{"id":529,"date":"2023-10-04T21:54:50","date_gmt":"2023-10-04T21:54:50","guid":{"rendered":"http:\/\/cinemaking.org\/?page_id=529"},"modified":"2023-11-12T19:34:34","modified_gmt":"2023-11-12T19:34:34","slug":"2nd-edition-award-winners","status":"publish","type":"page","link":"https:\/\/cinemaking.org\/?page_id=529","title":{"rendered":"2’nd Edition Award Winners"},"content":{"rendered":"

2’nd Edition of CinemaKing International Film Festival 2021 Awards List<\/strong><\/span><\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
<\/td>\n<\/td>\nDocumentary Film<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
SL<\/td>\nCountry<\/td>\nFilm Name<\/td>\nDirector Name<\/td>\nDuration<\/td>\nCategory<\/td>\nAward<\/td>\n<\/tr>\n
<\/td>\n<\/td>\nAmerican Section<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
1<\/td>\nUSA<\/td>\nPuso Ng Pinoy Bboy<\/td>\nClifton Abuan<\/td>\n1:00:00<\/td>\nBest Documentary<\/td>\nTrophy + Certificate<\/td>\n<\/tr>\n
2<\/td>\nCanada<\/td>\nBead boy.<\/td>\nTracey Cochrane<\/td>\n0:49:13<\/td>\nBest Director<\/td>\nCertificate<\/td>\n<\/tr>\n
3<\/td>\nChile<\/td>\nBad Neighbor<\/td>\nRicardo Jara Herrera<\/td>\n1:35:00<\/td>\nBest Subject<\/td>\nCertificate<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\nAsian Section<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
1<\/td>\nSouth Korea<\/td>\nThe Industrial and the Green<\/td>\nFinn Harvor<\/td>\n0:54:51<\/td>\nBest Documentary<\/td>\nTrophy + Certificate<\/td>\n<\/tr>\n
2<\/td>\nTaiwan<\/td>\nReborn Debris<\/td>\nChia Huai LEE<\/td>\n1:01:15<\/td>\nBest Director<\/td>\nCertificate<\/td>\n<\/tr>\n
3<\/td>\nRussian Federation<\/td>\nEcoLogicno<\/td>\nAlfiya Shakirzyanova<\/td>\n0:16:43<\/td>\nBest Subject<\/td>\nCertificate<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\nBangladeshi Section<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
1<\/td>\nBangladesh<\/td>\nJoloGuerrilla ’71 (The Naval Commando ’71)<\/td>\nSumon Delwar<\/td>\n0:52:00<\/td>\nBest Documentary<\/td>\nTrophy + Certificate<\/td>\n<\/tr>\n
2<\/td>\nBangladesh<\/td>\nMemory War 71<\/td>\nShaeem Jahangir<\/td>\n0:18:55<\/td>\nBest Director<\/td>\nCertificate<\/td>\n<\/tr>\n
3<\/td>\nBangladesh<\/td>\nours, Pradyot Bhattachariya<\/td>\nAmit Rudra<\/td>\n0:35:40<\/td>\nBest Subject<\/td>\nCertificate<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\nEuropean\u00a0 Section<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
1<\/td>\nItaly<\/td>\nA Burst of Song<\/td>\n\u00a0Lia Beltrami<\/td>\n0:30:00<\/td>\nBest Documentary<\/td>\nTrophy + Certificate<\/td>\n<\/tr>\n
2<\/td>\nGermany<\/td>\nSilver Hair Still Rocks<\/td>\nAndrea Elisabeth R\u00fcthlein, Matthias Lukoschek<\/td>\n1:35:50<\/td>\nBest Director<\/td>\nCertificate<\/td>\n<\/tr>\n
