{"id":501,"date":"2023-10-04T21:41:54","date_gmt":"2023-10-04T21:41:54","guid":{"rendered":"http:\/\/cinemaking.org\/?page_id=501"},"modified":"2023-11-12T20:55:10","modified_gmt":"2023-11-12T20:55:10","slug":"1st-edition-selection-list","status":"publish","type":"page","link":"https:\/\/cinemaking.org\/?page_id=501","title":{"rendered":"1’st Edition Selection List"},"content":{"rendered":"

Cinemaking International Film Festival 2020<\/strong><\/p>\n

 <\/p>\n

International Feature Film Competition Section<\/strong><\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
SL No<\/strong><\/td>\nFilm Name <\/strong><\/td>\nDirector Name <\/strong><\/td>\nDuration<\/strong><\/td>\nCountry Name <\/strong><\/td>\n<\/tr>\n
01<\/td>\nAntardhwani<\/td>\nApurbaKishorBir<\/td>\n01:33:31<\/td>\nIndia<\/td>\n<\/tr>\n
02<\/td>\nBirDenizcininDogumGunu<\/td>\nGultekin Bayir<\/td>\n01:21:24<\/td>\nTurkey<\/td>\n<\/tr>\n
03<\/td>\nBoluomi<\/td>\nLau KekHuat<\/td>\n01:48:00<\/td>\nTaiwan<\/td>\n<\/tr>\n
04<\/td>\nColorless Dreams<\/td>\nAyubShakhobiddinov<\/td>\n01:15:00<\/td>\nUzbekistan<\/td>\n<\/tr>\n
05<\/td>\nGirl and the Sea<\/td>\nAzizzhanZairov and MukhamedMamyrbekov<\/td>\n2:00:00<\/td>\nKazakhstan<\/td>\n<\/tr>\n
06<\/td>\nI\u2019Father<\/td>\nMark Norfolk<\/td>\n01:30:42<\/td>\nKosovo<\/td>\n<\/tr>\n
07<\/td>\nMooso the Mouse<\/td>\nDeepankar Prakash<\/td>\n01:30:00<\/td>\nIndia<\/td>\n<\/tr>\n
08<\/td>\nSaga of A Nobody\/<\/p>\n

NeiManusherKissa<\/td>\n

SoumenduBhattacherya<\/td>\n01:27:45<\/td>\nIndia<\/td>\n<\/tr>\n
09<\/td>\nStallone My Pony<\/td>\nBobby Wahengbam<\/td>\n01:30:00<\/td>\nIndia<\/td>\n<\/tr>\n
10<\/td>\nThe Final Code<\/td>\nCarlo Fusco<\/td>\n02:03:55<\/td>\nItaly<\/td>\n<\/tr>\n
11<\/td>\nThe Single Tumbler<\/td>\nSumathySivamohan<\/td>\n01:14:04<\/td>\nSri Lanka<\/td>\n<\/tr>\n
12<\/td>\nWater Burial<\/td>\nShantanu Sen<\/td>\n01:14:14<\/td>\nIndia<\/td>\n<\/tr>\n
13<\/td>\nWaings of Butterfly<\/td>\nAhsan Muzid<\/td>\n02:00:00<\/td>\nIndia<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n

Bangladeshi Feature Film Competition Section<\/strong><\/p>\n\n\n\n\n\n\n\n
SL No<\/strong><\/td>\nFilm Name <\/strong><\/td>\nDirector Name <\/strong><\/td>\nDuration<\/strong><\/td>\nCountry Name <\/strong><\/td>\n<\/tr>\n
01<\/td>\nA Great Father<\/td>\nMirza Sakhawat Hossain<\/td>\n02:00:00<\/td>\nBangladesh<\/td>\n<\/tr>\n
02<\/td>\nBiography of Nazrul<\/td>\nFerdous Khan<\/td>\n01:34:12<\/td>\nBangladesh<\/td>\n<\/tr>\n
03<\/td>\nJoynagarErJomidar<\/td>\nM Shakhawat Hossain<\/td>\n01:42:00<\/td>\nBangladesh<\/td>\n<\/tr>\n
04<\/td>\nThe Unwanted Twin<\/td>\nNanziba Khan<\/td>\n01:35:00<\/td>\nBangladesh<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n

