td>\nNEHA<\/td>\nPRAVEEN CHANDRAN<\/td>\n00:25:00<\/td>\nIndia<\/td>\n<\/tr>\n
41<\/td>\nTHE CIRCLE OF MIND<\/td>\nSANJIB GOGOI<\/td>\n00:26:53<\/td>\nIndia<\/td>\n<\/tr>\n
42<\/td>\nFairy’s Meadow<\/td>\nAbhimanyu Amoli<\/td>\n00:14:32<\/td>\nIndia<\/td>\n<\/tr>\n
43<\/td>\nStupid story, silly lad<\/td>\nPrateek Shastri<\/td>\n00:03:48<\/td>\nIndia<\/td>\n<\/tr>\n
44<\/td>\n“In each of these sands “<\/td>\nVishnu Kannan<\/td>\n00:05:36<\/td>\nIndia<\/td>\n<\/tr>\n
45<\/td>\nPOSSESSED<\/td>\nShiraz Henry<\/td>\n00:19:52<\/td>\nIndia<\/td>\n<\/tr>\n
46<\/td>\nEat<\/td>\nPartha Banerjee<\/td>\n00:19:39<\/td>\nIndia<\/td>\n<\/tr>\n
47<\/td>\nMano Ya Na Mano<\/td>\nAditya Prakash<\/td>\n00:37:45<\/td>\nIndia<\/td>\n<\/tr>\n
48<\/td>\nSADHONSONGI – UNREQUITED LOVE<\/td>\nSANDIPAN DAS<\/td>\n00:21:59<\/td>\nIndia<\/td>\n<\/tr>\n
49<\/td>\nThe Native Joker<\/td>\nBalasubramanian Shanmugakumar<\/td>\n00:15:56<\/td>\nIndia<\/td>\n<\/tr>\n
50<\/td>\nManya-Is It Worth It ?<\/td>\nChirag Khanna<\/td>\n00:21:01<\/td>\nIndia<\/td>\n<\/tr>\n
51<\/td>\nVision<\/td>\nKoushik SAHA<\/td>\n00:02:25<\/td>\nIndia<\/td>\n<\/tr>\n
52<\/td>\nDeception<\/td>\nArumugam<\/td>\n00:11:51<\/td>\nIndia<\/td>\n<\/tr>\n
53<\/td>\nJilabichi Gosht (A Sweet Story)<\/td>\nSandeep Bhaskar Jadhav<\/td>\n00:18:05<\/td>\nIndia<\/td>\n<\/tr>\n
54<\/td>\nZindagi\u00a0 1tsp<\/td>\nArav Aryavanshi<\/td>\n00:20:52<\/td>\nIndia<\/td>\n<\/tr>\n
55<\/td>\nmanoranjan<\/td>\nkrishna teja prp<\/td>\n00:25:00<\/td>\nIndia<\/td>\n<\/tr>\n
56<\/td>\nShiksha O Tripura<\/td>\nBiswajit Das<\/td>\n00:15:00<\/td>\nIndia<\/td>\n<\/tr>\n
57<\/td>\nANURAAG<\/td>\nSHANTANU SINHA<\/td>\n00:29:59<\/td>\nIndia<\/td>\n<\/tr>\n
58<\/td>\nManam<\/td>\nPravahan S<\/td>\n00:18:44<\/td>\nIndia<\/td>\n<\/tr>\n
59<\/td>\nSeesaw<\/td>\nAnanya Mangesh Dupare<\/td>\n00:05:00<\/td>\nIndia<\/td>\n<\/tr>\n
60<\/td>\nNight of the Killer<\/td>\nSinjan Mukherjee<\/td>\n00:14:05<\/td>\nIndia<\/td>\n<\/tr>\n
61<\/td>\nTHE INTROSPECTIVE<\/td>\nSwarnayu Maitra<\/td>\n00:24:50<\/td>\nIndia<\/td>\n<\/tr>\n
62<\/td>\nAntha-Ranga<\/td>\nAmar Koushik<\/td>\n00:09:05<\/td>\nIndia<\/td>\n<\/tr>\n
63<\/td>\nMission Performance<\/td>\nJatinder Sairaj<\/td>\n00:20:00<\/td>\nIndia<\/td>\n<\/tr>\n
64<\/td>\nTHE SHAME<\/td>\nMOHAN DAS<\/td>\n00:18:31<\/td>\nIndia<\/td>\n<\/tr>\n
65<\/td>\nThe Charnel House<\/td>\nNidhin R Nath<\/td>\n00:12:41<\/td>\nIndia<\/td>\n<\/tr>\n
66<\/td>\nGOOD CONSCIOUSNESS<\/td>\nRahul Biswas<\/td>\n00:12:24<\/td>\nIndia<\/td>\n<\/tr>\n
67<\/td>\nTHE BLOOD GAME<\/td>\nSanthoshprian R.S<\/td>\n00:07:29<\/td>\nIndia<\/td>\n<\/tr>\n
68<\/td>\nSaudade<\/td>\nSandeep Gowda<\/td>\n00:12:50<\/td>\nIndia<\/td>\n<\/tr>\n
69<\/td>\nA Dialogue about A Dialogue<\/td>\nGourab Das<\/td>\n00:04:13<\/td>\nIndia<\/td>\n<\/tr>\n
70<\/td>\nSugar School<\/td>\nDHANANJAY BHAWALEKAR<\/td>\n00:34:56<\/td>\nIndia<\/td>\n<\/tr>\n
71<\/td>\nJILLAH-RATNAGIRI<\/td>\nVISHAL S JADHAV, MAHENDRA SHANKAR DONGRE<\/td>\n00:17:00<\/td>\nIndia<\/td>\n<\/tr>\n
72<\/td>\nThe Pizza<\/td>\nMahendra Shankar Dongre<\/td>\n00:28:03<\/td>\nIndia<\/td>\n<\/tr>\n
73<\/td>\nI Passionate<\/td>\nAshish Kumar Nayak<\/td>\n00:08:14<\/td>\nIndia<\/td>\n<\/tr>\n
74<\/td>\nSon of Vultures<\/td>\nTuhin Saha<\/td>\n00:20:01<\/td>\nIndia<\/td>\n<\/tr>\n
75<\/td>\nOpang<\/td>\nSanjay Bhattacharya<\/td>\n00:23:10<\/td>\nIndia<\/td>\n<\/tr>\n
76<\/td>\nchaah (desire)<\/td>\nHansraj Arya<\/td>\n00:11:26<\/td>\nIndia<\/td>\n<\/tr>\n
77<\/td>\nPROTICHCHOBI – THE REFLECTION<\/td>\nPRANJAL CHAKRABORTY<\/td>\n00:06:45<\/td>\nIndia<\/td>\n<\/tr>\n
78<\/td>\nMUNGHYAR<\/td>\nNILESH YASHWANT AMBEDKAR<\/td>\n00:29:59<\/td>\nIndia<\/td>\n<\/tr>\n
79<\/td>\nFOR ME FOR THE WORLD<\/td>\nChandrasekhar Rath<\/td>\n00:09:20<\/td>\nIndia<\/td>\n<\/tr>\n
80<\/td>\nLADLI<\/td>\nNILESH YASHWANT AMBEDKAR<\/td>\n00:04:39<\/td>\nIndia<\/td>\n<\/tr>\n
81<\/td>\neMAGINATION<\/td>\nDebajyoti Ghosh<\/td>\n00:11:58<\/td>\nIndia<\/td>\n<\/tr>\n
82<\/td>\nThe Gray<\/td>\nSubhajit Halder<\/td>\n00:08:04<\/td>\nIndia<\/td>\n<\/tr>\n
83<\/td>\nThe Dinner<\/td>\nKingshuk Banerjea<\/td>\n00:09:40<\/td>\nIndia<\/td>\n<\/tr>\n
84<\/td>\nNo Smoking Please<\/td>\nShailesh Bhimrao Dupare, Mangesh Bhimrao Dupare<\/td>\n00:03:33<\/td>\nIndia<\/td>\n<\/tr>\n
85<\/td>\nShimga<\/td>\nSanat Dhananjay Ganu<\/td>\n00:17:32<\/td>\nIndia<\/td>\n<\/tr>\n
86<\/td>\nWaswas\u0101<\/td>\nShreedhi Jainesh Ejardar<\/td>\n00:04:09<\/td>\nIndia<\/td>\n<\/tr>\n
87<\/td>\nOndhu Kaadina Madhyadholage<\/td>\nNithish Prajwal, Amogh Ravindra<\/td>\n00:13:22<\/td>\nIndia<\/td>\n<\/tr>\n
88<\/td>\nThe Oscars Story<\/td>\nSudhir Ganpat Ghanekar<\/td>\n00:29:50<\/td>\nIndia<\/td>\n<\/tr>\n
89<\/td>\nPAPER BOATS<\/td>\nKhushee Rajendra Hegde<\/td>\n00:04:59<\/td>\nIndia<\/td>\n<\/tr>\n
90<\/td>\nWho is she ?<\/td>\nAnup Sujata Dhekane<\/td>\n00:29:11<\/td>\nIndia<\/td>\n<\/tr>\n
91<\/td>\nEMBER<\/td>\nsonam kataria<\/td>\n00:07:16<\/td>\nIndia<\/td>\n<\/tr>\n
92<\/td>\nRedlight<\/td>\nHETANSHI CHHOWALA<\/td>\n00:19:13<\/td>\nIndia<\/td>\n<\/tr>\n
93<\/td>\nEbong Shubho Ratri<\/td>\nPratish Ghosh<\/td>\n00:28:51<\/td>\nIndia<\/td>\n<\/tr>\n
94<\/td>\nGRAHANA<\/td>\nPraveen Kadashetti<\/td>\n0:20:00<\/td>\nIndia<\/td>\n<\/tr>\n
95<\/td>\nDhushor (The Gray)<\/td>\nSubhajit Halder<\/td>\n0:08:04<\/td>\nIndia<\/td>\n<\/tr>\n
96<\/td>\nUttaradhikkar<\/td>\nJoy podder<\/td>\n0:12:18<\/td>\nIndia<\/td>\n<\/tr>\n
97<\/td>\nPAWAN… ek anokhi hawa…<\/td>\nASHANTA BANERJEE<\/td>\n0:14:04<\/td>\nINDIA<\/td>\n<\/tr>\n
98<\/td>\nDeath Of Birth<\/td>\nRounak Das<\/td>\n0:39:00<\/td>\nIndia<\/td>\n<\/tr>\n
99<\/td>\nA short film about home<\/td>\nRam<\/td>\n0:20:00<\/td>\nIndia<\/td>\n<\/tr>\n
100<\/td>\nThe Writer<\/td>\nAmit Dutta<\/td>\n0:18:24<\/td>\nIndia<\/td>\n<\/tr>\n
101<\/td>\nBUTTERFLY<\/td>\nDR. SUJIT BHARAT PATIL<\/td>\n240:42:23<\/td>\nIndia<\/td>\n<\/tr>\n
102<\/td>\nHUMAN BEYOND GENDER<\/td>\nAnirbed Chattopadhyay<\/td>\n11:45<\/td>\nIndia<\/td>\n<\/tr>\n
103<\/td>\nNISHWAS<\/td>\nSOUVIK MAJUMDER<\/td>\n0:23:00<\/td>\nINDIA<\/td>\n<\/tr>\n