3<\/td>\nSpain<\/td>\nNISE, A journey in the negation of love<\/td>\nMaria Gis\u00e8le Royo<\/td>\n0:41:00<\/td>\nBest Subject<\/td>\nCertificate<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\nWorld Section<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
1<\/td>\nGermany<\/td>\nCorfu, The Island of Pancakes<\/td>\nSpyros Badios<\/td>\n0:54:00<\/td>\nBest Documentary<\/td>\nTrophy + Certificate<\/td>\n<\/tr>\n
2<\/td>\nSpain<\/td>\nEye to Eye<\/td>\nfina sensada<\/td>\n0:30:00<\/td>\nBest Director<\/td>\nCertificate<\/td>\n<\/tr>\n
3<\/td>\nUSA<\/td>\n“Four Motherless Children”<\/td>\nRalph Isenberg<\/td>\n0:49:34<\/td>\nBest Subject<\/td>\nCertificate<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\nMobile Film<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\nAsian Section<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
1<\/td>\nSouth Korea<\/td>\nYes, Planet, We\u2019re Warming (Longer)<\/td>\nFinn Harvor<\/td>\n0:07:40<\/td>\nBest Mobile Film<\/td>\nTrophy + Certificate<\/td>\n<\/tr>\n
2<\/td>\nIran<\/td>\nNot Winter<\/td>\n\u00a0Hassan Mokhtari<\/td>\n0:02:30<\/td>\nBest Director<\/td>\nCertificate<\/td>\n<\/tr>\n
3<\/td>\nIndia<\/td>\nValiyurukki<\/td>\nKumaran Arunagiri<\/td>\n0:03:01<\/td>\nBest Subject<\/td>\nCertificate<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\nBangladeshi Section<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
1<\/td>\nBangladesh<\/td>\nAftertaste<\/td>\nRuponti Das, Anik Das<\/td>\n0:05:30<\/td>\nBest Mobile Film<\/td>\nTrophy + Certificate<\/td>\n<\/tr>\n
2<\/td>\nBangladesh<\/td>\nShame BODY Shame<\/td>\nKhalid Bin Rafiq, Safa Haq<\/td>\n0:01:00<\/td>\nBest Director<\/td>\nCertificate<\/td>\n<\/tr>\n
3<\/td>\nBangladesh<\/td>\nThe Error<\/td>\nMusa Ahmed<\/td>\n0:01:00<\/td>\nBest Subject<\/td>\nCertificate<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\nEuropean\u00a0 Section<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
1<\/td>\nFrance<\/td>\nAn Indian in Paris Corona<\/td>\nRaghunath Manet<\/td>\n0:03:20<\/td>\nBest Mobile Film<\/td>\nTrophy + Certificate<\/td>\n<\/tr>\n
2<\/td>\nFrance<\/td>\nAn Indian in Paris Corona<\/td>\nRaghunath Manet<\/td>\n0:03:20<\/td>\nBest Director<\/td>\nCertificate<\/td>\n<\/tr>\n
3<\/td>\nFrance<\/td>\nAn Indian in Paris Corona<\/td>\nRaghunath Manet<\/td>\n0:03:20<\/td>\nBest Subject<\/td>\nCertificate<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\nWorld Section<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
1<\/td>\nAlgeria<\/td>\nWater is life<\/td>\nMustapha Benghernaout<\/td>\n0:02:00<\/td>\nBest Mobile Film<\/td>\nTrophy + Certificate<\/td>\n<\/tr>\n
2<\/td>\nAlgeria<\/td>\nWater is life<\/td>\nMustapha Benghernaout<\/td>\n0:02:00<\/td>\nBest Director<\/td>\nCertificate<\/td>\n<\/tr>\n