International Mobile Film Competition Section <\/strong><\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
SL No<\/strong><\/td>\nFilm Name <\/strong><\/td>\nDirector Name <\/strong><\/td>\nDuration<\/strong><\/td>\nCountry Name <\/strong><\/td>\n<\/tr>\n
01<\/td>\nBlack<\/td>\nPooja Singh<\/td>\n00:03:27<\/td>\nIndia<\/td>\n<\/tr>\n
02<\/td>\nClose to JAH<\/td>\nManish Uppal<\/td>\n00:14:02<\/td>\nIndia<\/td>\n<\/tr>\n
03<\/td>\nEndless Walk<\/td>\nYan PaingHtum<\/td>\n00:02:42<\/td>\nMyanmar<\/td>\n<\/tr>\n
04<\/td>\nGrahan<\/td>\nManabJyotiBaruah<\/td>\n00:03:52<\/td>\nIndia<\/td>\n<\/tr>\n
05<\/td>\nI am We<\/td>\nArindamBarooah<\/td>\n00:06:55<\/td>\nIndia<\/td>\n<\/tr>\n
06<\/td>\nIndia Jeetega<\/td>\nBiswanathRath<\/td>\n00:04:09<\/td>\nIndia<\/td>\n<\/tr>\n
07<\/td>\niScream<\/td>\nSandra Adeyeye Bello<\/td>\n00:05:50<\/td>\nNigeria<\/td>\n<\/tr>\n
08<\/td>\nLife in Lockdown<\/td>\nEshan Harsh<\/td>\n00:01:35<\/td>\nIndia<\/td>\n<\/tr>\n
09<\/td>\nlockdown<\/td>\nManish Uppal<\/td>\n00:14:52<\/td>\nIndia<\/td>\n<\/tr>\n
10<\/td>\nManiac<\/td>\nAnik Roy<\/td>\n00:06:17<\/td>\nIndia<\/td>\n<\/tr>\n
11<\/td>\nMonsoon Clips<\/td>\nDigantaDey<\/td>\n00:11:37<\/td>\nIndia<\/td>\n<\/tr>\n
12<\/td>\nNumb<\/td>\nUtkarshChaturvedi<\/td>\n00:06:16<\/td>\nIndia<\/td>\n<\/tr>\n
13<\/td>\nRabindranath in Mind<\/td>\nAnirbed Chattopadhyay<\/td>\n00:06:00<\/td>\nIndia<\/td>\n<\/tr>\n
14<\/td>\nRavaiyaa<\/td>\nBiswanathRath<\/td>\n00:08:00<\/td>\nIndia<\/td>\n<\/tr>\n
15<\/td>\nSaga of Some Shadowy Shades<\/td>\nKunal Biswas<\/td>\n00:05:03<\/td>\nIndia<\/td>\n<\/tr>\n
16<\/td>\nWandering Soul<\/td>\nManish Uppal<\/td>\n00:14:52<\/td>\nIndia<\/td>\n<\/tr>\n
17<\/td>\nWarriors at Home<\/td>\nPooja Singh<\/td>\n00:01:05<\/td>\nIndia<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n

Bangladeshi Mobile Film Competition Section<\/strong><\/p>\n\n\n\n\n\n\n\n\n
SL No<\/strong><\/td>\nFilm Name <\/strong><\/td>\nDirector Name <\/strong><\/td>\nDuration<\/strong><\/td>\nCountry Name <\/strong><\/td>\n<\/tr>\n
01<\/td>\nA Rotten Apple<\/td>\nShohelShahriar,<\/p>\n

Iqbal Mahmud<\/td>\n

00:08:05<\/td>\nBangladesh<\/td>\n<\/tr>\n
02<\/td>\nAgony<\/td>\nZarifTashdeed<\/td>\n00:01:00<\/td>\nBangladesh<\/td>\n<\/tr>\n
03<\/td>\nMother<\/td>\nAnondo Khaled<\/td>\n00:02:00<\/td>\nBangladesh<\/td>\n<\/tr>\n
04<\/td>\nPrisoner in a Cage<\/td>\nZiaulHoque Raju<\/td>\n00:03:00<\/td>\nBangladesh<\/td>\n<\/tr>\n
05<\/td>\nUntimely<\/td>\nMarziaAkther<\/td>\n00:02:01<\/td>\nBangladesh<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n

International Short Film Competition Section <\/strong><\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
SL No<\/strong><\/td>\nFilm Name <\/strong><\/td>\nDirector Name <\/strong><\/td>\nDuration<\/strong><\/td>\nCountry Name <\/strong><\/td>\n<\/tr>\n
01<\/td>\n3 Pieces of Life<\/td>\nRajyaTeron<\/td>\n00:16:42<\/td>\nIndia<\/td>\n<\/tr>\n
02<\/td>\nA Glass of Water<\/td>\nTalatUmri<\/td>\n00:12:01<\/td>\nIndia<\/td>\n<\/tr>\n
03<\/td>\nA Place Among the Cows<\/td>\nMohammad Ali Hosseini,<\/p>\n