104<\/td>\nWaiting Room<\/td>\nSoumadeep Dasgupta<\/td>\n0:10:00<\/td>\nIndia<\/td>\n<\/tr>\n
105<\/td>\nPANI (WATER)<\/td>\nRAJESH AMROHI<\/td>\n0:05:00<\/td>\nINDIA<\/td>\n<\/tr>\n
106<\/td>\nBirohe Jodi (Inseparable)<\/td>\nAnuradha Kunda<\/td>\n0:28:00<\/td>\nIndia<\/td>\n<\/tr>\n
107<\/td>\nDrishti<\/td>\nAkash Chatterjee<\/td>\n12.1<\/td>\nIndia<\/td>\n<\/tr>\n
108<\/td>\nPenndaivam<\/td>\nAkshay Prakash<\/td>\n9.38<\/td>\nIndia<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
<\/td>\nAsian Continent Documentary Film Competition Section<\/td>\n<\/td>\n<\/tr>\n
SL no<\/td>\nFilm name<\/td>\nDirected by<\/td>\nDuration<\/td>\nCountry<\/td>\n<\/tr>\n
1<\/td>\nEmpty Nest<\/td>\nFariba Arab<\/td>\n00:29:00<\/td>\nIran<\/td>\n<\/tr>\n
2<\/td>\nThe Storyless Land<\/td>\nMitra Roohimanesh<\/td>\n00:35:00<\/td>\nIran<\/td>\n<\/tr>\n
3<\/td>\nI won\u2019t remain alone<\/td>\nYaser Talebi<\/td>\n00:15:00<\/td>\nIran<\/td>\n<\/tr>\n
4<\/td>\nIt’s Still Autumn<\/td>\nFARZANEH FATHI<\/td>\n00:20:00<\/td>\nSweden<\/td>\n<\/tr>\n
5<\/td>\nSECRETS OF BUKHARA<\/td>\nJivko Konstantinov<\/td>\n00:10:00<\/td>\nUzbekistan<\/td>\n<\/tr>\n
6<\/td>\nTurmoil of the Season<\/td>\nEzra Cecio Tanjung Jati<\/td>\n00:15:16<\/td>\nIndonesia<\/td>\n<\/tr>\n
7<\/td>\nSarikat<\/td>\nEzra Cecio<\/td>\n00:17:47<\/td>\nIndonesia<\/td>\n<\/tr>\n
8<\/td>\nOrdinary corner<\/td>\nHu Xiao<\/td>\n00:52:46<\/td>\nChina<\/td>\n<\/tr>\n
9<\/td>\nChildren speak the truth<\/td>\nXiao Hu<\/td>\n01:00:46<\/td>\nChina<\/td>\n<\/tr>\n
10<\/td>\nFrom old man to child<\/td>\nHu Xiao<\/td>\n00:29:05<\/td>\nChina<\/td>\n<\/tr>\n
11<\/td>\nThe Iron Digger<\/td>\nAnil Budha Magar<\/td>\n00:51:00<\/td>\nNepal<\/td>\n<\/tr>\n
12<\/td>\nPreserve<\/td>\nHadis Janbozorgi<\/td>\n00:29:00<\/td>\nIran<\/td>\n<\/tr>\n
13<\/td>\nHarran School: El Battani<\/td>\nSedat BEENEK<\/td>\n01:06:19<\/td>\nTurkey<\/td>\n<\/tr>\n
14<\/td>\nHome Town<\/td>\nZahra Hosseini<\/td>\n00:29:44<\/td>\nIran<\/td>\n<\/tr>\n
15<\/td>\nBlody Cloth<\/td>\nVahid Biglari<\/td>\n00:18:45<\/td>\nIran<\/td>\n<\/tr>\n
16<\/td>\nUNDER THE SAME SKY<\/td>\nAlison Chace<\/td>\n00:14:00<\/td>\nUnited States<\/td>\n<\/tr>\n
17<\/td>\nHarmoni: Healing Together<\/td>\nErminia Colucci<\/td>\n01:38:05<\/td>\nIndonesia<\/td>\n<\/tr>\n
18<\/td>\nThe Defenders<\/td>\nFarhad Ayatollahi<\/td>\n00:13:01<\/td>\nIran<\/td>\n<\/tr>\n
19<\/td>\nUnder the eyelid of the city<\/td>\nAzam Moradi<\/td>\n00:28:03<\/td>\nIran<\/td>\n<\/tr>\n
20<\/td>\nThe Man<\/td>\nAli Shahmohammadi<\/td>\n01:38:00<\/td>\nIran<\/td>\n<\/tr>\n
21<\/td>\nPaint And Pain<\/td>\nMohammadSajad Aghajani<\/td>\n00:13:07<\/td>\nIran<\/td>\n<\/tr>\n
22<\/td>\nMy Mask<\/td>\nPedram abouei<\/td>\n00:19:34<\/td>\nIran<\/td>\n<\/tr>\n
23<\/td>\nIn the Seeing\u2019s Trap<\/td>\nMohamadreza Mohajer<\/td>\n00:19:46<\/td>\nIran<\/td>\n<\/tr>\n
24<\/td>\nArjang Rhythm and Color<\/td>\nHanna Kamkar<\/td>\n01:05:39<\/td>\nIran<\/td>\n<\/tr>\n
25<\/td>\nLost Whispers in the Distance<\/td>\nMansour Forouzesh<\/td>\n00:60:00<\/td>\nIran<\/td>\n<\/tr>\n
26<\/td>\nPreserve<\/td>\nHadis Janbozorgi<\/td>\n00:29:00<\/td>\nIran<\/td>\n<\/tr>\n
27<\/td>\nFaraway<\/td>\nQing Li<\/td>\n01:30:00<\/td>\nChina<\/td>\n<\/tr>\n
28<\/td>\nCan I love you<\/td>\nZhiyuan Yang<\/td>\n00:26:35<\/td>\nChina<\/td>\n<\/tr>\n
29<\/td>\nMira’s Minders<\/td>\nTanni Chaudhuri<\/td>\n00:45:00<\/td>\nUnited States<\/td>\n<\/tr>\n
30<\/td>\nSouthern Xinjiang<\/td>\nHu Xiao<\/td>\n01:26:28<\/td>\nChina<\/td>\n<\/tr>\n
31<\/td>\nAttila<\/td>\nOmid Shenavar<\/td>\n00:17:23<\/td>\nIran<\/td>\n<\/tr>\n
32<\/td>\nG318<\/td>\nTao li<\/td>\n01:25:00<\/td>\nChina<\/td>\n<\/tr>\n
33<\/td>\nAney maqin<\/td>\nDaowei Duoji<\/td>\n01:22:00<\/td>\nChina<\/td>\n<\/tr>\n
34<\/td>\nWhere the Mask Speaks the Mind<\/td>\nMalay Dasgupta<\/td>\n01:06:36<\/td>\nIndia<\/td>\n<\/tr>\n
35<\/td>\nTanishka<\/td>\nSudeep Sohni<\/td>\n00:58:51<\/td>\nIndia<\/td>\n<\/tr>\n
36<\/td>\nSummer, City and a Camera<\/td>\nAnas Zawahri<\/td>\n00:22:37<\/td>\nPalestine<\/td>\n<\/tr>\n
37<\/td>\nWindows of Time<\/td>\nMrinmoy Nandi<\/td>\n01:15:45<\/td>\nIndia<\/td>\n<\/tr>\n
38<\/td>\nIdol in a Strange Company<\/td>\nMinkuen Choi, Yooyoung Koo, Seungyeon Lee<\/td>\n01:24:30<\/td>\nKorea, Republic of<\/td>\n<\/tr>\n
39<\/td>\nSometimes even the shore drowns<\/td>\nMahera Omar<\/td>\n00:17:00<\/td>\nPakistan<\/td>\n<\/tr>\n
40<\/td>\nThe Lowland<\/td>\nSepideh Salarvand and Aidin Halalzadeh<\/td>\n52 Minutes<\/td>\nIran<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Europeann Continent Documentary Film Competition Section<\/td>\n<\/tr>\n
SL no<\/td>\nFilm name<\/td>\nDirected by<\/td>\nDuration<\/td>\nCountry<\/td>\n<\/tr>\n
1<\/td>\nEl vulcano<\/td>\nOleksandr Hoisan<\/td>\n00:13:30<\/td>\nUkraine<\/td>\n<\/tr>\n
2<\/td>\nThe analogy of space<\/td>\nOleksandr Hoisan<\/td>\n00:12:00<\/td>\nUkraine<\/td>\n<\/tr>\n
3<\/td>\nOmen of wonder<\/td>\nOleksandr Hoisan<\/td>\n00:17:34<\/td>\nUkraine<\/td>\n<\/tr>\n
4<\/td>\nAntarctica<\/td>\nJivko Konstantinov<\/td>\n00:16:57<\/td>\nBulgaria<\/td>\n<\/tr>\n
5<\/td>\nVersions<\/td>\nClaudia Torres<\/td>\n00:14:30<\/td>\nSpain<\/td>\n<\/tr>\n
6<\/td>\nWhen Elephants Come to Town<\/td>\nHyejeong Yun<\/td>\n00:18:00<\/td>\nUnited Kingdom<\/td>\n<\/tr>\n
7<\/td>\nTowards Benares<\/td>\nGiovanni Vignali, Giorgia Prata<\/td>\n01:09:59<\/td>\nItaly<\/td>\n<\/tr>\n
8<\/td>\nHAYA<\/td>\nUgn\u0117 Alaburdait\u0117<\/td>\n00:12:19<\/td>\nLithuania<\/td>\n<\/tr>\n
9<\/td>\nTHE ANONYMOUS SHOAL<\/td>\nBranko Istvancic<\/td>\n00:19:00<\/td>\nCroatia<\/td>\n<\/tr>\n
10<\/td>\nOur Horizons<\/td>\nCharlotte Cayeux<\/td>\n00:44:00<\/td>\nFrance<\/td>\n<\/tr>\n
11<\/td>\nThe Gypsy and the Death<\/td>\nDavid Lu\u017ear<\/td>\n00:20:35<\/td>\nGermany<\/td>\n<\/tr>\n
12<\/td>\nThe Girl From Gaza<\/td>\nNicolas Aujula<\/td>\n00:20:00<\/td>\nUnited Kingdom<\/td>\n<\/tr>\n
13<\/td>\nSororicine (Sistermovie)<\/td>\nPrado Moya, Tesa Mar\u00edn, Laura Pardo, Carmen Garc\u00eda, Raquel Navarro, Ismael S\u00e1nchez, Roberto Anselmo, Violeta Gratac\u00f3s, Soledad Castilla, Juan Alfonso Romero, Gonzalo G\u00f3mez-Ullate<\/td>\n00:09:50<\/td>\nSpain<\/td>\n<\/tr>\n