3<\/td>\nAlgeria<\/td>\nWater is life<\/td>\nMustapha Benghernaout<\/td>\n0:02:00<\/td>\nBest Subject<\/td>\nCertificate<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\nShort Film<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\nAmerican Section<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
1<\/td>\nUSA<\/td>\nThe Wonder Girl<\/td>\n\u00a0Vinay Pujara<\/td>\n0:09:55<\/td>\nBest Short<\/td>\nTrophy + Certificate<\/td>\n<\/tr>\n
2<\/td>\nPortugal<\/td>\nThe boy and the owl<\/td>\nM\u00e1rio Gajo de Carvalho<\/td>\n0:12:00<\/td>\nBest Director<\/td>\nCertificate<\/td>\n<\/tr>\n
3<\/td>\nPeru<\/td>\nSonata For A Calendar<\/td>\nCarmen Rosa Vargas<\/td>\n0:18:19<\/td>\nBest Subject<\/td>\nCertificate<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\nAsian Section<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
1<\/td>\nJapan<\/td>\nComing Back Sunny<\/td>\nNoriko Yuasa<\/td>\n0:15:00<\/td>\nBest Short<\/td>\nTrophy + Certificate<\/td>\n<\/tr>\n
2<\/td>\nHong Kong<\/td>\nGrand ArtExam<\/td>\nSongqiao ZHAO \uff1bWu Tong<\/td>\n0:03:00<\/td>\nBest Director<\/td>\nCertificate<\/td>\n<\/tr>\n
3<\/td>\nIran<\/td>\nIran; Second Day<\/td>\n\u00a0Kiana Montajabi<\/td>\n0:14:59<\/td>\nBest Subject<\/td>\nCertificate<\/td>\n<\/tr>\n
4<\/td>\nPhilippines<\/td>\nRated SPG<\/td>\nStephanie Mayo<\/td>\n0:04:30<\/td>\nBest Subject<\/td>\nCertificate<\/td>\n<\/tr>\n
5<\/td>\nKazakhstan<\/td>\nEscape<\/td>\nDarina Manapova<\/td>\n0:24:30<\/td>\nBest Subject<\/td>\nCertificate<\/td>\n<\/tr>\n
6<\/td>\nSyrian Arab Republic<\/td>\nAn Ordinary Day<\/td>\nAnas Zawahri<\/td>\n0:18:00<\/td>\nBest Subject<\/td>\nCertificate<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\nBangladesh Section<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
1<\/td>\nBangladesh<\/td>\nMy Childhood<\/td>\nMonjurul Imran<\/td>\n0:13:28<\/td>\nBest Short<\/td>\nTrophy + Certificate<\/td>\n<\/tr>\n
2<\/td>\nBangladesh<\/td>\nChakrabyuha<\/td>\nLaboni Ashrafi<\/td>\n0:08:00<\/td>\nBest Director<\/td>\nCertificate<\/td>\n<\/tr>\n
3<\/td>\nBangladesh<\/td>\nMaati<\/td>\nRiddha Anindya Ganguly<\/td>\n0:20:36<\/td>\nBest Subject<\/td>\nCertificate<\/td>\n<\/tr>\n
4<\/td>\nBangladesh<\/td>\nTHE BELIEF<\/td>\nTutul Chowdhury<\/td>\n0:18:50<\/td>\nBest Subject<\/td>\nCertificate<\/td>\n<\/tr>\n
5<\/td>\nBangladesh<\/td>\nCRISIS<\/td>\nSajjad H Emon<\/td>\n0:05:37<\/td>\nBest Subject<\/td>\nCertificate<\/td>\n<\/tr>\n
6<\/td>\nBangladesh<\/td>\nAshlesha<\/td>\nAkib Mahmud<\/td>\n0:06:32<\/td>\nBest Subject<\/td>\nCertificate<\/td>\n<\/tr>\n
7<\/td>\nBangladesh<\/td>\nLottery<\/td>\nKm Kanak<\/td>\n0:09:58<\/td>\nBest Subject<\/td>\nCertificate<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\nEuropean\u00a0 Section<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
1<\/td>\nGermany<\/td>\nAquaria<\/td>\nJulia Obst<\/td>\n0:04:19<\/td>\nBest Short<\/td>\nTrophy + Certificate<\/td>\n<\/tr>\n