Hossein FallahAbadi<\/td>\n

00:14:24<\/td>\nIran<\/td>\n<\/tr>\n
04<\/td>\nA Tribute to Vincent Van Gogh<\/td>\nDipa Rani Bhattacharyya<\/td>\n00:16:55<\/td>\nIndia<\/td>\n<\/tr>\n
05<\/td>\nA Tribute to Rituparno Ghosh: The Carnival of Life<\/td>\nRam Kamal Mukherjee<\/td>\n00:15:00<\/td>\nIndia<\/td>\n<\/tr>\n
06<\/td>\nAAO Diya Jalayen<\/td>\nJltendraJumal Jena<\/td>\n00:20:20<\/td>\nIndia<\/td>\n<\/tr>\n
07<\/td>\nAdrishto<\/td>\nJoyeeta Biswas<\/td>\n00:16:47<\/td>\nIndia<\/td>\n<\/tr>\n
08<\/td>\nAkanksha<\/td>\nSree Ganesh V<\/td>\n00:11:43<\/td>\nIndia<\/td>\n<\/tr>\n
09<\/td>\nAnkahi, Khai !<\/td>\nPooja Singh<\/td>\n00:14:59<\/td>\nIndia<\/td>\n<\/tr>\n
10<\/td>\nAnubhabey : Scattered Memories<\/td>\nPrajana Dutta<\/td>\n00:19:32<\/td>\nPhilippines<\/td>\n<\/tr>\n
11<\/td>\nAparanno- The waning Sun<\/td>\nManabJyotiBarush<\/td>\n00:08:52<\/td>\nIndia<\/td>\n<\/tr>\n
12<\/td>\nAyuda (Aid)<\/td>\nCrisanto E. Avila<\/td>\n00:05:00<\/td>\nPhilippines<\/td>\n<\/tr>\n
13<\/td>\nBars<\/td>\nWaleed Zedaney<\/td>\n00:02:30<\/td>\nPalestine<\/td>\n<\/tr>\n
14<\/td>\nCabled<\/td>\nMohamed Kheidr<\/td>\n00:05:39<\/td>\nEgypt, USA<\/td>\n<\/tr>\n
15<\/td>\nChakChageIma<\/td>\nJenish Salam<\/td>\n00:04:50<\/td>\nIndia<\/td>\n<\/tr>\n
16<\/td>\nClean Environment<\/td>\nDharamadeepPandev<\/td>\n00:02:18<\/td>\nIndia<\/td>\n<\/tr>\n
17<\/td>\nContrivance<\/td>\nAyan Roy<\/td>\n00:05:32<\/td>\nIndia<\/td>\n<\/tr>\n
18<\/td>\nCooler<\/td>\nImanSedigh<\/td>\n00:15:00<\/td>\nIran<\/td>\n<\/tr>\n
19<\/td>\nCrack in the Wall<\/td>\nHakanUnal<\/td>\n00:14:58<\/td>\nTurkey<\/td>\n<\/tr>\n
20<\/td>\nDeath to Philippine Cinema!<\/td>\nRpdiellVeloso<\/td>\n00:19:32<\/td>\nPhilippines<\/td>\n<\/tr>\n
21<\/td>\nDevi<\/td>\nBiju Das<\/td>\n00:05:00<\/td>\nIndia<\/td>\n<\/tr>\n
22<\/td>\nDiadem<\/td>\nMilanaMajar<\/td>\n00:29:54<\/td>\nBosnia and Herzegovina<\/td>\n<\/tr>\n
23<\/td>\nDristikone<\/td>\nLipi Das<\/td>\n00:09:34<\/td>\nIndia<\/td>\n<\/tr>\n
24<\/td>\nEmbedded<\/td>\nMostafa Soleimani<\/td>\n00:15:00<\/td>\nIran<\/td>\n<\/tr>\n
25<\/td>\nEtotukuBasa<\/td>\nKaushik Ghosh<\/td>\n00:21:12<\/td>\nIndia<\/td>\n<\/tr>\n
26<\/td>\nEye<\/td>\nBrijeshPrathap<\/td>\n00:15:12<\/td>\nIndia<\/td>\n<\/tr>\n
27<\/td>\nFilius (Son)<\/td>\nJustin Allen Capulso<\/td>\n00:04:57<\/td>\nPhilippines<\/td>\n<\/tr>\n
28<\/td>\nFormerly\u2026<\/td>\nAbhishek Bhattacharyya,<\/p>\n