14<\/td>\nDo Bairro (From the Neighborhood)<\/td>\nDiogo Varela Silva<\/td>\n01:15:24<\/td>\nPortugal<\/td>\n<\/tr>\n
15<\/td>\nJo\u00e3o Ayres, an Independent Painter<\/td>\nDiogo Varela Silva<\/td>\n00:52:00<\/td>\nPortugal<\/td>\n<\/tr>\n
16<\/td>\nEARTH: MUTED<\/td>\nMikael Kristersson, \u00c5sa Ekman, Oscar Hedin<\/td>\n01:10:19<\/td>\nSweden<\/td>\n<\/tr>\n
17<\/td>\nON THESE MOUNTAINS<\/td>\nANDREA SBARRETTI<\/td>\n01:00:00<\/td>\nItaly<\/td>\n<\/tr>\n
18<\/td>\nARTIST’S VOICES<\/td>\nAlberto Nacci<\/td>\n00:50:00<\/td>\nItaly<\/td>\n<\/tr>\n
19<\/td>\nD\u00e9bris<\/td>\nClaire Walka<\/td>\n00:14:00<\/td>\nGermany<\/td>\n<\/tr>\n
20<\/td>\nMy positive story<\/td>\nElvedin Sari\u0107<\/td>\n00:26:04<\/td>\nBosnia and Herzegovina<\/td>\n<\/tr>\n
21<\/td>\nThe Plastic Hike<\/td>\nCarolina Semrau, Augusto Lima<\/td>\n01:36:00<\/td>\nPortugal<\/td>\n<\/tr>\n
22<\/td>\nAdolescence Changes in the Coronavirus Environment. How does a teenager react to a claustrophobic pandemic?<\/td>\nEleni Anagnostopoulou, Leonardo Thimo, Nikos Noulis<\/td>\n00:20:00<\/td>\nGreece<\/td>\n<\/tr>\n
23<\/td>\nThe Onara Marshes Park<\/td>\nGianluca Doremi<\/td>\n00:47:50<\/td>\nItaly<\/td>\n<\/tr>\n
24<\/td>\nTandem Local<\/td>\nFran\u00e7ois Legrand, Marc-Antoine Boyer, Ludovic Bollette<\/td>\n01:26:07<\/td>\nBelgium<\/td>\n<\/tr>\n
25<\/td>\nSilent Night<\/td>\nBarbara Medajska<\/td>\n00:30:00<\/td>\nPoland<\/td>\n<\/tr>\n
26<\/td>\nBullets over Marseille<\/td>\nGordan Matic<\/td>\n01:24:02<\/td>\nSerbia<\/td>\n<\/tr>\n
27<\/td>\nLive Till I Die (2022, 73′)<\/td>\nGustav \u00c5gerstrand, \u00c5sa Ekman, Anders Teigen, Oscar Hedin Hetteberg<\/td>\n01:23:00<\/td>\nSweden<\/td>\n<\/tr>\n
28<\/td>\nNkabom: A little medicine A little prayer<\/td>\nErminia Colucci<\/td>\n01:19:25<\/td>\nUnited Kingdom<\/td>\n<\/tr>\n
29<\/td>\nANTARCTICA – WHITE LOVER<\/td>\nJivko Konstantinov<\/td>\n00:35:00<\/td>\nBulgaria<\/td>\n<\/tr>\n
30<\/td>\nMorning without Evening<\/td>\nBeate Petersen<\/td>\n00:39:26<\/td>\nNorway<\/td>\n<\/tr>\n
31<\/td>\nA Place Called Wahala (Un lieu nomm\u00c3\u00a9 Wahala)<\/td>\nJ\u00c3\u00bcrgen Ellinghaus<\/td>\n0:56:00<\/td>\nGermany, Togo, France<\/td>\n<\/tr>\n
32<\/td>\nLessons in Humanity<\/td>\nBranko Istvancic<\/td>\n0:53:00<\/td>\nCroatia<\/td>\n<\/tr>\n
33<\/td>\nIslander at heart<\/td>\nIsabelle Balducchi<\/td>\n0:54:00<\/td>\nFrance<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
American Continent Documentary Film Competition Section<\/td>\n<\/tr>\n
SL no<\/td>\nFilm name<\/td>\nDirected by<\/td>\nDuration<\/td>\nCountry<\/td>\n<\/tr>\n
1<\/td>\nExploring the Pacific Northwest<\/td>\nIan A. Nelson<\/td>\n01:04:44<\/td>\nCanada, United States<\/td>\n<\/tr>\n
2<\/td>\nAt Last I Have a Voice<\/td>\nAnne Fortune<\/td>\n00:07:29<\/td>\nUnited States<\/td>\n<\/tr>\n
3<\/td>\nTrapped In The Hood Documentary Series Episode 1<\/td>\nROBERT BOYD, lucinda Boyd<\/td>\n00:17:41<\/td>\nUnited States<\/td>\n<\/tr>\n
4<\/td>\nThe Intro to My Life<\/td>\nTora Woloshin, SEEMA TV, Aquavis Warfield<\/td>\n00:11:17<\/td>\nUnited States<\/td>\n<\/tr>\n
5<\/td>\nLove Art Revolution<\/td>\nFelix Semper, Pablo Semper<\/td>\n01:15:45<\/td>\nCuba, United States<\/td>\n<\/tr>\n
6<\/td>\nSocial Media Monster<\/td>\nPeter John Ross<\/td>\n01:30:00<\/td>\nUnited States<\/td>\n<\/tr>\n
7<\/td>\nHUNI<\/td>\nDani<\/td>\n00:30:00<\/td>\nBrazil<\/td>\n<\/tr>\n
8<\/td>\nTranse Brasil<\/td>\nLeandro Ol\u00edmpio<\/td>\n00:10:00<\/td>\nBrazil<\/td>\n<\/tr>\n
9<\/td>\n130 Children<\/td>\nAinara Aparici<\/td>\n01:14:00<\/td>\nChile<\/td>\n<\/tr>\n
10<\/td>\nJuanito<\/td>\nRenato Dennis<\/td>\n00:60:04<\/td>\nChile<\/td>\n<\/tr>\n
11<\/td>\nThe Obstinated View<\/td>\nMario Bravo Gallardo<\/td>\n00:21:00<\/td>\nArgentina<\/td>\n<\/tr>\n
12<\/td>\nCASA<\/td>\nMario Z<\/td>\n01:28:19<\/td>\nChile<\/td>\n<\/tr>\n
13<\/td>\nWe were not Queens because we will be Goddesses<\/td>\nGabriela Espinosa Hormaz\u00e1bal<\/td>\n00:45:00<\/td>\nChile<\/td>\n<\/tr>\n
14<\/td>\nPostales<\/td>\nCristina Ballesteros, Andrea Tudela, Silvana Staudinger<\/td>\n00:42:41<\/td>\nArgentina<\/td>\n<\/tr>\n
15<\/td>\nFemale dragon tamers<\/td>\nDamian Leibovich<\/td>\n111 minutes<\/td>\nArgentina<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
African and Oceania Continent Documentary Film Competition Section<\/td>\n<\/tr>\n
SL no<\/td>\nFilm name<\/td>\nDirected by<\/td>\nDuration<\/td>\nCountry<\/td>\n<\/tr>\n
1<\/td>\nThe Space Around You<\/td>\nRainer Kelly<\/td>\n00:10:55<\/td>\nAustralia<\/td>\n<\/tr>\n
2<\/td>\nBURKINAB\u00c8 RISING: the art of resistance in Burkina Faso<\/td>\nIara Lee<\/td>\n01:11:32<\/td>\nBurkina Faso<\/td>\n<\/tr>\n
3<\/td>\nBURKINAB\u00c8 BOUNTY: agroecology in Burkina Faso<\/td>\nIara Lee<\/td>\n00:36:37<\/td>\nBurkina Faso<\/td>\n<\/tr>\n
4<\/td>\nWhen a River Becomes a Border<\/td>\nRobi Layio<\/td>\n00:36:07<\/td>\nCameroon<\/td>\n<\/tr>\n
5<\/td>\nMusic is my refuge<\/td>\nTHIERNO SEYDOU\u00a0 NOURO SY<\/td>\n00:29:00<\/td>\nSenegal<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Bangladesh Continent Documentary Film Competition Section<\/td>\n<\/tr>\n
SL no<\/td>\nFilm name<\/td>\nDirected by<\/td>\nDuration<\/td>\nCountry<\/td>\n<\/tr>\n
1<\/td>\nIndecisive<\/td>\nKowshik Rahman<\/td>\n00:09:32<\/td>\nBangladesh<\/td>\n<\/tr>\n
2<\/td>\nMukul Talkies<\/td>\nZobayer Raihan<\/td>\n00:07:26<\/td>\nBangladesh<\/td>\n<\/tr>\n
3<\/td>\nBubur Basha\u00a0 (Grandmother’s Home)<\/td>\nAnusha Alamgir<\/td>\n00:25:00<\/td>\nBangladesh<\/td>\n<\/tr>\n
4<\/td>\nHausher Dhua<\/td>\nRasel Rana Doza<\/td>\n00:18:35<\/td>\nBangladesh<\/td>\n<\/tr>\n
5<\/td>\nStruggle Of Bishkhali<\/td>\nShahedul Islam Sifat<\/td>\n00:08:53<\/td>\nBangladesh<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Indian Continent Documentary Film Competition Section<\/td>\n<\/tr>\n
SL no<\/td>\nFilm name<\/td>\nDirected by<\/td>\nDuration<\/td>\nCountry<\/td>\n<\/tr>\n