2<\/td>\nFrance<\/td>\nLA DER DES DER<\/td>\nPatrice Guillain<\/td>\n0:08:18<\/td>\nBest Director<\/td>\nCertificate<\/td>\n<\/tr>\n
3<\/td>\nNetherlands<\/td>\nBLUE GLASS<\/td>\nJanusz Madej<\/td>\n0:15:00<\/td>\nBest Subject<\/td>\nCertificate<\/td>\n<\/tr>\n
4<\/td>\nGreece<\/td>\nJust Like Water<\/td>\nManos Triantafillakis<\/td>\n0:12:54<\/td>\nBest Subject<\/td>\nCertificate<\/td>\n<\/tr>\n
5<\/td>\nGermany<\/td>\nWuqiao Circus<\/td>\nLukas Berger<\/td>\n0:14:00<\/td>\nBest Subject<\/td>\nCertificate<\/td>\n<\/tr>\n
6<\/td>\nHungary<\/td>\nDoll<\/td>\nAndr\u00e1s Schmidt<\/td>\n0:18:38<\/td>\nBest Subject<\/td>\nCertificate<\/td>\n<\/tr>\n
7<\/td>\nSerbia<\/td>\nPenitent in Attempt<\/td>\nZikica Jovanovic<\/td>\n0:13:30<\/td>\nBest Subject<\/td>\nCertificate<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\nWorld Section<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
1<\/td>\nRussian Federation<\/td>\nFrom Khovrino<\/td>\nDaria Elena Dashunina<\/td>\n0:07:41<\/td>\nBest Short<\/td>\nTrophy + Certificate<\/td>\n<\/tr>\n
2<\/td>\nNetherlands<\/td>\nBrother<\/td>\n\u00a0Lisanne Sweere<\/td>\n0:27:53<\/td>\nBest Director<\/td>\nCertificate<\/td>\n<\/tr>\n
3<\/td>\nEgypt<\/td>\nBelphegorian<\/td>\nMohamed Serag Eldin<\/td>\n0:19:11<\/td>\nBest Subject<\/td>\nCertificate<\/td>\n<\/tr>\n
4<\/td>\nAlgeria<\/td>\nWhite Night<\/td>\nIssam Taachit<\/td>\n0:07:12<\/td>\nBest Subject<\/td>\nCertificate<\/td>\n<\/tr>\n
5<\/td>\nGermany<\/td>\nI Can’t Smell The Soil In My Head<\/td>\nAlkistis Kafetsi<\/td>\n0:06:30<\/td>\nBest Subject<\/td>\nCertificate<\/td>\n<\/tr>\n
6<\/td>\nEgypt<\/td>\nDiary of the empty city<\/td>\nMoataz Alaa<\/td>\n0:07:00<\/td>\nBest Subject<\/td>\nCertificate<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\nFeature Film<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\nAmerican Section<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
1<\/td>\nUSA<\/td>\nThe Breath of Life<\/td>\nAnna Gerasimova<\/td>\n2:00:00<\/td>\nBest Feature<\/td>\nTrophy + Certificate<\/td>\n<\/tr>\n
2<\/td>\nMexico<\/td>\nTHE DIRECTOR, Oedipus’ seven mothers<\/td>\nCarlos Reyes, Le\u00f3n Alvarado<\/td>\n1:40:35<\/td>\nBest Director<\/td>\nTrophy + Certificate<\/td>\n<\/tr>\n
3<\/td>\nChile<\/td>\nThree Souls<\/td>\nJos\u00e9 Guerrero<\/td>\n1:35:00<\/td>\nBest Subject<\/td>\nCertificate<\/td>\n<\/tr>\n
4<\/td>\nBrazil<\/td>\nBenjamin Zambraia and the Self Panoptic<\/td>\nFelipe Cataldo<\/td>\n1:11:04<\/td>\nBest Subject<\/td>\nCertificate<\/td>\n<\/tr>\n
5<\/td>\nUSA<\/td>\nMurder For Pleasure<\/td>\n\u00a0Derek Braasch<\/td>\n1:37:00<\/td>\nBest Subject<\/td>\nCertificate<\/td>\n<\/tr>\n
6<\/td>\nVenezuela<\/td>\nTwo autumns in Paris<\/td>\nGibelys Coronado<\/td>\n1:42:44<\/td>\nBest Subject<\/td>\nCertificate<\/td>\n<\/tr>\n