IndrashishLahiri<\/td>\n

00:18:37<\/td>\nIndia<\/td>\n<\/tr>\n
29<\/td>\nGaia<\/td>\nKazuZargalio<\/td>\n00:15:00<\/td>\nBrazil<\/td>\n<\/tr>\n
30<\/td>\nGhazal<\/td>\nAmjadArafeh<\/td>\n00:24:10<\/td>\nPalestine<\/td>\n<\/tr>\n
31<\/td>\nIn the End<\/td>\nSatyajit Das<\/td>\n00:21:08<\/td>\nIndia<\/td>\n<\/tr>\n
32<\/td>\nIt Happened Suddenly<\/td>\nAnirban Chakraborty<\/td>\n00:27:23<\/td>\nIndia<\/td>\n<\/tr>\n
33<\/td>\nIt\u2019s better there<\/td>\nHassanain Al Hani<\/td>\n00:11:14<\/td>\nIraq<\/td>\n<\/tr>\n
34<\/td>\nJaipur Activists<\/td>\nEshan Harsh<\/td>\n00:02:45<\/td>\nIndia<\/td>\n<\/tr>\n
35<\/td>\nKaash.. Regret is not the option<\/td>\nSujitPatil<\/td>\n00:29:47<\/td>\nIndia<\/td>\n<\/tr>\n
36<\/td>\nKukli<\/td>\nShyamaSundarMajhi<\/td>\n00:24:52<\/td>\nIndia<\/td>\n<\/tr>\n
37<\/td>\nLa Bestia Humana<\/td>\nJavier Campo,<\/p>\n

Lucio Cruces<\/td>\n

00:01:04<\/td>\nSpain<\/td>\n<\/tr>\n
38<\/td>\nLalak<\/td>\nRahul Verma<\/td>\n00:16:50<\/td>\nIndia<\/td>\n<\/tr>\n
39<\/td>\nMati (the last adode<\/td>\nIvy Biswas<\/td>\n00:08:00<\/td>\nIndia<\/td>\n<\/tr>\n
40<\/td>\nMemorieSbiadite<\/td>\nValentina Galdi<\/td>\n00:11:00<\/td>\nItaly<\/td>\n<\/tr>\n
41<\/td>\nMidnight Error<\/td>\nKetanChavda<\/td>\n00:16:00<\/td>\nIndia<\/td>\n<\/tr>\n
42<\/td>\nMind<\/td>\nDebaMondal (L.K.M)<\/td>\n00:17:41<\/td>\nIndia<\/td>\n<\/tr>\n
43<\/td>\nMy Grandfather\u2019s Notebook\u2026<\/td>\nJecquelineSanchex-Carrero Enrique A.Martinez<\/td>\n00:19:32<\/td>\nSpain<\/td>\n<\/tr>\n
44<\/td>\nMy Mom<\/td>\nRakesh Moirangthem<\/td>\n00:03:43<\/td>\nIndia<\/td>\n<\/tr>\n
45<\/td>\nNameless<\/td>\nSubhojitBakshi<\/td>\n00:15:23<\/td>\nIndia<\/td>\n<\/tr>\n
46<\/td>\nNo Exit<\/td>\nArvind Alok<\/td>\n00:20:00<\/td>\nKorea<\/td>\n<\/tr>\n
47<\/td>\nNo offense<\/td>\nDimitris Andjus<\/td>\n00:03:08<\/td>\nGreece<\/td>\n<\/tr>\n
48<\/td>\nNotunDigonte<\/td>\nPritamGuha<\/td>\n00:06:19<\/td>\nIndia<\/td>\n<\/tr>\n
49<\/td>\nPlastic Flower<\/td>\nYannisZafiris<\/td>\n00:04:11<\/td>\nGreece<\/td>\n<\/tr>\n
50<\/td>\nPuberJanala<\/p>\n