1<\/td>\nDukhu Majhi – Son of the barren land<\/td>\nSomnath Mondal<\/td>\n00:28:25<\/td>\nIndia<\/td>\n<\/tr>\n
2<\/td>\nDukhu Majhi – Son of the barren land<\/td>\nSomnath Mondal<\/td>\n00:28:25<\/td>\nIndia<\/td>\n<\/tr>\n
3<\/td>\nThe Last Rites<\/td>\nDhananjoy Mandal<\/td>\n00:19:00<\/td>\nIndia<\/td>\n<\/tr>\n
4<\/td>\nKashmiri Pandits\u00a0 “The Invisible Refugees” 30 Year’s in Exile<\/td>\nSanjay Raina<\/td>\n00:08:53<\/td>\nIndia<\/td>\n<\/tr>\n
5<\/td>\nThe Beautiful Animals Of Zoological Garden Alipore Kolkata Volume – 5<\/td>\nDebojyoti Kumar<\/td>\n00:26:57<\/td>\nIndia<\/td>\n<\/tr>\n
6<\/td>\nFire on Edge<\/td>\nPranab Jyoti Deka, Sujit Debbarma<\/td>\n00:38:00<\/td>\nIndia<\/td>\n<\/tr>\n
7<\/td>\nJijivisha – A strong will to live<\/td>\nPriyanshi Srivastava<\/td>\n00:12:21<\/td>\nIndia<\/td>\n<\/tr>\n
8<\/td>\nMother will arrive<\/td>\nRuna Mukherjee Parikh<\/td>\n00:29:42<\/td>\nIndia<\/td>\n<\/tr>\n
9<\/td>\nPassport Man Of India<\/td>\nDhananjay Siddheshwar Bhawalekar<\/td>\n00:59:54<\/td>\nIndia<\/td>\n<\/tr>\n
10<\/td>\nUtopian Life<\/td>\nAbhishek Dixit<\/td>\n00:11:52<\/td>\nIndia<\/td>\n<\/tr>\n
11<\/td>\nRoots of valluvanadu<\/td>\nAdithkrishna Chempath<\/td>\n00:18:25<\/td>\nIndia<\/td>\n<\/tr>\n
12<\/td>\nCharaiveti<\/td>\nBauddhayan Mukherji, Chandan Biswas<\/td>\n01:11:56<\/td>\nIndia<\/td>\n<\/tr>\n
13<\/td>\nPearl City Massacre<\/td>\nM.S Raj<\/td>\n00:60:00<\/td>\nIndia<\/td>\n<\/tr>\n
14<\/td>\nLIFELESS<\/td>\nAmritam Mondal<\/td>\n00:54:10<\/td>\nIndia<\/td>\n<\/tr>\n
15<\/td>\nAn Empty Nest<\/td>\nAmar Koushik<\/td>\n00:07:15<\/td>\nIndia<\/td>\n<\/tr>\n
16<\/td>\nNeither a Girl Nor a Woman<\/td>\nAnjali Patil<\/td>\n01:00:34<\/td>\nIndia<\/td>\n<\/tr>\n
17<\/td>\nDry fish dry Men<\/td>\nDr. Chandragupta Chandan Chatterjee<\/td>\n00:15:09<\/td>\nIndia<\/td>\n<\/tr>\n
18<\/td>\nThe Show Must Go On<\/td>\nDivya Cowasji<\/td>\n00:60:00<\/td>\nIndia<\/td>\n<\/tr>\n
19<\/td>\nGARBAGE<\/td>\nMahendra Shankar DONGRE<\/td>\n00:10:11<\/td>\nIndia<\/td>\n<\/tr>\n
20<\/td>\nInto The Sea<\/td>\nAshish Kumar Nayak<\/td>\n01:00:28<\/td>\nIndia<\/td>\n<\/tr>\n
21<\/td>\nB B Lal “Doyen” of Indian Archaeology<\/td>\nDr. Ramadevi Sekhar, Ebenezer Annadoss<\/td>\n00:31:46<\/td>\nIndia<\/td>\n<\/tr>\n
22<\/td>\nSHELTER HOMES<\/td>\nSAVITA SHARMA<\/td>\n24:40:00<\/td>\nINDIA<\/td>\n<\/tr>\n
23<\/td>\nFaces of Climate Resilience<\/td>\nShawn Sebastian<\/td>\n22:24<\/td>\nIndia<\/td>\n<\/tr>\n
24<\/td>\nSATYAM<\/td>\nRAJESH AMROHI<\/td>\n0:24:00<\/td>\nINDIA<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Asian Continent Mobile Film Competition Section<\/td>\n<\/tr>\n
SL no<\/td>\nFilm name<\/td>\nDirected by<\/td>\nDuration<\/td>\nCountry<\/td>\n<\/tr>\n
1<\/td>\nLike Water For Fish<\/td>\nMohammad Javad Belghadr<\/td>\n00:02:47<\/td>\nIran<\/td>\n<\/tr>\n
2<\/td>\nZolpidem<\/td>\nMehdi Mohammadi<\/td>\n00:18:40<\/td>\nIran<\/td>\n<\/tr>\n
3<\/td>\nThe Proselyte<\/td>\nKevin Rome Ambol<\/td>\n00:08:53<\/td>\nPhilippines<\/td>\n<\/tr>\n
4<\/td>\nThe Shadow<\/td>\nMostafa Shahpanah<\/td>\n00:18:34<\/td>\nIran<\/td>\n<\/tr>\n
5<\/td>\nHappy Birthday<\/td>\nVahid Ghanatabadi<\/td>\n00:19:56<\/td>\nIran<\/td>\n<\/tr>\n
6<\/td>\nLike Water For Fish<\/td>\nMohammad Javad Belghadr<\/td>\n00:02:47<\/td>\nIran<\/td>\n<\/tr>\n
7<\/td>\nThe letter from your home<\/td>\nAdithkrishna Chempath<\/td>\n00:07:48<\/td>\nIndia<\/td>\n<\/tr>\n
8<\/td>\nNews<\/td>\nSayed mohsen Hossaini<\/td>\n00:00:60<\/td>\nAfghanistan<\/td>\n<\/tr>\n
9<\/td>\nGives You Hell \/ \u8981\u4f60\u6b7b<\/td>\nRic Lum<\/td>\n00:01:00<\/td>\nSingapore<\/td>\n<\/tr>\n
10<\/td>\nViral Artists Traumatic<\/td>\nRey Coloma<\/td>\n00:13:22<\/td>\nPhilippines<\/td>\n<\/tr>\n
11<\/td>\nUnspoken words<\/td>\nSameer Rai<\/td>\n00:09:34<\/td>\nNepal<\/td>\n<\/tr>\n
12<\/td>\nSecret Sorrow<\/td>\nWen Yiming \u6587\u76ca\u94ed \u76ca\u94ed \u6587<\/td>\n00:01:00<\/td>\nChina<\/td>\n<\/tr>\n
13<\/td>\nEli Nazik<\/td>\nMehmet T\u0131\u011fl\u0131<\/td>\n00:07:51<\/td>\nTurkey<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
European Continent Mobile Film Competition Section<\/td>\n<\/tr>\n
SL no<\/td>\nFilm name<\/td>\nDirected by<\/td>\nDuration<\/td>\nCountry<\/td>\n<\/tr>\n
1<\/td>\nPRAVO<\/td>\nNoomen Noomen<\/td>\n00:12:00<\/td>\nSerbia<\/td>\n<\/tr>\n
2<\/td>\nThe music<\/td>\nJos\u00e9 Garc\u00eda P\u00e9rez<\/td>\n00:01:33<\/td>\nSpain<\/td>\n<\/tr>\n
3<\/td>\nPencil<\/td>\nSimon Thomas Manley<\/td>\n00:05:54<\/td>\nAustria<\/td>\n<\/tr>\n
4<\/td>\nHello, Cerak<\/td>\nFilip Stojiljkovic<\/td>\n00:13:16<\/td>\nSerbia<\/td>\n<\/tr>\n
5<\/td>\nAnxiety Train<\/td>\nRob Leach<\/td>\n00:12:19<\/td>\nUnited Kingdom<\/td>\n<\/tr>\n
6<\/td>\nRenato<\/td>\nB\u00e1rbara Ferreira, Laura Oliveira, Manuel Oliveira, Maria Concei\u00e7\u00e3o Ferreira, Miriam Ferreira, Renato Ferreira, Virg\u00ednia Ferreira<\/td>\n00:05:00<\/td>\nPortugal<\/td>\n<\/tr>\n
7<\/td>\nBall<\/td>\nAna Costa, Ana Paula Costa, Ana Paula Nogueira, Anabela Freitas, Ant\u00f3nio Santos, Ermelindo Vieira, Gracinda Costa, Jo\u00e3o Ribeiro<\/td>\n00:04:50<\/td>\nPortugal<\/td>\n<\/tr>\n
8<\/td>\nThe Woman of 3 M<\/td>\nCarla Oliveira, Let\u00edcia Cintra, Maria Manuela Monteiro<\/td>\n00:04:45<\/td>\nPortugal<\/td>\n<\/tr>\n
9<\/td>\nRelease your Emotions<\/td>\nAndr\u00e9 Almeida Rodrigues<\/td>\n00:14:00<\/td>\nPortugal<\/td>\n<\/tr>\n
10<\/td>\nTo the end<\/td>\n\u0412\u0430\u0434\u0438\u043c \u0412\u0430\u0434\u0438\u043c\u043e\u0432\u0438\u0447 \u0411\u043e\u043b\u0434\u0443\u0440\u0430\u0442<\/td>\n00:03:25<\/td>\nUkraine<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
American Continent Mobile Film Competition Section<\/td>\n<\/tr>\n
SL no<\/td>\nFilm name<\/td>\nDirected by<\/td>\nDuration<\/td>\nCountry<\/td>\n<\/tr>\n
1<\/td>\nLet\u2019s talk about the weather<\/td>\nLuc\u00eda Harari<\/td>\n00:03:56<\/td>\nArgentina<\/td>\n<\/tr>\n
2<\/td>\nChocolat, Meat, Cake<\/td>\nNatacha Leonelo<\/td>\n00:03:24<\/td>\nBrazil<\/td>\n<\/tr>\n