7<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\nBest Subject<\/td>\nCertificate<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\nAsian Section<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
1<\/td>\nIndia<\/td>\nPUGLYA<\/td>\nVINOD SAM PETER<\/td>\n1:47:00<\/td>\nBest Feature<\/td>\nTrophy + Certificate<\/td>\n<\/tr>\n
2<\/td>\nTurkey<\/td>\nPoppy Red<\/td>\n\u00d6zlem \u00d6zel<\/td>\n1:40:00<\/td>\nBest Director<\/td>\nTrophy + Certificate<\/td>\n<\/tr>\n
3<\/td>\nSri Lanka<\/td>\nDark days of heaven<\/td>\nMathi sutha<\/td>\n1:18:11<\/td>\nBest Subject<\/td>\nCertificate<\/td>\n<\/tr>\n
4<\/td>\nSouth Korea<\/td>\nLand of My Father<\/td>\nMatthew Koshmrl<\/td>\n1:15:46<\/td>\nBest Subject<\/td>\nCertificate<\/td>\n<\/tr>\n
5<\/td>\nKazakhstan<\/td>\nOT<\/td>\nAizhan Kassymbek<\/td>\n1:22:00<\/td>\nBest Subject<\/td>\nCertificate<\/td>\n<\/tr>\n
6<\/td>\nKyrgyzstan<\/td>\nThe Road to Eden<\/td>\nBakyt Mukul, Dastan Zhapar Uulu<\/td>\n2:00:00<\/td>\nBest Subject<\/td>\nCertificate<\/td>\n<\/tr>\n
7<\/td>\nIndia<\/td>\nDADA LAKHMI<\/td>\nyashpal sharma<\/td>\n2:30:00<\/td>\nBest Subject<\/td>\nCertificate<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\nBangladeshi Section<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
1<\/td>\nBangladesh<\/td>\nTungiparar Miya Bhai<\/td>\nMd. Selim Khan<\/td>\n1:45:28<\/td>\nBest Feature<\/td>\nTrophy + Certificate<\/td>\n<\/tr>\n
2<\/td>\nBangladesh<\/td>\nAgust 1975<\/td>\nMd. Selim Khan<\/td>\n1:40:00<\/td>\nBest Director<\/td>\nTrophy + Certificate<\/td>\n<\/tr>\n
3<\/td>\nBangladesh<\/td>\nAgameekal<\/td>\nAnjan Aich<\/td>\n1:38:00<\/td>\nBest Subject<\/td>\nCertificate<\/td>\n<\/tr>\n
4<\/td>\nBangladesh<\/td>\nBikkop<\/td>\nShamim Ahamed Roni<\/td>\n2:15:38<\/td>\nBest Subject<\/td>\nCertificate<\/td>\n<\/tr>\n
5<\/td>\nBangladesh<\/td>\nAmi Neta Hobo<\/td>\nUttam Akash<\/td>\n2:40:00<\/td>\nBest Subject<\/td>\nCertificate<\/td>\n<\/tr>\n
6<\/td>\nBangladesh<\/td>\nShahenshah<\/td>\nShamim Ahamed Roni<\/td>\n2:32:00<\/td>\nBest Subject<\/td>\nCertificate<\/td>\n<\/tr>\n
7<\/td>\nBangladesh<\/td>\nChokh (Eye )<\/td>\nAsif Iqbal Jewel<\/td>\n1:38:00<\/td>\nBest Subject<\/td>\nCertificate<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\nEuropean\u00a0 Section<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
1<\/td>\nSpain<\/td>\nAfrodita<\/td>\nRoberto Roquer<\/td>\n1:14:10<\/td>\nBest Feature<\/td>\nTrophy + Certificate<\/td>\n<\/tr>\n
2<\/td>\nNetherlands<\/td>\n11<\/td>\n\u00a0Janusz Madej<\/td>\n1:23:22<\/td>\nBest Director<\/td>\nTrophy + Certificate<\/td>\n<\/tr>\n
3<\/td>\nPortugal<\/td>\nFuck Haneke: Um filme de Jo\u00e3o Canuto<\/td>\nJo\u00e3o Canuto<\/td>\n1:22:30<\/td>\nBest Subject<\/td>\nCertificate<\/td>\n<\/tr>\n
4<\/td>\nFrance<\/td>\nThe Song of the Sea<\/td>\nPierre-Andr\u00e9 Le Leuch<\/td>\n1:15:35<\/td>\nBest Subject<\/td>\nCertificate<\/td>\n<\/tr>\n