 <\/td>\n

Tapan M Chisty<\/td>\n00:05:14<\/td>\nIndia<\/td>\n<\/tr>\n
51<\/td>\nRed Window<\/td>\nHussein Al Ugaili<\/td>\n00:07:58<\/td>\nIraq<\/td>\n<\/tr>\n
52<\/td>\nRenascence<\/td>\nStephnieBouChedid<\/td>\n00:08:00<\/td>\nLebanon<\/td>\n<\/tr>\n
53<\/td>\nRickshawala<\/td>\nRam Kamal Mukherjee<\/td>\n00:47:00<\/td>\nIndia<\/td>\n<\/tr>\n
54<\/td>\nSahra\u2019s Daughter<\/td>\nArmin Ebrahimi<\/td>\n00:23:00<\/td>\nIran<\/td>\n<\/tr>\n
55<\/td>\nSoap and Water<\/td>\nFrancesco Cocco<\/td>\n00:15:00<\/td>\nSpain<\/td>\n<\/tr>\n
56<\/td>\nStill<\/td>\nAnisNasseri<\/td>\n00:14:00<\/td>\nIran<\/td>\n<\/tr>\n
57<\/td>\nTelephone<\/td>\nRahul Tiwari<\/td>\n00:23:17<\/td>\nIndia<\/td>\n<\/tr>\n
58<\/td>\nThe Baby Dove<\/td>\nUpasana Dutta<\/td>\n00:04:56<\/td>\nIndia<\/td>\n<\/tr>\n
59<\/td>\nThe Cab\u2019<\/td>\nEduuardBlondeau Simon Thoral<\/td>\n00:10:05<\/td>\nFrance<\/td>\n<\/tr>\n
60<\/td>\nThe Carnival of Life<\/td>\nLaura Aimone<\/td>\n00:20:00<\/td>\nItaly<\/td>\n<\/tr>\n
61<\/td>\nThe Clown<\/td>\nAnirbed Chattopadhyay<\/td>\n00:07:22<\/td>\nIndia<\/td>\n<\/tr>\n
62<\/td>\nThe Fiber<\/td>\nNubelia Leyva Ferrer,<\/p>\n

Sorangel Solano Clever<\/td>\n

00:05:39<\/td>\nCuba<\/td>\n<\/tr>\n
63<\/td>\nThe Girl and She<\/td>\nSandipan Das<\/td>\n00:17:00<\/td>\nIndia<\/td>\n<\/tr>\n
64<\/td>\nThe Invitation<\/td>\nThorsten Schade<\/td>\n00:24:04<\/td>\nGermany<\/td>\n<\/tr>\n
65<\/td>\nThe Love Child<\/td>\nRommBurlat<\/td>\n00:38:57<\/td>\nPhilippines<\/td>\n<\/tr>\n
66<\/td>\nThe Umbrella (\u201cPe\u201d)<\/td>\nRakesh Moirangthem<\/td>\n00:05:00<\/td>\nIndia<\/td>\n<\/tr>\n
67<\/td>\nThe Wait<\/td>\nTositGhatane<\/td>\n00:04:30<\/td>\nNepal<\/td>\n<\/tr>\n
68<\/td>\nTheir Story<\/td>\nAniruddhaDhar<\/td>\n00:27:42<\/td>\nIndia<\/td>\n<\/tr>\n
69<\/td>\nUrja<\/td>\nVilas VasntChavan<\/td>\n00:12:47<\/td>\nIndia<\/td>\n<\/tr>\n
70<\/td>\nUropoka<\/td>\nSoubhikHazra<\/td>\n00:27:55<\/td>\nIndia<\/td>\n<\/tr>\n
71<\/td>\nW<\/td>\nSushant Panda<\/td>\n00:09:04<\/td>\nIndia<\/td>\n<\/tr>\n
72<\/td>\nWalking Under\u00a0 the Sun<\/td>\nUtkarshChaturvedi<\/td>\n00:17:23<\/td>\nIndia<\/td>\n<\/tr>\n
73<\/td>\nWhat\u2019s Good About War<\/td>\nYesimAgaoglu<\/td>\n00:01:00<\/td>\nTurkey<\/td>\n<\/tr>\n
74<\/td>\nWing one\u2019s Way<\/td>\nArindamBarooah<\/td>\n00:09:36<\/td>\nIndia<\/td>\n<\/tr>\n
75<\/td>\nWho Bhi Kya Din the Yaar<\/td>\nBiswanathRath<\/td>\n00:04:41<\/td>\nIndia<\/td>\n<\/tr>\n
76<\/td>\nXitorXojat<\/td>\nPritamGuha<\/td>\n00:04:43<\/td>\nIndia<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n

Bangladeshi Short Film Competition Section <\/strong><\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n
SL No<\/strong><\/td>\nFilm Name <\/strong><\/td>\nDirector Name <\/strong><\/td>\nDuration<\/strong><\/td>\nCountry Name <\/strong><\/td>\n<\/tr>\n
01<\/td>\nBatikbabu<\/td>\nZiaulHoque Raju<\/td>\n00:19:59<\/td>\nBangladesh<\/td>\n<\/tr>\n
02<\/td>\nChun<\/td>\nMirza Sakhawat Hossain<\/td>\n00:05:00<\/td>\nBangladesh<\/td>\n<\/tr>\n
03<\/td>\nMala, Sister in Law<\/td>\nMejanur Rahman Labu<\/td>\n00:17:36<\/td>\nBangladesh<\/td>\n<\/tr>\n
04<\/td>\nOr Nothing<\/td>\nMiraz Ahmed<\/td>\n00:09:38<\/td>\nBangladesh<\/td>\n<\/tr>\n
05<\/td>\nPerception<\/td>\nSalim Reza<\/td>\n00:05:58<\/td>\nBangladesh<\/td>\n<\/tr>\n
06<\/td>\nPerilous Wonder<\/td>\nShuvroShishir<\/td>\n00:07:38<\/td>\nBangladesh<\/td>\n<\/tr>\n
07<\/td>\nSeparation<\/td>\nAparajitaSangita<\/td>\n00:23:09<\/td>\nBangladesh<\/td>\n<\/tr>\n
08<\/td>\nSomapti<\/td>\nAnjanAich<\/td>\n00:32:00<\/td>\nBangladesh<\/td>\n<\/tr>\n
09<\/td>\nThe Story of Yeamin<\/td>\nMejanur Rahman Labu<\/td>\n00:17:00<\/td>\nBangladesh<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n