3<\/td>\n1959<\/td>\nDaniel G\u00f3mez<\/td>\n00:07:00<\/td>\nParaguay<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Bangladeshi Mobile Film Competition Section<\/td>\n<\/tr>\n
SL no<\/td>\nFilm name<\/td>\nDirected by<\/td>\nDuration<\/td>\nCountry<\/td>\n<\/tr>\n
1<\/td>\nUPSHOT<\/td>\nRuponti Das<\/td>\n00:05:12<\/td>\nBangladesh<\/td>\n<\/tr>\n
2<\/td>\nTaste of life<\/td>\nAl Muntakim Tihan<\/td>\n00:00:58<\/td>\nBangladesh<\/td>\n<\/tr>\n
3<\/td>\nThe Ghost<\/td>\nFahim shiyam<\/td>\n00:01:00<\/td>\nBangladesh<\/td>\n<\/tr>\n
4<\/td>\nAs Time Goes By<\/td>\nSudipta Barua Deepto<\/td>\n00:03:19<\/td>\nBangladesh<\/td>\n<\/tr>\n
5<\/td>\nOnly I Know The Dynamics Of This City<\/td>\nSudipta Barua Deepto<\/td>\n00:01:02<\/td>\nBangladesh<\/td>\n<\/tr>\n
6<\/td>\nGame Over<\/td>\nMohammad Motiur Rahman<\/td>\n00:02:48<\/td>\nBangladesh<\/td>\n<\/tr>\n
7<\/td>\nThe Routine Break<\/td>\nRifat Rohan<\/td>\n00:04:17<\/td>\nBangladesh<\/td>\n<\/tr>\n
8<\/td>\nLost<\/td>\nSohanur Rahman Akash<\/td>\n00:07:19<\/td>\nBangladesh<\/td>\n<\/tr>\n
9<\/td>\n\u00a0Dream Date<\/td>\nRifat Rohan<\/td>\n00:01:28<\/td>\nBangladesh<\/td>\n<\/tr>\n
10<\/td>\nHope<\/td>\nBayazid Ahmed Mosanna<\/td>\n00:05:59<\/td>\nBangladesh<\/td>\n<\/tr>\n
11<\/td>\nBrihonnola<\/td>\nSahed Ahmed<\/td>\n00:07:35<\/td>\nBangladesh<\/td>\n<\/tr>\n
12<\/td>\nProhori<\/td>\nMustak Muzahid<\/td>\n00:11:49<\/td>\nBangladesh<\/td>\n<\/tr>\n
13<\/td>\nRastanama<\/td>\nDebanjan Bhattacharya<\/td>\n00:00:00<\/td>\nBangladesh<\/td>\n<\/tr>\n
14<\/td>\nThe Repetition Game<\/td>\nSifat Rahman, Shah Wasee Chowdhury, Shishir Ahmed<\/td>\n00:02:58<\/td>\nBangladesh<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Indian Mobile Film Competition Section<\/td>\n<\/tr>\n
SL no<\/td>\nFilm name<\/td>\nDirected by<\/td>\nDuration<\/td>\nCountry<\/td>\n<\/tr>\n
1<\/td>\nUn Chantier d’Amour – A Scaffolding of Love<\/td>\nSachin Jain<\/td>\n00:18:14<\/td>\nIndia<\/td>\n<\/tr>\n
2<\/td>\nNow-Or-Never<\/td>\nAshish Bisht<\/td>\n00:03:26<\/td>\nIndia<\/td>\n<\/tr>\n
3<\/td>\nChildren Under Lockdown<\/td>\nJasmine Hossain<\/td>\n00:17:22<\/td>\nIndia<\/td>\n<\/tr>\n
4<\/td>\nFETTER<\/td>\nLakhan Vilas Sathe<\/td>\n00:04:35<\/td>\nIndia<\/td>\n<\/tr>\n
5<\/td>\nDilli Haat – A panorama of diversity<\/td>\nMimansha Singh<\/td>\n00:02:42<\/td>\nIndia<\/td>\n<\/tr>\n
6<\/td>\nBare Foot<\/td>\nDiganta Dey<\/td>\n00:01:51<\/td>\nIndia<\/td>\n<\/tr>\n
7<\/td>\nONUBONDHO- A DIMENTION OF RELATIONS<\/td>\nSubhankar Chowdhury<\/td>\n00:28:05<\/td>\nIndia<\/td>\n<\/tr>\n
8<\/td>\nValiyurukki<\/td>\nKumaran Arunagiri<\/td>\n00:03:01<\/td>\nIndia<\/td>\n<\/tr>\n
9<\/td>\nHedhim (Obstinate)<\/td>\nAniket Arjun Kulthe<\/td>\n00:15:10<\/td>\nIndia<\/td>\n<\/tr>\n
10<\/td>\nBipanan<\/td>\nChandan Chatterjee<\/td>\n00:11:30<\/td>\nIndia<\/td>\n<\/tr>\n
11<\/td>\nBandhu: The Bond Beyond Communities<\/td>\nSuman Sen<\/td>\n00:02:00<\/td>\nIndia<\/td>\n<\/tr>\n
12<\/td>\nGARBA<\/td>\nDINESH SHUKLA<\/td>\n00:04:58<\/td>\nIndia<\/td>\n<\/tr>\n
13<\/td>\nPira<\/td>\nAdithkrishna Chempath<\/td>\n00:10:56<\/td>\nIndia<\/td>\n<\/tr>\n
14<\/td>\nDonor<\/td>\nSoumadeep Dasgupta<\/td>\n0:01:00<\/td>\nIndia<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
<\/td>\nAnimation Film Competition Section<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
SL no<\/td>\nFilm name<\/td>\nDirected by<\/td>\nDuration<\/td>\nCountry<\/td>\n<\/tr>\n
1<\/td>\nCzarodzielnica<\/td>\nKlaudia Ptasi\u0144ska-Wajda<\/td>\n00:04:10<\/td>\nPoland<\/td>\n<\/tr>\n
2<\/td>\nHocchey ta ki? (What is happening?)<\/td>\nSneha Das, Monjima Mullick, Om Singh, Sawanti Das<\/td>\n00:02:50<\/td>\nIndia<\/td>\n<\/tr>\n
3<\/td>\nThe ClownFish Man ( FULL MEDIUM FILM )<\/td>\nZOE SZYMON<\/td>\n00:10:53<\/td>\nGreece<\/td>\n<\/tr>\n
4<\/td>\nThe Ribbon<\/td>\n<\/td>\n00:04:25<\/td>\nUnited States<\/td>\n<\/tr>\n
5<\/td>\nWhere the winds die<\/td>\nPejman Alipour<\/td>\n00:12:54<\/td>\nIran<\/td>\n<\/tr>\n
6<\/td>\nFlower<\/td>\nAllen Wong<\/td>\n00:04:03<\/td>\nMalaysia<\/td>\n<\/tr>\n
7<\/td>\n1-2-3-4<\/td>\nFabrizzio Bartolini<\/td>\n00:10:56<\/td>\nItaly<\/td>\n<\/tr>\n
8<\/td>\nA little someone<\/td>\nRamya Ankilla<\/td>\n00:06:40<\/td>\nIndia<\/td>\n<\/tr>\n
9<\/td>\nCLONE XI – MEDANIT YELESHIM<\/td>\nAbel Mekasha<\/td>\n00:02:41<\/td>\nEthiopia<\/td>\n<\/tr>\n
10<\/td>\nLove<\/td>\nMalika Maxat<\/td>\n00:07:25<\/td>\nKazakhstan<\/td>\n<\/tr>\n
11<\/td>\nManjadikaalam<\/td>\nPadmasree Murali<\/td>\n00:07:21<\/td>\nIndia<\/td>\n<\/tr>\n
12<\/td>\nPacific Operation –\u00a0 Marina and the Spirit of the Sea<\/td>\nAlejandra Araya<\/td>\n00:30:00<\/td>\nChile<\/td>\n<\/tr>\n
13<\/td>\nBE VISIBLE<\/td>\nG\u00fcl Y\u0131ld\u0131r\u0131m<\/td>\n00:03:05<\/td>\nTurkey<\/td>\n<\/tr>\n
14<\/td>\nKAVAL<\/td>\nSasha Stanishik<\/td>\n00:10:26<\/td>\nMacedonia<\/td>\n<\/tr>\n
15<\/td>\nForgotten<\/td>\nRajyasree Sarkar<\/td>\n00:03:07<\/td>\nIndia<\/td>\n<\/tr>\n
16<\/td>\nThe Improvement of Human Reason<\/td>\nHossein Moradizadeh<\/td>\n00:10:00<\/td>\nIran<\/td>\n<\/tr>\n
17<\/td>\nGilgamesh<\/td>\nHossein Moradizadeh<\/td>\n00:10:00<\/td>\nIran<\/td>\n<\/tr>\n
18<\/td>\nStray dogs<\/td>\nReza Golchin<\/td>\n00:05:00<\/td>\nIran<\/td>\n<\/tr>\n
19<\/td>\nBroken Potato<\/td>\nWater(\u7a0e\u6e90\uff09<\/td>\n00:08:23<\/td>\nChina<\/td>\n<\/tr>\n
20<\/td>\nRising in a Spiral<\/td>\nD\u00e9bora Mendes, Elmano Diogo<\/td>\n00:02:43<\/td>\nPortugal<\/td>\n<\/tr>\n
21<\/td>\nJust a Jester<\/td>\nChristina Mangos<\/td>\n00:04:09<\/td>\nCanada<\/td>\n<\/tr>\n
22<\/td>\nHope<\/td>\nRoxanne Wright<\/td>\n00:01:59<\/td>\nCanada<\/td>\n<\/tr>\n
23<\/td>\nThe Statue (Peykareh)<\/td>\nMohsen Salehi Fard<\/td>\n00:09:30<\/td>\nIran<\/td>\n<\/tr>\n
24<\/td>\nMorry<\/td>\nKotta Katsuda, Chris Chang, Samar Mingshan Chen<\/td>\n00:03:00<\/td>\nUnited States<\/td>\n<\/tr>\n
25<\/td>\nThe Author<\/td>\nLuiz M\u00e1ximo<\/td>\n00:02:55<\/td>\nBrazil<\/td>\n<\/tr>\n
26<\/td>\nChildren’s Album Film 2<\/td>\nBoris KORSHUNOV, Irina MARGOLINA, Natalia CHERNYSHEVA, Oksana CHERKASOVA, Alena TOMILOVA, Igor VOLCHEK, Igor VOLCHEK, Igor VOLCHEK, Igor VOLCHEK, Yevgeni NADTOCHEY, Yuliya Ivanova, Tatyana Musalyamova, Natalia RYSS<\/td>\n00:27:18<\/td>\nBelarus<\/td>\n<\/tr>\n