5<\/td>\nFrance<\/td>\nVORTEX the dawn of sovereignty<\/td>\nMichel ROUSSEAU<\/td>\n1:11:00<\/td>\nBest Subject<\/td>\nCertificate<\/td>\n<\/tr>\n
6<\/td>\nGreece<\/td>\nAlexander the Macedonian<\/td>\nTakis Vogopoulos<\/td>\n1:11:00<\/td>\nBest Subject<\/td>\nCertificate<\/td>\n<\/tr>\n
7<\/td>\nGermany<\/td>\nThe Traveler<\/td>\nMeto Ege<\/td>\n1:10:00<\/td>\nBest Subject<\/td>\nCertificate<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\nWorld Section<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
1<\/td>\nGreece<\/td>\nDissolved<\/td>\nThodoris Vournas<\/td>\n1:40:00<\/td>\nBest Feature<\/td>\nTrophy + Certificate<\/td>\n<\/tr>\n
2<\/td>\nAustralia<\/td>\nAn Unscripted Earth<\/td>\nJonathon Parker, James Holloway<\/td>\n1:12:00<\/td>\nBest Director<\/td>\nTrophy + Certificate<\/td>\n<\/tr>\n
3<\/td>\nGermany<\/td>\nHipBeat<\/td>\n\u00a0Samuel Kay Forrest<\/td>\n1:29:35<\/td>\nBest Subject<\/td>\nCertificate<\/td>\n<\/tr>\n
4<\/td>\nSpain<\/td>\nThe nights we looked at the sky<\/td>\nDavid Gamboa Ortuzar<\/td>\n1:35:50<\/td>\nBest Subject<\/td>\nCertificate<\/td>\n<\/tr>\n
5<\/td>\nEthiopia<\/td>\nSuperno<\/td>\nAbel Mekasha<\/td>\n1:30:00<\/td>\nBest Subject<\/td>\nCertificate<\/td>\n<\/tr>\n
6<\/td>\nMalawi<\/td>\nTHE YEAR OF OUR LORD<\/td>\nImran Shaban<\/td>\n1:46:20<\/td>\nBest Subject<\/td>\nCertificate<\/td>\n<\/tr>\n
7<\/td>\nCameroon<\/td>\nHIDDEN DREAMS<\/td>\nNGANG ROMANUS<\/td>\n1:36:07<\/td>\nBest Subject<\/td>\nCertificate<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\nKids Filmmaker’s Film Award<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
1<\/td>\nCanada<\/td>\nSara Has A Fever<\/td>\nAmy Lee<\/td>\n4:24<\/td>\nBest Film<\/td>\nTrophy + Certificate<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\nNo-Competition<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n\u00a0Classical Feature Film<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
1<\/td>\nBangladesh<\/td>\nPure Jay Mon<\/td>\nApurba Rana<\/td>\n2:15:00<\/td>\nBest Clasical Featute Film<\/td>\nTrophy + Certificate<\/td>\n<\/tr>\n
2<\/td>\nBangladesh<\/td>\nMaya the Lost Mother<\/td>\nMasud Pathik<\/td>\n1:45:00<\/td>\nBest Clasical Featute Film<\/td>\nTrophy + Certificate<\/td>\n<\/tr>\n
3<\/td>\nItaly<\/td>\nLaura’s Hereafter (Il domani di Laura, sub eng)<\/td>\nCostantino Maiani<\/td>\n1:21:56<\/td>\nBest Clasical Featute Film<\/td>\nCertificate<\/td>\n<\/tr>\n
<\/td>\n<\/td>\nClassical Documentary Film<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
1<\/td>\nIndia<\/td>\nMelakhela (Tale of a fair)<\/td>\nUjjal Paul<\/td>\n0:23:25<\/td>\nBest Clasical Featute Film<\/td>\nCertificate<\/td>\n<\/tr>\n
<\/td>\n<\/td>\nClassical Short Film<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