International Documentary Film Competition Section <\/strong><\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
SL No<\/strong><\/td>\nFilm Name <\/strong><\/td>\nDirector Name <\/strong><\/td>\nDuration<\/strong><\/td>\nCountry Name <\/strong><\/td>\n<\/tr>\n
01<\/td>\nA Destuction<\/td>\nUroojYazdani<\/td>\n01:09:48<\/td>\nUK, Pakistan<\/td>\n<\/tr>\n
02<\/td>\nA Gift From God<\/td>\nJorgen Lorentzen,<\/p>\n

NafiseOzkalLorentzen<\/td>\n

00:60:59<\/td>\nNorway<\/td>\n<\/tr>\n
03<\/td>\nA Journey on Three wheels<\/td>\nIndraniChakrabarti<\/td>\n01:05:00<\/td>\nIndia<\/td>\n<\/tr>\n
04<\/td>\nBeauty of Life<\/td>\nAshish Kumar<\/td>\n00:39:30<\/td>\nIndia<\/td>\n<\/tr>\n
05<\/td>\nBread Salt and Heart<\/td>\nI.C. Suenaga,<\/p>\n

MakfireMiftarikrabarti<\/td>\n

00:23:26<\/td>\nKosovo<\/td>\n<\/tr>\n
06<\/td>\nDevotion<\/td>\nAlexlsRmmler<\/td>\n00:30:00<\/td>\nGreece, Germany<\/td>\n<\/tr>\n
07<\/td>\nDo You Think God Loves Immigran Kids, Mom?<\/td>\nRena LusinBitmez<\/td>\n01:29:36<\/td>\nTurkey<\/td>\n<\/tr>\n
08<\/td>\nIn Search of ParbhaChhau<\/td>\nAbanti Sinha<\/td>\n00:47:27<\/td>\nIndia<\/td>\n<\/tr>\n
09<\/td>\nMarathon<\/td>\nMorteza Hosseini Nia<\/td>\n00:29:00<\/td>\nIran<\/td>\n<\/tr>\n
10<\/td>\nSyrialism<\/td>\nDalia Al Kury<\/td>\n00:2153<\/td>\nNorway<\/td>\n<\/tr>\n
11<\/td>\nThe Incredible Buguns<\/td>\nD.K. Thongun<\/td>\n00:28:46<\/td>\nIndia<\/td>\n<\/tr>\n
12<\/td>\nThe Oasis<\/td>\nAnirban Chakraborty<\/td>\n00:19:24<\/td>\nIndia<\/td>\n<\/tr>\n
13<\/td>\nThe Specials<\/td>\nAnna Dranitsyna<\/td>\n01:42:00<\/td>\nRussia<\/td>\n<\/tr>\n
14<\/td>\nTrue Flavors of India<\/td>\nDr. Sujit Bharat Patil<\/td>\n00:06:20<\/td>\nIndia<\/td>\n<\/tr>\n
15<\/td>\nVeerangana<\/td>\nKishore Kalita<\/td>\n00:20:59<\/td>\nIndia<\/td>\n<\/tr>\n
16<\/td>\nWildlife- Out Lifeblood<\/td>\nNaresh Glow<\/td>\n00:29:04<\/td>\nIndia<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n