27<\/td>\nFriedrich\u00a0 Burgmuller\u00a0 \u2014 Tarantella<\/td>\nYevgeni Nadtochey<\/td>\n00:03:46<\/td>\nBelarus<\/td>\n<\/tr>\n
28<\/td>\nI hide a secret deep inside my soul…<\/td>\nElena Petkevich<\/td>\n00:13:45<\/td>\nBelarus<\/td>\n<\/tr>\n
29<\/td>\nBEE<\/td>\nNataliya Kostyuchenko<\/td>\n00:13:00<\/td>\nBelarus<\/td>\n<\/tr>\n
30<\/td>\nTOY<\/td>\nRita Shagray<\/td>\n00:10:50<\/td>\nBelarus<\/td>\n<\/tr>\n
31<\/td>\nToshka and his friends. The contact is made!<\/td>\nAlexander Lenkin<\/td>\n00:13:00<\/td>\nBelarus<\/td>\n<\/tr>\n
32<\/td>\nStories from the Cyrillic<\/td>\nIryna Tarasava<\/td>\n00:13:00<\/td>\nBelarus<\/td>\n<\/tr>\n
33<\/td>\nELEVATOR MYSTERY<\/td>\nZOE SZYMON<\/td>\n00:01:44<\/td>\nGreece<\/td>\n<\/tr>\n
34<\/td>\nDe Kunst Volgers The Ice Sculptor Official Video Clip<\/td>\nDe Kunst Volgers<\/td>\n00:02:20<\/td>\nUnited Kingdom<\/td>\n<\/tr>\n
35<\/td>\nSILVER<\/td>\nHaley Stemmons<\/td>\n00:01:28<\/td>\nUnited States<\/td>\n<\/tr>\n
36<\/td>\nTatt<\/td>\nEkaterina Ulyanova<\/td>\n00:03:29<\/td>\nRussian Federation<\/td>\n<\/tr>\n
37<\/td>\nNew\u300aDivergence\u300b<\/td>\nLijun Sun, Yongliang Shen<\/td>\n00:08:00<\/td>\nChina<\/td>\n<\/tr>\n
38<\/td>\nTHE MILLENNIAL KIDS<\/td>\nNirartha Bas Diwangkara<\/td>\n00:07:02<\/td>\nIndonesia<\/td>\n<\/tr>\n
39<\/td>\nThe Trail Beyond Highland Road<\/td>\nEli Copperman<\/td>\n00:05:12<\/td>\nUnited States<\/td>\n<\/tr>\n
40<\/td>\nSoap Opera<\/td>\nCameron Carr<\/td>\n00:01:12<\/td>\nUnited Kingdom<\/td>\n<\/tr>\n
41<\/td>\nHer<\/td>\nXueyuan Li<\/td>\n00:05:50<\/td>\nChina<\/td>\n<\/tr>\n
42<\/td>\nNoise in the head (Ruido en la cabeza)<\/td>\nManuel Ignacio Rossi<\/td>\n00:02:00<\/td>\nArgentina<\/td>\n<\/tr>\n
43<\/td>\nNIRONTOR<\/td>\nUmme Habiba, Joyanto Ray<\/td>\n00:06:25<\/td>\nBangladesh<\/td>\n<\/tr>\n
44<\/td>\nHow Much for the Exam?<\/td>\nIvica Valenti\u0107<\/td>\n00:29:30<\/td>\nCroatia<\/td>\n<\/tr>\n
45<\/td>\nTHE SPRAYER<\/td>\nFarnoosh Abedi<\/td>\n00:08:45<\/td>\nIran<\/td>\n<\/tr>\n
46<\/td>\nDehbaraftab\u00a0 village<\/td>\nZiba Arzhang<\/td>\n00:08:00<\/td>\nIran<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
<\/td>\nKid Filmmaker’s Film Competition Section<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
SL no<\/td>\nFilm name<\/td>\nDirected by<\/td>\nDuration<\/td>\nCountry<\/td>\n<\/tr>\n
1<\/td>\nI have a dream, a movie dream<\/td>\nShiJie Weng<\/td>\n00:07:28<\/td>\nSpain<\/td>\n<\/tr>\n
2<\/td>\nNew Doors<\/td>\nNathaniel Demuth<\/td>\n00:05:13<\/td>\nUnited States<\/td>\n<\/tr>\n
3<\/td>\nMy Red Ball<\/td>\nesabella strickland<\/td>\n00:02:47<\/td>\nCanada<\/td>\n<\/tr>\n
4<\/td>\nIt’s Me<\/td>\nThanos Korompokis<\/td>\n00:08:30<\/td>\nGreece<\/td>\n<\/tr>\n
5<\/td>\nThe Marshal and the Moor<\/td>\nDevan Sakaria<\/td>\n00:05:07<\/td>\nUnited States<\/td>\n<\/tr>\n
6<\/td>\nWalking In Circles<\/td>\nDevan Sakaria<\/td>\n00:04:59<\/td>\nUnited States<\/td>\n<\/tr>\n
7<\/td>\nEnd to Phone<\/td>\nAlpaslan Mustafa DEM\u0130R<\/td>\n00:03:00<\/td>\nTurkey<\/td>\n<\/tr>\n
8<\/td>\n\u00bfH\u00e9roes? (Heroes?)<\/td>\nDaniel Rinc\u00f3n<\/td>\n00:04:15<\/td>\nSpain<\/td>\n<\/tr>\n
9<\/td>\nLa Ruta (The Route)<\/td>\nDavid Segura, Daniel Rinc\u00f3n, Roberto Anselmo, Violeta Gratac\u00f3s<\/td>\n00:03:00<\/td>\nSpain<\/td>\n<\/tr>\n
10<\/td>\nNotas de partitura (Score notes)<\/td>\nRoberto Anselmo<\/td>\n00:05:25<\/td>\nSpain<\/td>\n<\/tr>\n
11<\/td>\nOpekkha<\/td>\nZohra Rahman Titlee<\/td>\n00:04:59<\/td>\nBangladesh<\/td>\n<\/tr>\n
12<\/td>\nHope overcomes everything<\/td>\nAnastasia Shinkarenko<\/td>\n00:02:16<\/td>\nUkraine<\/td>\n<\/tr>\n
13<\/td>\nAttack of the Furry Fish<\/td>\nAnastasia Shinkarenko<\/td>\n00:02:20<\/td>\nUkraine<\/td>\n<\/tr>\n
14<\/td>\nLove of a Horse and a Whale<\/td>\nAnastasia Shinkarenko<\/td>\n00:01:40<\/td>\nUkraine<\/td>\n<\/tr>\n
15<\/td>\nMagic Head<\/td>\nAnastasia Shinkarenko<\/td>\n00:03:49<\/td>\nUkraine<\/td>\n<\/tr>\n
16<\/td>\nFirst day of a chick<\/td>\nAnastasia Shinkarenko<\/td>\n00:01:45<\/td>\nUkraine<\/td>\n<\/tr>\n
17<\/td>\nSpookids<\/td>\nVivianne Steiner, Aur\u00e9lie Schneider, Lucie Schneider, Claire Walka (assisting the girls)<\/td>\n00:01:00<\/td>\nFrance<\/td>\n<\/tr>\n
18<\/td>\nTroubles with school<\/td>\nEma Sari\u0107<\/td>\n00:06:57<\/td>\nBosnia and Herzegovina<\/td>\n<\/tr>\n
19<\/td>\nLooking back at poctry<\/td>\nDongsheng Lang<\/td>\n00:22:14<\/td>\nChina<\/td>\n<\/tr>\n
20<\/td>\nArrive<\/td>\nHongye Niu<\/td>\n00:24:00<\/td>\nChina<\/td>\n<\/tr>\n
21<\/td>\nSix days of floating life<\/td>\nXiwei Cui<\/td>\n00:48:00<\/td>\nChina<\/td>\n<\/tr>\n
22<\/td>\nSeesaw<\/td>\nAnanya Mangesh Dupare<\/td>\n00:05:00<\/td>\nIndia<\/td>\n<\/tr>\n
23<\/td>\nDon`t Hold Back<\/td>\nAnanya Dupare<\/td>\n00:06:02<\/td>\nIndia<\/td>\n<\/tr>\n
24<\/td>\nSeesaw<\/td>\nAnanya Mangesh Dupare<\/td>\n00:05:00<\/td>\nIndia<\/td>\n<\/tr>\n
25<\/td>\nAndr\u00f2meda<\/td>\nAnna Salceda<\/td>\n00:04:30<\/td>\nSpain<\/td>\n<\/tr>\n
26<\/td>\nWorld and me<\/td>\nKudratillayev Eldor<\/td>\n00:01:29<\/td>\nUzbekistan<\/td>\n<\/tr>\n
27<\/td>\nSteel Forest<\/td>\nAnlan Tao<\/td>\n00:07:39<\/td>\nChina<\/td>\n<\/tr>\n
28<\/td>\nMIDNIGHT<\/td>\nHafiza Akter Papri<\/td>\n00:04:35<\/td>\nBangladesh<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\nOut of Competion- Feature Film Section<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
SL no<\/td>\nFilm name<\/td>\nDirected by<\/td>\nDuration<\/td>\nCountry<\/td>\n<\/tr>\n
1<\/td>\nThe Crab Basket<\/td>\nPaulo Lasala<\/td>\n01:15:37<\/td>\nChile<\/td>\n<\/tr>\n
2<\/td>\nLittle Boy<\/td>\nShiraz Henry<\/td>\n02:16:48<\/td>\nIndia<\/td>\n<\/tr>\n
3<\/td>\nfilmi raasleela<\/td>\nshiraz henry<\/td>\n02:06:00<\/td>\nIndia<\/td>\n<\/tr>\n
4<\/td>\nNumber 29<\/td>\nHadi Rahimi Khas<\/td>\n01:44:00<\/td>\nIran<\/td>\n<\/tr>\n
5<\/td>\nSnuff Tapes<\/td>\nVito GARC\u00cdA VIEDMA<\/td>\n01:37:34<\/td>\nChile<\/td>\n<\/tr>\n