1<\/td>\nItaly<\/td>\nLe Noir Vivant<\/td>\nVittorio Adinolfi, Umberto Santacroce, Carmine Freeman (Coins Cousins)<\/td>\n0:19:33<\/td>\nBest Clasical Featute Film<\/td>\nCertificate<\/td>\n<\/tr>\n
2<\/td>\nItaly<\/td>\nTell Me Who I Am<\/td>\n\u00a0Luca Caserta<\/td>\n0:17:14<\/td>\nBest Clasical Featute Film<\/td>\nCertificate<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\nLift Time Achievement<\/td>\n<\/td>\n<\/tr>\n
<\/td>\nFreedom Fighter Dr. Monoranjan Ghosal<\/td>\nTrophy + Certificate<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\nBest Award For Bangladesh<\/td>\n<\/td>\n<\/tr>\n
1<\/td>\nBest Actess<\/td>\nMamo for the Film Agamical directed by Anjan Aich<\/td>\nTrophy + Certificate<\/td>\n<\/tr>\n
2<\/td>\nBest Actess<\/td>\nSrabonti for the Film Bikkov directed by Shamim Ahmed Rony<\/td>\nTrophy + Certificate<\/td>\n<\/tr>\n
3<\/td>\nBest Actor<\/td>\nShanto Khan For the Film Tungiypar’r Miya Bhai directed by Selim Khan<\/td>\nTrophy + Certificate<\/td>\n<\/tr>\n
4<\/td>\nBest Actor<\/td>\nTutul Chowdhury for the Film Agamical directed by Anjan Aich<\/td>\nTrophy + Certificate<\/td>\n<\/tr>\n
5<\/td>\nBest Story<\/td>\nNazmun Nesa Piari For the film You are the Prince<\/td>\nTrophy + Certificate<\/td>\n<\/tr>\n
6<\/td>\nBest Character<\/td>\nJayanta Chattopadhyay For the Film Tungiypar’r Miya Bhai directed by Selim Khan<\/td>\nTrophy + Certificate<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"

2’nd Edition of CinemaKing International Film Festival 2021 Awards List Documentary Film SL Country Film Name Director Name Duration Category Award American Section 1 USA Puso Ng Pinoy Bboy Clifton Abuan 1:00:00 Best Documentary Trophy + Certificate 2 Canada Bead boy. Tracey Cochrane 0:49:13 Best Director Certificate 3 Chile Bad Neighbor Ricardo Jara Herrera 1:35:00 […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":493,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-529","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/cinemaking.org\/index.php?rest_route=\/wp\/v2\/pages\/529","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/cinemaking.org\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/cinemaking.org\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/cinemaking.org\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/cinemaking.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=529"}],"version-history":[{"count":2,"href":"https:\/\/cinemaking.org\/index.php?rest_route=\/wp\/v2\/pages\/529\/revisions"}],"predecessor-version":[{"id":1101,"href":"https:\/\/cinemaking.org\/index.php?rest_route=\/wp\/v2\/pages\/529\/revisions\/1101"}],"up":[{"embeddable":true,"href":"https:\/\/cinemaking.org\/index.php?rest_route=\/wp\/v2\/pages\/493"}],"wp:attachment":[{"href":"https:\/\/cinemaking.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=529"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}