Classical Feature Film \u201cHonorable Mention\u201d Section<\/strong><\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n
SL No<\/strong><\/td>\nFilm Name <\/strong><\/td>\nDirector Name <\/strong><\/td>\nDuration<\/strong><\/td>\nCountry Name <\/strong><\/td>\n<\/tr>\n
01<\/td>\nAsukhwala<\/td>\nPalashDey<\/td>\n01:26:54<\/td>\nIndia<\/td>\n<\/tr>\n
02<\/td>\nClownery<\/td>\nDmitri Frolov<\/td>\n00:52:00<\/td>\nRussia<\/td>\n<\/tr>\n
03<\/td>\nLi:Len (A Ray of Hope)<\/td>\nNarayan Seal<\/td>\n01:26:35<\/td>\nIndia<\/td>\n<\/tr>\n
04<\/td>\nMaya<\/td>\nMasudPathik<\/td>\n02:03:00<\/td>\nBangladesh<\/td>\n<\/tr>\n
05<\/td>\nNolok<\/td>\nSakibSonet<\/td>\n02:07:00<\/td>\nBangladesh<\/td>\n<\/tr>\n
06<\/td>\nNuru Miya and His Beauty Driver<\/td>\nMejanur Rahman Labu<\/td>\n02:07:34<\/td>\nBangladesh<\/td>\n<\/tr>\n
07<\/td>\nParadiso<\/td>\nDr. SudeepRanjan Sarkar<\/td>\n01:30:00<\/td>\nIndia<\/td>\n<\/tr>\n
08<\/td>\nThe Bicycle<\/td>\nKhanjan Kishore Nath<\/td>\n01:24:30<\/td>\nIndia<\/td>\n<\/tr>\n
09<\/td>\nTo be or not to be<\/td>\nAzizzhanZairov,<\/p>\n

MukhamedMamyrbekov<\/td>\n

01:00:00<\/td>\nKazakhstan<\/td>\n<\/tr>\n
10<\/td>\nUmformung: TheThe Transformation<\/td>\nDr. SudeepRanjan Sarkar<\/td>\n02:06:00<\/td>\nIndia<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n

Classical Documentary Film \u201cHonorable Mention\u201d Section<\/strong><\/p>\n\n\n\n\n\n\n\n\n\n
SL No<\/strong><\/td>\nFilm Name <\/strong><\/td>\nDirector Name <\/strong><\/td>\nDuration<\/strong><\/td>\nCountry Name <\/strong><\/td>\n<\/tr>\n
01<\/td>\n\u201cHapu-The epilogue<\/td>\nKunal Biswas<\/td>\n00:26:23<\/td>\nIndia<\/td>\n<\/tr>\n
02<\/td>\nKotpad Weaving : The Story of a Race Against Timel am We<\/td>\nBiswanathRath<\/td>\n00:28:46<\/td>\nIndia<\/td>\n<\/tr>\n
03<\/td>\nManislam-Islam and Masculinity<\/td>\nNefiseOzkalLorentzen<\/td>\n00:60:05<\/td>\nBangladesh, Indonesia, Kuwait, Norway, Pakistan, Turkey<\/td>\n<\/tr>\n
04<\/td>\nPelosolhos de Aracy (Through the eyes of Aracy)<\/td>\nRuyterCurvello Duarte<\/td>\n00:14:00<\/td>\nBrazil<\/td>\n<\/tr>\n
05<\/td>\nProjonmo\u2026 The Beginning<\/td>\nB.M. Shahed Mehdi<\/td>\n00:08:57<\/td>\nBangladesh<\/td>\n<\/tr>\n
06<\/td>\nShelter (Tahara)<\/td>\nDeepak Tolange<\/td>\n00:27:00<\/td>\nNepal<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n

Classical Short Film \u201cHonorable Mention\u201d Section<\/strong><\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
SL No<\/strong><\/td>\nFilm Name <\/strong><\/td>\nDirector Name <\/strong><\/td>\nDuration<\/strong><\/td>\nCountry Name <\/strong><\/td>\n<\/tr>\n
01<\/td>\nChristmas plan<\/td>\nSandra Adeyeye Bello<\/td>\n00:03:30<\/td>\nNigeria<\/td>\n<\/tr>\n
02<\/td>\nColourkite<\/td>\nZayedSiddiki<\/td>\n00:14:10<\/td>\nBangladesh<\/td>\n<\/tr>\n
03<\/td>\nFear of Men<\/td>\nAparajitaSangita<\/td>\n00:07:24<\/td>\nBangladesh<\/td>\n<\/tr>\n
04<\/td>\nHolestepper (Pisahueco)<\/td>\nSergio Fern\u00e1ndez Mu\u00f1oz<\/td>\n00:18:00<\/td>\nPeru<\/td>\n<\/tr>\n
05<\/td>\nHimecoming(Mammangi)<\/td>\nRommBurlat<\/td>\n00:27:43<\/td>\nPhilippines<\/td>\n<\/tr>\n
06<\/td>\nIs it Good to Run Away?<\/td>\nFuaduzzamanFuad<\/td>\n00:06:32<\/td>\nBangladesh<\/td>\n<\/tr>\n
07<\/td>\nKarBhalaa (Do Good)<\/td>\nBiswanathRath<\/td>\n00:14:47<\/td>\nIndia<\/td>\n<\/tr>\n
08<\/td>\nMy Beloved Wife<\/td>\nVinay Pujara<\/td>\n00:14:13<\/td>\nUSA<\/td>\n<\/tr>\n
09<\/td>\nNobody, Nowhere, Never<\/td>\nMarina Sark<\/td>\n00:20:00<\/td>\nRussia<\/td>\n<\/tr>\n
10<\/td>\nParallel Journey<\/td>\nTarek Aziz Nishok<\/td>\n00:10:36<\/td>\nBangladesh<\/td>\n<\/tr>\n
11<\/td>\nRabieChetwy<\/td>\nMohamed Kamal<\/td>\n00:16:00<\/td>\nEgypt<\/td>\n<\/tr>\n
12<\/td>\nRevolt<\/td>\nAparajitaSangita<\/td>\n00:08:00<\/td>\nBangladesh<\/td>\n<\/tr>\n
13<\/td>\nSore<\/td>\nRodiellVeloso<\/td>\n00:14:02<\/td>\nIndia<\/td>\n<\/tr>\n
14<\/td>\nSulyap (The Glance)<\/td>\nGeraldo B. Jumawan,<\/p>\n