6<\/td>\nPessoas<\/td>\nArturo Due\u00f1as Herrero<\/td>\n01:13:07<\/td>\nSpain<\/td>\n<\/tr>\n
7<\/td>\nAli’s Nature<\/td>\nLevent Cetin<\/td>\n01:27:00<\/td>\nTurkey<\/td>\n<\/tr>\n
8<\/td>\nMUDDA 370 J&K<\/td>\nRakesh Sawant<\/td>\n02:11:00<\/td>\nIndia<\/td>\n<\/tr>\n
9<\/td>\nHALAL LOVE STORY<\/td>\nZAKARIYA<\/td>\n01:55:59<\/td>\nIndia<\/td>\n<\/tr>\n
10<\/td>\nAgamikal<\/td>\nAnjan Aich<\/td>\n2:08:00<\/td>\nBangladesh<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\nOut of Competion-Documentary Film Section<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
SL no<\/td>\nFilm name<\/td>\nDirected by<\/td>\nDuration<\/td>\nCountry<\/td>\n<\/tr>\n
1<\/td>\nDukhu Majhi – Son of the barren land<\/td>\nSomnath Mondal<\/td>\n00:28:25<\/td>\nIndia<\/td>\n<\/tr>\n
2<\/td>\nBELOVED<\/td>\nYaser Talebi<\/td>\n00:54:00<\/td>\nIran<\/td>\n<\/tr>\n
3<\/td>\nearth is home<\/td>\nnoomen noomen<\/td>\n00:07:58<\/td>\nTunisia<\/td>\n<\/tr>\n
4<\/td>\nBiranganar Golpo<\/td>\nJui Chakraborty (Bubun Chakraborty )<\/td>\n00:51:12<\/td>\nIndia<\/td>\n<\/tr>\n
5<\/td>\nBoys of Haor<\/td>\nZobayer Raihan<\/td>\n00:05:59<\/td>\nBangladesh<\/td>\n<\/tr>\n
6<\/td>\nLan Ding Yao \/ change<\/td>\nXiao Hu<\/td>\n01:37:40<\/td>\nChina<\/td>\n<\/tr>\n
7<\/td>\nPescAmare (eng\/fra\/spa subs)<\/td>\nAndrea Lodovichetti<\/td>\n00:60:00<\/td>\nItaly<\/td>\n<\/tr>\n
8<\/td>\nTHE G\u00d6BEKL\u0130TEPE RES\u0130DENTS<\/td>\nSedat BENEK<\/td>\n01:08:21<\/td>\nTurkey<\/td>\n<\/tr>\n
9<\/td>\nLessons on Humanity<\/td>\nBranko Istvancic<\/td>\n00:53:00<\/td>\nCroatia<\/td>\n<\/tr>\n
10<\/td>\nMy interview about world music<\/td>\nY. Medovshchikov<\/td>\n00:47:00<\/td>\nRussian Federation<\/td>\n<\/tr>\n
11<\/td>\nThe Traditional Brazilian Family KATU<\/td>\nRODRIGO SENA<\/td>\n00:25:00<\/td>\nNot Specified<\/td>\n<\/tr>\n
12<\/td>\nBuilt lands<\/td>\nArturo Due\u00f1as Herrero<\/td>\n01:20:00<\/td>\nSpain<\/td>\n<\/tr>\n
13<\/td>\nDajla: cinema and oblivion<\/td>\nArturo Due\u00f1as Herrero<\/td>\n00:15:00<\/td>\nSpain<\/td>\n<\/tr>\n
14<\/td>\nSTALKING CHERNOBYL: exploration after apocalypse<\/td>\nIara Lee<\/td>\n00:56:58<\/td>\nUnited States<\/td>\n<\/tr>\n
15<\/td>\nK2 and the Invisible Footmen<\/td>\nIara Lee<\/td>\n00:54:13<\/td>\nPakistan<\/td>\n<\/tr>\n
16<\/td>\nWANTOKS: Dance of Resilience in Melanesia<\/td>\nIara Lee<\/td>\n00:19:59<\/td>\nUnited States<\/td>\n<\/tr>\n
17<\/td>\nTumi Sei Rajkumar<\/td>\nMonjurul islam Megh<\/td>\n0:02:11<\/td>\nbangladesh<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\nOut of Competion-Short Film Section<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
SL no<\/td>\nFilm name<\/td>\nDirected by<\/td>\nDuration<\/td>\nCountry<\/td>\n<\/tr>\n
1<\/td>\nWalnut<\/td>\nAli Aksoy<\/td>\n00:07:30<\/td>\nTurkey<\/td>\n<\/tr>\n
2<\/td>\nFIRE EXTINGUISHER<\/td>\nRodrigo Sope\u00f1a, Joana Solnado<\/td>\n00:05:00<\/td>\nSpain<\/td>\n<\/tr>\n
3<\/td>\nSir Chub de Pigi<\/td>\nOleksandr Hoisan<\/td>\n00:09:04<\/td>\nUkraine<\/td>\n<\/tr>\n
4<\/td>\nBeing Back to Nature<\/td>\n<\/td>\n00:04:17<\/td>\nIndia<\/td>\n<\/tr>\n
5<\/td>\nPlastic Ecosystem<\/td>\nStefie Gan<\/td>\n00:01:28<\/td>\nUnited States<\/td>\n<\/tr>\n
6<\/td>\nPass<\/td>\nElika Abdollahi<\/td>\n00:10:00<\/td>\nIran<\/td>\n<\/tr>\n
7<\/td>\nTHE TYPIST<\/td>\nNayem Haque<\/td>\n00:13:59<\/td>\nBangladesh<\/td>\n<\/tr>\n
8<\/td>\nTime Window<\/td>\nDani Tagen<\/td>\n00:05:20<\/td>\nUK<\/td>\n<\/tr>\n
9<\/td>\nThe Calling<\/td>\nNirzhar Hussain<\/td>\n00:11:17<\/td>\nBangladesh<\/td>\n<\/tr>\n
10<\/td>\nWhy We Are Unhappy in Cities<\/td>\nZhao Gang<\/td>\n00:26:46<\/td>\nChina<\/td>\n<\/tr>\n
11<\/td>\nVictim<\/td>\nMohammad Javad Belghadr<\/td>\n00:14:47<\/td>\nIran<\/td>\n<\/tr>\n
12<\/td>\nepitaph to N\/949<\/td>\nnacho recio<\/td>\n00:07:17<\/td>\nSpain<\/td>\n<\/tr>\n
13<\/td>\nHiperrealidades<\/td>\nCarlos S. Pe\u00f1a<\/td>\n00:01:23<\/td>\nSpain<\/td>\n<\/tr>\n
14<\/td>\nStorni<\/td>\nAgust\u00edn Dom\u00ednguez<\/td>\n00:05:21<\/td>\nSpain<\/td>\n<\/tr>\n
15<\/td>\nNeighbooor<\/td>\nPaco Le\u00f3n<\/td>\n00:10:00<\/td>\nSpain<\/td>\n<\/tr>\n
16<\/td>\nFOR ALL MANKIND<\/td>\nJos\u00e9 Augusto Carvalho<\/td>\n00:09:24<\/td>\nPortugal<\/td>\n<\/tr>\n
17<\/td>\nDisappointed…<\/td>\nRhyme Rubayet<\/td>\n00:05:00<\/td>\nBangladesh<\/td>\n<\/tr>\n
18<\/td>\nHalf-Fried Eggs & Oregano<\/td>\nNikhil Patil<\/td>\n00:25:45<\/td>\nIndia<\/td>\n<\/tr>\n
19<\/td>\nLimit<\/td>\nDebasish Mazumder<\/td>\n00:16:58<\/td>\nBangladesh<\/td>\n<\/tr>\n
20<\/td>\nThe Immortal Game<\/td>\nMahbub Islam<\/td>\n00:05:54<\/td>\nBangladesh<\/td>\n<\/tr>\n
21<\/td>\nEnipheres<\/td>\nRachel Betts, Mike Breyer<\/td>\n00:21:43<\/td>\nUnited States<\/td>\n<\/tr>\n
22<\/td>\nRefuge<\/td>\nMehmet T\u0131\u011fl\u0131<\/td>\n00:16:49<\/td>\nTurkey<\/td>\n<\/tr>\n
23<\/td>\nThe Soldier and The girl<\/td>\nJaykumar Shah<\/td>\n00:22:51<\/td>\nUnited States<\/td>\n<\/tr>\n
24<\/td>\nA conversation with E<\/td>\nesabella anna karena strickland, Taylor Mitchell, Mary Skylar Larkin<\/td>\n00:05:03<\/td>\nCanada<\/td>\n<\/tr>\n
25<\/td>\nAnti-Socialites<\/td>\nKat Roman, Sean Sonnenburg<\/td>\n00:01:33<\/td>\nUnited States<\/td>\n<\/tr>\n
26<\/td>\nI NEED YOU<\/td>\nJos\u00e9 Garc\u00eda P\u00e9rez<\/td>\n00:13:13<\/td>\nSpain<\/td>\n<\/tr>\n
27<\/td>\n100 TAKA<\/td>\nSyed Mortuza Hussain<\/td>\n00:02:39<\/td>\nBangladesh<\/td>\n<\/tr>\n
28<\/td>\nBeautiful Carnivals<\/td>\nThiago B. Mendon\u00e7a<\/td>\n00:16:00<\/td>\nBrazil<\/td>\n<\/tr>\n
29<\/td>\nThe Lockdown Loop<\/td>\nRifat Rohan<\/td>\n00:02:00<\/td>\nBangladesh<\/td>\n<\/tr>\n
30<\/td>\nJuyari (The Gambler)<\/td>\nMustak Muzahid, Mustak Muzahid, Mustak Muzahid<\/td>\n00:06:37<\/td>\nBangladesh<\/td>\n<\/tr>\n
31<\/td>\nDIVA(Eng Sub)<\/td>\nSimona Mancini<\/td>\n00:29:00<\/td>\nItaly<\/td>\n<\/tr>\n
32<\/td>\nIn A Jar<\/td>\nRajyasree Sarkar<\/td>\n00:03:21<\/td>\nIndia<\/td>\n<\/tr>\n
33<\/td>\nClose your eyes and look at me<\/td>\nAndrea Castoldi<\/td>\n00:05:00<\/td>\nItaly<\/td>\n<\/tr>\n