Sherwin Compendio<\/td>\n

00:14:19<\/td>\nPhilippines<\/td>\n<\/tr>\n
15<\/td>\nThe Right Glass<\/td>\nBiswanathRath<\/td>\n00:01:58<\/td>\nIndia<\/td>\n<\/tr>\n
16<\/td>\nPATT\u2026 The Sound<\/td>\nManish Uppal<\/td>\n00:14:55<\/td>\nIndia<\/td>\n<\/tr>\n
17<\/td>\nThe Violet<\/td>\nBaqer Al-Rubaie<\/td>\n00:18:30<\/td>\nIraq<\/td>\n<\/tr>\n
18<\/td>\nThe Viral Film<\/td>\nArchanaRath<\/td>\n00:04:27<\/td>\nIndia<\/td>\n<\/tr>\n
19<\/td>\nThose Who Love<\/td>\nNefiseOzkalLorentzen<\/td>\n00:05:00<\/td>\nNorway<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n

Kids Filmmaker Section<\/strong><\/p>\n

Focuses European School TV Studio, Georgia<\/strong><\/p>\n\n\n\n\n\n\n
SL No<\/strong><\/td>\nFilm Name <\/strong><\/td>\nDirector Name <\/strong><\/td>\nDuration<\/strong><\/td>\nCountry Name <\/strong><\/td>\n<\/tr>\n
01<\/td>\nChaos of Emotions<\/td>\nSaba Bodokia<\/td>\n00:05:00<\/td>\n\u00a0Georgia<\/td>\n<\/tr>\n
02<\/td>\nCovid Dating<\/td>\nLileTerterashvili<\/td>\n00:05:00<\/td>\nGeorgia<\/td>\n<\/tr>\n
03<\/td>\nTake It<\/td>\nSandro Kintsureshvili<\/td>\n00:02:40<\/td>\nGeorgia<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n

Country 54, International Films 150, Bangladeshi Films 27, Total Films 177<\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

Cinemaking International Film Festival 2020   International Feature Film Competition Section SL No Film Name Director Name Duration Country Name 01 Antardhwani ApurbaKishorBir 01:33:31 India 02 BirDenizcininDogumGunu Gultekin Bayir 01:21:24 Turkey 03 Boluomi Lau KekHuat 01:48:00 Taiwan 04 Colorless Dreams AyubShakhobiddinov 01:15:00 Uzbekistan 05 Girl and the Sea AzizzhanZairov and MukhamedMamyrbekov 2:00:00 Kazakhstan 06 I\u2019Father […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":491,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-501","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/cinemaking.org\/index.php?rest_route=\/wp\/v2\/pages\/501","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/cinemaking.org\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/cinemaking.org\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/cinemaking.org\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/cinemaking.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=501"}],"version-history":[{"count":4,"href":"https:\/\/cinemaking.org\/index.php?rest_route=\/wp\/v2\/pages\/501\/revisions"}],"predecessor-version":[{"id":1136,"href":"https:\/\/cinemaking.org\/index.php?rest_route=\/wp\/v2\/pages\/501\/revisions\/1136"}],"up":[{"embeddable":true,"href":"https:\/\/cinemaking.org\/index.php?rest_route=\/wp\/v2\/pages\/491"}],"wp:attachment":[{"href":"https:\/\/cinemaking.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=501"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}