34<\/td>\nEi Shohorer Dinratri (Day and night in this city)<\/td>\nS. M. Roni Ahmed<\/td>\n00:17:04<\/td>\nBangladesh<\/td>\n<\/tr>\n
35<\/td>\nNo War<\/td>\nShafigheh Asani<\/td>\n00:03:09<\/td>\nIran<\/td>\n<\/tr>\n
36<\/td>\nFear<\/td>\nBarnali Ahamed Shetu<\/td>\n00:02:59<\/td>\nBangladesh<\/td>\n<\/tr>\n
37<\/td>\nThe Deep Pits<\/td>\nMasoud Moarefi<\/td>\n00:15:00<\/td>\nIran<\/td>\n<\/tr>\n
38<\/td>\nMy Neighbor at Sal\u00e9trom utca<\/td>\nNuruzzaman Khan<\/td>\n00:18:00<\/td>\nHungary<\/td>\n<\/tr>\n
39<\/td>\nDandedog<\/td>\nElmano Diogo<\/td>\n00:05:05<\/td>\nPortugal<\/td>\n<\/tr>\n
40<\/td>\nVictim<\/td>\nMohammad Javad Belghadr<\/td>\n00:14:47<\/td>\nIran<\/td>\n<\/tr>\n
41<\/td>\nAlzheimer<\/td>\nMohammad javad Belghadr<\/td>\n00:12:27<\/td>\nIran<\/td>\n<\/tr>\n
42<\/td>\nHatsu<\/td>\nRita Iris Prieto Matzuki<\/td>\n00:19:58<\/td>\nPeru<\/td>\n<\/tr>\n
43<\/td>\nLife without food<\/td>\nYana Belyaeva<\/td>\n00:06:54<\/td>\nUkraine<\/td>\n<\/tr>\n
44<\/td>\nCloset<\/td>\nClaire Walka<\/td>\n00:02:54<\/td>\nGermany<\/td>\n<\/tr>\n
45<\/td>\nBULLYING<\/td>\nGUSTAVO DUC<\/td>\n00:11:30<\/td>\nArgentina<\/td>\n<\/tr>\n
46<\/td>\nThe traveller<\/td>\nGustavo Duc<\/td>\n00:28:50<\/td>\nArgentina<\/td>\n<\/tr>\n
47<\/td>\nAnagnorisis<\/td>\nArturo Due\u00f1as Herrero<\/td>\n00:15:00<\/td>\nSpain<\/td>\n<\/tr>\n
48<\/td>\nMap to the stars<\/td>\nPedro Jaen R.<\/td>\n00:10:00<\/td>\nParaguay<\/td>\n<\/tr>\n
49<\/td>\nThe Divider<\/td>\nRobi Chakrabarti<\/td>\n00:19:55<\/td>\nBangladesh<\/td>\n<\/tr>\n
50<\/td>\nLost<\/td>\nZhiyuan Yang<\/td>\n00:18:24<\/td>\nChina<\/td>\n<\/tr>\n
51<\/td>\nBioscope<\/td>\nWahid Raj<\/td>\n00:06:50<\/td>\nBangladesh<\/td>\n<\/tr>\n
52<\/td>\nx<\/td>\nmajid farzolahi<\/td>\n00:06:45<\/td>\nIran<\/td>\n<\/tr>\n
53<\/td>\nAtmojon, the near one<\/td>\nTamali Ghosh<\/td>\n00:16:57<\/td>\nIndia<\/td>\n<\/tr>\n
54<\/td>\nThe Wounded<\/td>\nAritra Das<\/td>\n00:11:53<\/td>\nIndia<\/td>\n<\/tr>\n
55<\/td>\nSmirna’n\u0131n \u00c7ukuru\/ \u00c7ukurhattan<\/td>\n<\/td>\n00:10:00<\/td>\nTurkey<\/td>\n<\/tr>\n
56<\/td>\nDUMB<\/td>\nShahariar Choyone<\/td>\n00:13:40<\/td>\nBangladesh<\/td>\n<\/tr>\n
57<\/td>\nSweet Taste of Darkness<\/td>\nMitra Raeesmohammadi<\/td>\n00:20:00<\/td>\nIran<\/td>\n<\/tr>\n
58<\/td>\nThe Return<\/td>\nRifat Rohan<\/td>\n00:01:50<\/td>\nBangladesh<\/td>\n<\/tr>\n
59<\/td>\nLost<\/td>\nZhiyuan Yang<\/td>\n00:18:24<\/td>\nChina<\/td>\n<\/tr>\n
60<\/td>\nZaga<\/td>\nNilesh Yashwant Ambedkar<\/td>\n00:15:00<\/td>\nIndia<\/td>\n<\/tr>\n
61<\/td>\nVanwas<\/td>\nNilesh Yashwant Ambedkar<\/td>\n00:19:59<\/td>\nIndia<\/td>\n<\/tr>\n
62<\/td>\nThe way of the Sunscreen<\/td>\nMarcin Arcimowicz<\/td>\n00:02:03<\/td>\nPoland<\/td>\n<\/tr>\n
63<\/td>\nLife<\/td>\nNenad Teofilovic<\/td>\n00:03:19<\/td>\nSerbia<\/td>\n<\/tr>\n
64<\/td>\nLoad<\/td>\nStefan Teofilovic<\/td>\n00:08:00<\/td>\nSerbia<\/td>\n<\/tr>\n
65<\/td>\nThe other side<\/td>\nChris Panoutsos<\/td>\n00:20:35<\/td>\nGreece<\/td>\n<\/tr>\n
66<\/td>\nEl Rio Encantado | The Enchanted River | La Rivi\u00e8re enchant\u00e9e<\/td>\nMarina Santana De la Torre<\/td>\n00:04:01<\/td>\nMexico<\/td>\n<\/tr>\n
67<\/td>\nDREAM DATE<\/td>\nPhillip Lindsey<\/td>\n00:24:56<\/td>\nUnited States<\/td>\n<\/tr>\n
68<\/td>\nAsun Potho Sisuder Jani<\/td>\nRoman Roy<\/td>\n00:03:03<\/td>\nBangladesh<\/td>\n<\/tr>\n
69<\/td>\nBhuter Sathe Akdin<\/td>\nKanta Halder<\/td>\n00:01:31<\/td>\nBangladesh<\/td>\n<\/tr>\n
70<\/td>\nAF_SO_MONT_NB<\/td>\nBarbara Peikert<\/td>\n00:02:15<\/td>\nFrance<\/td>\n<\/tr>\n
71<\/td>\nSNOWSHINE<\/td>\nBarbara Peikert<\/td>\n00:15:00<\/td>\nSwitzerland<\/td>\n<\/tr>\n
72<\/td>\nStory of Yeamin<\/td>\nMijanur Rahman Labu<\/td>\n0:16:00<\/td>\nbangladesh<\/td>\n<\/tr>\n
73<\/td>\nThe Belief<\/td>\nTutul Chowdhury<\/td>\n0:18:34<\/td>\nBangladesh<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\nFeature Film<\/td>\n90<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\nShort film<\/td>\n609<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\nDocumentary film<\/td>\n122<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\nMobile film<\/td>\n54<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\nAnimation film<\/td>\n46<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\nKid filmmaker’s film<\/td>\n28<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\nCompetition films<\/td>\n949<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\nOut of Cometition film<\/td>\n100<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\nTotal Selection Films<\/td>\n1049<\/td>\n<\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"

3’rd CinemaKing International Film Festival 2022 Selection List Asian Continent Feature Film Competition Section SL no Film name Directed by Duration Country 1 Paramapatham Viknes Perrabu, Thanesh Perrabu 01:50:00 Malaysia 2 The Crumpled Paper saeed Bahman 01:27:22 Iran 3 The City i Saw With You Nima Javadi 01:12:00 Iran 4 Distances Mohsen Ata 01:39:11 Iran […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":495,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-544","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/cinemaking.org\/index.php?rest_route=\/wp\/v2\/pages\/544","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/cinemaking.org\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/cinemaking.org\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/cinemaking.org\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/cinemaking.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=544"}],"version-history":[{"count":3,"href":"https:\/\/cinemaking.org\/index.php?rest_route=\/wp\/v2\/pages\/544\/revisions"}],"predecessor-version":[{"id":1127,"href":"https:\/\/cinemaking.org\/index.php?rest_route=\/wp\/v2\/pages\/544\/revisions\/1127"}],"up":[{"embeddable":true,"href":"https:\/\/cinemaking.org\/index.php?rest_route=\/wp\/v2\/pages\/495"}],"wp:attachment":[{"href":"https:\/\/cinemaking.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=544"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}